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Alice Jolly - Dead Babies and Seaside Towns

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Alice Jolly Dead Babies and Seaside Towns

Dead Babies and Seaside Towns: summary, description and annotation

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WINNER OF THE PEN ACKERLEY PRIZE 2016

Beautifully written and brutally honest Sunday Times
Her account is astonishingly moving and her prose nothing short of hypnotic Independent
When Alice Jollys second child was stillborn and all subsequent attempts to have another baby failed, she began to consider every possible option, no matter how unorthodox.
Shot through with humour and full of hope, Dead Babies and Seaside Towns is an intensely personal account of the search for an alternative way to create a family. As she battles through miscarriage, IVF and failed adoption attempts, Alice finds comfort in the faded charm of Britains crumbling seaside towns.
The journey ultimately leads her and her husband to a small town in Minnesota, and to two remarkable women who offer to make the impossible possible.
In this beautifully written book, Alice Jolly describes with a novelists skill the events that many others have lived through even if they may feel compelled to keep them hidden. Her decision not to hide but to share them, without a trace of self-pity, turns Dead Babies and Seaside Towns into a universal story: one that begins in tragedy but ends in joy.

Alice Jolly: author's other books


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Dear Reader The book you are holding came about in a rather different way to - photo 1

Dear Reader,

The book you are holding came about in a rather different way to most others. It was funded directly by readers through a new website: Unbound.

Unbound is the creation of three writers. We started the company because we believed there had to be a better deal for both writers and readers. On the Unbound website, authors share the ideas for the books they want to write directly with readers. If enough of you support the book by pledging for it in advance, we produce a beautifully bound special subscribers edition and distribute a regular edition and e-book wherever books are sold, in shops and online.

This new way of publishing is actually a very old idea (Samuel Johnson funded his dictionary this way). Were just using the internet to build each writer a network of patrons. Here, at the back of this book, youll find the names of all the people who made it happen.

Publishing in this way means readers are no longer just passive consumers of the books they buy, and authors are free to write the books they really want. They get a much fairer return too half the profits their books generate, rather than a tiny percentage of the cover price.

If youre not yet a subscriber, we hope that youll want to join our publishing revolution and have your name listed in one of our books in the future. To get you started, here is a 5 discount on your first pledge. Just visit unbound.com, make your pledge and type DBST in the promo code box when you check out.

Thank you for your support,

Dan Justin and John Founders Unbound about the author Alice Jolly is a - photo 2

Dan, Justin and John

Founders, Unbound

about the author

Alice Jolly is a novelist, playwright and teacher of creative writing. Her two novels ( What The Eye Doesnt See and If Only You Knew ) are both published by Simon and Schuster. She is completing a third novel. Her articles have been published in the Guardian , the Mail on Sunday and the Independent and she has broadcast on Radio 4. Four of her plays have been professionally produced by The Everyman Theatre in Cheltenham. Two of these plays were funded by The Arts Council. Her monologues have been performed in London and provincial theatres and she has recently been commissioned by Paines Plough (The National Theatre of New Writing). In 2014 one of her short stories won the V.S. Pritchett Memorial Prize awarded by The Royal Society of Literature. She teaches for The Arvon Foundation and on the Oxford University Masters Degree in Creative Writing. She has lived in Warsaw and in Brussels. She has three children a son who is twelve, a daughter who was stillborn and a daughter who was born to a surrogate mother in the United States. Her home is now in Stroud in Gloucestershire and she is married to Stephen Kinsella.

To Stephen Kinsella

Always a springboard and a soft landing.

Photo acknowledgements:

Photo of Hope Louise Buckley

Photo of Hope and Thomas John Lawrence

Moniack Mhor Nancy MacDonald

Five Naked Ladies Joslin Towler

The Falling Lady Rose Towler

The Grand, Brighton

whatisbelgium.blogspot.be

Helen Sargeant

acknowledgements

My thanks first and foremost to all who subscribed to this book. Without you, the book would not have been been published. I would also like to thank: Clare Andrews, Kathleen Jones, Susannah Rickards, Xandra Bingley, Amanda Holmes Duffy, Isabel Costello, Katie Waldegrave, Gillian Stern, Caroline Sanderson, Paola Schweitzer, Samantha Carswell, John Boyle, Jeannette Cook, Loretta Stanley, Martin Westlake, Katie Beringer, Linda McKinnon, Polly Rendell, Christa Mahana, Sally Frapwell, Jo Lowde, Lyndall Gibson, Catherine Large, Joanna OMalley, Clare Dunkel, Mandy Fenton, everyone at The Quaker Meeting Houses in Brussels and Nailsworth, my friends at The Everyman Theatre in Cheltenham, Dr Clare Morgan and all my colleagues and students on the Oxford Masters Degree in Creative Writing, Victoria Hobbs at A.M. Heath and, in particular, John Mitchinson, Isobel Frankish, Lauren Fulbright and all their colleagues at Unbound.

Your absence has gone through me

like thread through a needle.

Everything I do is stitched with its color.

W.S. Merwin Separation

I see Laura often running in a frost-glittered garden She is two years old a - photo 3

I see Laura often, running in a frost-glittered garden. She is two years old, a tiny flame-flicker of a child, just as her older brother Thomas was at that age. She wears a navy blue beret and her silver-blonde hair is cut bluntly and falls to just above her shoulders. Her blue wool coat is fitted at the waist and has a rounded velvet collar and large velvet-covered buttons. The frost has made her skin blue-white, her lips a smear of red, a wound that will not heal.

She dashes past me at such speed that my image of her is blurred an arm stretched forward, both feet in their T-bar, navy shoes suspended above the ground. Her legs are thin as wire and her woollen tights wrinkle at the ankle. The toe of that stretched-forward foot is pulled back towards her shin. Somewhere out of sight, other children are running as well, chasing each other, ducking and swivelling, their laughter crackling in the brittle air.

But where is she? In the garden at Mount Vernon. I know that but where exactly? Behind her a flower bed is thick with scarlet roses which bloom despite the frost. I feel sure that shes on the lawn, just below the coach house hedge, but no child could run on such steep ground. Other children will grow up, change, disappoint, amaze, but not Laura. Even if I live to be one hundred, she will still be running endlessly running past the winter roses in her navy blue beret.


It began in a house in North London, one of those toppling, red-brick terraced houses, stacked up tight against each other in the streets above Gospel Oak. We were staying with friends for the weekend and that morning we walked to a playground on the edge of Hampstead Heath. My husband, Stephen, pushed our son, two-year-old Thomas, on swings and stood beside metal-runged ladders, guiding wavering, wellington-booted feet.

It was warm for March and yet I sat on a bench shivering in two jumpers, a coat, scarves, boots and gloves. I was nearly three months pregnant with our second child. My stomach rolled and heaved, my lips were dry, my mouth tasted sour and even the wind on my face felt like an assault. I longed for time to sweep me on, past twelve weeks of pregnancy, as I knew that then the sandpaper-rawness and nagging sickness might end.

After we came back from the Heath, our friends Mark and Susan cooked us a proper Sunday lunch lamb, roast potatoes, buttery cabbage which we ate amidst the half-finished building work in their kitchen. I pushed down two plates despite the nausea. A taxi had been called to take us to the Eurostar at Waterloo Station. From there we would travel back to our home in Brussels.

As we cleared the table, Mark and Susans three children and Thomas were scurrying through the house, their feet clattering, their voices shrieking, determined to fall over the tins of paint left by the builders, smash their heads against the piles of floorboards stacked in the hall, or fall down the uncarpeted stairs. I went to help Stephen with the pushchair and the bags, then hurried to the loo and thats when I found the warning stain of blood.

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