So You Wanna Be a Producer?
and
Adventures of a Migrant Film Worker
Steve Ecclesine
Praise for So You Wanna Be a Producer?
filled with experiences and insights that you have to learn from the experts that are rarely shared with the general public. Tony Krantz, Producer, 24, Dracula, Mullholland Drive, Felicity, Sports Night
30 year showbiz vet Ecclesine hits the mark in this candid, informative, and witty look at what life and a career are like for the people who do the heavy lifting in Hollywood. Kevin Fortson, Warner Horizon TV Production Exec
Very insightful, delightful and frightful! Ken Shapiro, Producer, Golden Globes , Dick Clark Productions
This book contains all the things you should know if you are venturing into the filmmaking business and all the things you wish you had known if youre already in the Biz. Tom Ara, Esq. Film and Television lawyer, Reed Smith
Ive read half of Steves book as I only have one good eye. I had somebody read the other half into my one good ear Steve has captured the essence of our profession. He has as tight a grip on it as the oil cartels have on our collective nuts. Chris Bearde, The Gong Show, Sonny & Cher
Becoming a producer in Hollywood is like trying to drive up the freeway off ramp in rush hour. Steves book will tell you how to avoid the head on collisions and by the end of it, youll be driving like a stunt man. Laura Gregory, CEO of Great Guns Ad agency
To understand how to behave on the set and offset working in film and television from now until 2050, study this book daily. After 2050, renegotiate! Learn from the best or forever be at their mercy. Carl Bressler, Talent Manager
A unique view from the eye of the shit storm. Strapped to the helm, Steve hangs on. I know he has kept me from falling overboard many times. Chris Donovan, Director of Golden Globes, Spirit Awards
smart filmmakers should use this book to get to their career destinations quickly an insightful and entertaining view of the biz written by a man who has been in the trenches for many years. Bobby Logan Writer/ Director Repossessed, F Troop
A must read for anyone daring to come to Hollywood. Mitch Stein. Talent Agent
This book should be required reading for every producer wannabe. It is truly a fascinating look inside the world of TV and Film. Scott Satin, Network TV writer/ producer
Even before I finished, I couldnt wait to give a copy to a young aspiring filmmaker wh recently asked me So how do you break into the business? Tom Ropelewski, Screenwriter, Producer
Its like doing lunch with an uncle whos giving advice and sharing his wisdom. And we can all use an uncle in the business. George Rizkallah, Post Production Producer
If you really want to be a producer in Hollywood or anywhere elsein the world, stop talking about it and read Steves book. Sean McNamara, Producer/ Director Space Warriors, Soul Surfer, Bratz: The movie, Thats So Raven, Even Stevens .
All rights reserved, including without limitation the right to reproduce this ebook or any portion thereof in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.
Copyright 2008 by Steve Ecclesine
ISBN 978-1-4532-2099-3
Padaro Press
www.huquapress.com/padaro-press
This edition published in 2014 by Open Road Integrated Media, Inc.
345 Hudson Street
New York, NY 10014
www.openroadmedia.com
SO YOU WANNA BE A PRODUCER?
Dont be fooled. Everything about it aint appealing
Whether we know it or not, weve all run away and joined the circus
The seven jobs you have to fill in order to get anything produced
Q&A about the job title and the producers responsibilities
The answer is always in the eye of the beholder and thickness of ones wallet
What all those titles really mean. Whos doing what to whom?
The never-ending phenomenon of one-hit wonders
Theres a good reason why they dont teach producing in film school
Learning things the hard way is an important part of the process
One of the most important pieces of information you need to know
This is the difference between success and abject failure
Any thinking that takes place outside the pine box qualifies
Why everyone in Hollywood thinks they have the winning ticket
Learning one of the basic truths about Showbiz
Trying to fit into a world that doesnt want or need you
Its a lot harder than it looks
How an idea becomes a prime time network TV show
What if the monkey picked the new fall lineup?
How reality TV invaded and conquered the little screen, temporarily
The secret revealed: whos number one doesnt really matter
The corruption of Super Bowl Sunday
A quick trip through the labyrinth
The magical art of the storyteller
Does the flick live up to the hype?
Were running out of cinema bad guys
Is the investment of time, energy, toil, and money really worth the finished project?
How the Internet is changing the game and what lies ahead
Anybody got milk? Big Brother is keeping track of all of us
How the new technology tsunami is already affecting Showbiz
The marriage of TV and the Internet will further fragment the audience
Theres a monster living in your computer simply waiting to take control
Besides picking good projects, this is the hardest task to do well
This is the first step in determining the bottom line
What things really cost in Show Business
The medias numero uno target audience are kids they dont want to know
Theyre printing the money in the basement as fast as they can. Will it ever end?
The grab has always been part of human nature
Who, what, where, how much, and why does a movie cost so much money?
You have to move fast to stay in the eye of the storm
We translate dreams into money for a living