David Lodge - A Man of Parts

About the Book

The mind is a time machine that travels backwards in memory and forwards in prophecy, but he has done with prophecy now

Sequestered in his blitz-battered Regents Park house in 1944, the ailing Herbert George Wells, H.G. to his family and friends, looks back on a life crowded with incident, books, and women. Has it been a success or a failure? Once he was the most famous writer in the world, the man who invented tomorrow; now he feels like yesterdays man, deserted by readers and depressed by the collapse of his utopian dreams.

He recalls his unpromising start, and early struggles to acquire an education and make a living as a teacher; his rapid rise to fame as a writer with a prophetic imagination and a comic common touch which brought him into contact with most of the important literary, intellectual, and political figures of his time; his plunge into socialist politics; his belief in free love, and energetic practice of it. Arguing with himself about his conduct, he relives his relationships with two wives and many mistresses, especially the brilliant student Amber Reeves and the gifted writer Rebecca West, both of whom bore him children, with dramatic and long-lasting consequences.

Unfolding this astonishing story, David Lodge depicts a man as contradictory as he was talented: a socialist who enjoyed his affluence, an acclaimed novelist who turned against the literary novel; a feminist womaniser, sensual yet incurably romantic, irresistible and exasperating by turns, but always vitally human.

About the Author

David Lodges novels include Changing Places , Small World, Nice Work , Thinks... , Author, Author and, most recently, Deaf Sentence . He has also written stage plays and screenplays, and several books of literary criticism, including The Art of Fiction , Consciousness and the Novel and The Year of Henry James .

A MAN OF PARTS

A Novel

by

DAVID LODGE

Contents

This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the authors and publishers rights and those responsible may be liable in law accordingly.

Version 1.0

Epub ISBN 9781446467367

www.randomhouse.co.uk

Published by Harvill Secker 2011

2 4 6 8 10 9 7 5 3 1

Copyright David Lodge 2011

David Lodge has asserted his right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work

This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publishers prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser

First published in Great Britain in 2011 by
HARVILL SECKER
Random House
20 Vauxhall Bridge Road
London SW1V 2SA

www.rbooks.co.uk

Addresses for companies within The Random House Group Limited can be found at: www.randomhouse.co.uk/offices.htm

The Random House Group Limited Reg. No. 954009

A CIP catalogue record for this book is available from the British Library

ISBN 9781846554964 (hardback)
ISBN 9781846554971 (trade paperback)

To Jim Crace

who guessed the subject of this book

before I had written a word of it.

Also by David Lodge

FICTION

The Picturegoers

Ginger, Youre Barmy

The British Museum is Falling Down

Out of the Shelter

Changing Places

How Far Can You Go?

Small World

Nice Work

Paradise News

Therapy

Home Truths

Thinks

Author, Author

Deaf Sentence

CRITICISM

Language of Fiction

The Novelist at the Crossroads

The Modes of Modern Writing

Working with Structuralism

After Bakhtin

ESSAYS

Write On

The Art of Fiction

The Practice of Writing

Consciousness and the Novel

The Year of Henry James

DRAMA

The Writing Game

Home Truths

Parts PLURAL NOUN 1. Personal abilities or talents: a man of many parts . 2. short for private parts .

Collins English Dictionary

He could imagine as existing, as waiting for him, he knew not where, a completeness of understanding, a perfection of response, that would reach all the gamut of his feelings and sensations from the most poetical to the most entirely physical, a beauty of relationship so transfiguring that not only would she it went without saying that this completion was a woman be perfectly beautiful in its light but, what was manifestly more incredible, that he too would be perfectly beautiful and quite at his ease In her presence there could be no self-reproaches, no lapses, no limitations, nothing but happiness and the happiest activities To such a persuasion half the imaginative people in the world succumb as readily as ducklings take to water. They do not doubt its truth any more than a thirsty camel doubts that presently it will come to a spring.

This persuasion is as foolish as though a camel hoped that some day it would drink from such a spring that it would never thirst again.

H.G. W ELLS , Mr Britling Sees It Through

A young mind is like a green field and full of possibilities, but an old mind becomes more and more like a cemetery crowded up with memories.

H.G. W ELLS , Looseleaf Diary, April 28, 1942

Nearly everything that happens in this narrative is based on factual sources based on in the elastic sense that includes inferable from and consistent with. All the characters are portrayals of real people, and the relationships between them were as described in these pages. Quotations from their books and other publications, speeches, and (with very few exceptions) letters, are their own words. But I have used a novelists licence in representing what they thought, felt and said to each other, and I have imagined many circumstantial details which history omitted to record.

D.L.

PART ONE

IN THE SPRING of 1944 Hanover Terrace, a handsome row of Nash town houses on the western perimeter of Regents Park, is looking distinctly war-worn. Its cream stucco faade, untended since 1939, is soiled, cracked and peeling; many windows, shattered by bomb blast or shock waves from the anti-aircraft guns on Primrose Hill, are boarded up; a house towards the end of the terrace, hit by an incendiary bomb, is a gutted shell, stained with smoke. The elegant arcade running the length of the building, which serves as a communal porch for the front doors of the houses, is chipped and flaking, as are the massive Doric columns supporting the buildings central feature a pediment framing statuary of classical figures engaged in various useful and artistic pursuits, two of whom have lost their heads and one an arm. The goddess who formerly stood on the apex of the pediment, clasping an orb, has been removed as a potential danger to people below if she should be suddenly toppled by an explosion; and the cast-iron railings that, smartly painted in black and gold, used to divide the service road and its shrubbery from the parks Outer Circle, were long ago cut down and taken away to make munitions.