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Tim Lebbon - Fears Unnamed

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Tim Lebbon Fears Unnamed

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Tim Lebbon has burst upon the scene and established himself as one of the best horror writers at work today. He is the winner of numerous awards, including a Bram Stoker Award. Critics have raved about his work, and fans have eagerly embraced him as a contemporary master of the macabre. Perhaps nowhere are the reasons for his popularity more evident than in this collection of four of his most chilling novellas. Two of these dark gems received British Fantasy Awards, and another was written specifically for this book. These terrifying tales form a window into a world of horrors that, once experienced, can never be forgotten.

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Fears Unnamed

By

Tim Lebbon

A child grows up when he realizes that he will die Tales Scott - photo 1

A child grows up when he realizes that he will die Tales Scott - photo 2


"A child grows up when he realizes that he will die."

~Tales~

Scott always loved digging down to history. When we were nine years old we would spend time in the local woods, me climbing trees and searching for bird nests and damming the local stream, Scott excavating through the accumulated carpet of leaves and other forest debris in his search for hidden things. Usually he found nothing but mud, muck and crawling things, but on those rare occasions when he went home happy instead of dejected, he would be carrying something of interest. A small skeleton once, easily identifiable were we to ask our parents, though we didn't because we preferred the mystery. He also found a buried box, about the size of a house brick, and we undertook to smash the lock with a rock. Those few seconds were a magical time-the impact of stone on metal reverberating through the woods, the endless possibilities rich and colored by our childish imaginations-and even when the lid flipped open to reveal nothing but rust, we weren't truly disappointed. It was empty of treasure or maps or hidden truths, but the box itself was still there, and that was good enough for us. Scott walked home that day happier than I had ever seen him, the box tucked beneath one arm, his small trowel dirtying his trousers where it protruded from a pocket. He was beaming. "There's always something there," he said. "Everyone reckons that what we see is it. They forget about all the buried stuff."

His progression from school, to university, to a career in archaeology was no surprise to anyone. We kept in touch, even though my work took me on a vastly different route. Scott would disappear from my life for years on end, and then I would receive an e-mail or letter out of the blue, inviting me to join him in Bolivia or Uzbekistan or Taiwan. More often than not I would have to decline, but several times a rush of excitement grabbed me. It was often his young, enthusiastic face I thought of as I sat there in my office at home, dreaming, persuading myself that I should go. The wonder in his eyes. The knowledge that when 1 saw him again that wonder would still be there.

I was a jealous friend. Jealous when we were nine, and jealous when we were thirty-nine. Scott had always known what he wanted from life, and he pursued it with vigor. I lived my life unfulfilled, and worse, felt that I had no potential to fulfill.

So I would talk to my wife and children and, with their blessing, jet off to some far-flung corner of the world to spend two weeks in a tent with my old friend. He never changed, only became fuller. Each time I saw him he seemed more alive and I felt more dead, ground down by life and work, impulsiveness slaughtered by necessity. And each time, Scott seemed to be digging much deeper than even he knew. It was not only lost things he was looking for, but things un-known, and even things that had never been. He was looking past history and into the abyss of unadulterated truth.

He sometimes told me what he had unearthed. I was no longer a child, so 1 often found it difficult to believe, a leap of imagination that I was not able to make. He would smile and shake his head, and that simple gesture hurt me to the core. He was so used to miracles.

His final calling came in a series of brief, enigmatic e-mails.

I've found a city that no one has dreamed of in centuries , the first said. I smiled at the words on the screen, my heart quickening in unconscious sympathy with the excitement bleeding from them. I imagined Scott's eyes wide and childlike in their amazement.

The following night: It must be a city of ghosts. A thrill went through me. Scott could imbue text on a screen with so much emotion and feeling but then 1 knew that my memories of him were providing that effect. He gave me sterile, blank words, and I fleshed them out with his passion.

Matthew is here.

Matthew was Scott's son. Scott had had a brief, passionate affair when he was twenty, and six years later he learned from his ex-lover that he had a child. She only told him because the boy was dying of leukemia.

This wasn't even funny.

What the hell are you talking about ? I wrote back, angry and disturbed at the same time. Scott was a dreamer, a thinker, someone whose imagination led him places not only unheard of, but long forgotten. 1 had never thought of him as a fool.

Come to me, Peter , Scott mailed back. Please . It was the "please" that convinced me I had to go. I was certain that Scott needed my help, though not in the way he believed. Perhaps, somewhere deep inside me where I did not care to look, there was a smugness. Here was the great adventurer-glamorous, passionate, so rich in intellect and enthusiasm-asking for my help. Not outright, but 1 could read between his digital lines, perceive a desperation that 1 had never expected to find. A desperation, and perhaps a fear. Until now he had always invited my presence, not requested it.

Matthew is here , he had said.

What could that mean?

I stood from my computer desk after receiving that last message and walked around my home. My wife was at work, my two children at school, and 1 should have been working through some submissions. But Scott's words had fired my comatose imagination, their mystery setting a fire in the dried out landscape of my mind and struggling to light its shadowed corners. I walked from room to room, bathing in the history of my life as it lay revealed in photographs. Here was Janine and me standing by Victoria Falls, our glasses splashed with spray, wide smiles as magical as upside-down rainbows. And here, the two of us in the hospital with our daughter a bloody bundle at her breast, suckling her way into the world. Another picture sat on the dresser in the hallway showing us on our honeymoon, sheltering beneath a heavy palm tree while a tropical storm thundered its way across the small island. Neither of us could remember who had taken the photo.

There was an old shelf of books in the living room, various first editions I had collected over the years. I liked to think of myself as something of a detective, hauling out my guide to British bookshops every time we found ourselves in a strange town or city, exploring a few here and there, searching old cobwebbed shelves and delving deep into overflowing bargain bins in my search for that elusive rare tome. My collection filled one glass-fronted shelf and was worth over ten thousand pounds.

Worthless. Meaningless. If this was all I had to show for a life

A dried nut, as large as my fist, sat on the fireplace. 1 had climbed a tree for it in Australia, supposedly braving spiders and snakes to grab a piece of that country for myself. Janine had been watching, camera at the ready in case I slipped and fell. I had been in no danger at all.

I tried to think of the most daring thing I had ever done. I had abseiled over three hundred feet down the side of a cliff. It was raining, the rock was slippery and, in places, loose. I had a safety line attached, and an expert climber stood on top of the cliff slowly feeding me rope. I had raised five hundred pounds for charity. At the time, I had felt on the edge.

Scott once showed me his collection of scars. Shark off the coast of South Africa, snake in Paraguay, a goring from running with the bulls in Spain, a bullet in his hip from a brush with Chinese soldiers in Tibet, the ragged wound in his throat where he had given himself a tracheotomy after being stung by a deadly scorpion, airways closing, life fading away in his poisoned blood, his knife so sharp and sure. He had a tattoo on one shoulder blade, put there by an old woman in Haiti who claimed it would keep him alive when death came knocking. On the other shoulder, a gypsy woman in Ireland had painted a bird, hugely feathered and colorful, the carrier of Scott's soul. The ink had never faded, and sometimes it still looked wet. Scott could not explain that, but it did not concern him. He simply accepted it. He had a wooden mask dating from one of the great Egyptian dynasties, a Roman soldier's spear tip found in Jerusalem and dating from around the time of Christ's crucifixion, and around his neck hung a charm, a diamond inset in white gold, the heart of the diamond impossibly black with the sealed blood of a saint.

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