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Arturo Perez-Reverte - The Cavalier in the Yellow Doublet

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Table of Contents

ALSO BYARTURO PREZ-REVERTE
The Kings Gold
Captain Alatriste
The Flanders Panel
The Club Dumas
The Seville Communion
The Fencing Master
The Nautical Chart
The Queen of the South
Purity of Blood
The Sun over Breda
Germn Dehesa,
for all the small honorable acts
The Cavalier in the Yellow Doublet - image 1
Hated and envied,
Vilely slandered,
More soldier valiant
Than captain prudent.

Though bold and capricious,
And at times vicious,
This was not his sin,
But the times he lived in.
1. THE CORRAL DE LA CRUZ
Diego Alatriste was in a devil of a hurry. A new play was about to be performed at the Corral de la Cruz, and there he was on the Cuesta de la Vega, dueling with some fellow whose name he didnt even know. The play was by Tirso de Molina, and any first performance of a play by Tirso was a great occasion in Madrid. The whole city, it seemed, was either crammed into the theater or else forming a queue outside in the street, and no one in that queue would have thought it unreasonable to knife his neighbor if it meant getting a seat or even standing room. There was, however, neither rhyme nor reason to what he was doing now, namely, getting involved in a minor skirmish following a chance collision on a street corner. Such conflicts were, of course, a regular enough occurrence in the Madrid of the day, where it was as common to unsheathe ones sword as to cross oneself. Why dont you look where youre going, sir! Why dont you, my manare you blind? Gods teeth. Gods and anyone elses. And it was that disrespectful my manfor the other fellow was young and quick to angerwhich had made a fight inevitable. You, sir, Alatriste had said, stroking his mustache, can call me my man or even boy all you like, but only with sword and dagger in hand on the Cuesta de la Vega, which is, after all, just a step awayalways assuming, of course, that youre gentleman enough to spare me the time. The other man did apparently have time to spare, or was, at the least, unprepared to modify his language. And so there they were, overlooking the Manzanares River, on the top of a hill to which they had walked, side by side, like two comrades, without saying a word, and without unsheathing the swords or daggers that were now clashing loudlycling, clangand glinting in the afternoon sun.

After an initial cautious circling of blades, Alatriste was startled into full attention by the first serious thrust, which he parried with some difficulty. He was more irritated with himself than with his opponent, irritated with his own irritation. This was not a good state of mind to be in; any sword fight, when life and health are at stake, requires both a cool head and a steady hand. If you lack either, there is a risk that your irritationor whatever other emotion you happen to be feelingmight slip from your body, along with your soul, through some previously unnoticed buttonhole in your doublet. But what could he do? He had left the Inn of the Turk in that same black mood, following an argument with Caridad la Lebrijana. The argument had erupted as soon as she returned home from mass and had involved smashed crockery, slammed doors, and a consequent delay in setting off for the theater. The chance encounter on the corner of Calle del Arcabuz and Calle de Toledowhich would ordinarily have been resolved with common sense and reasonable wordshad instead channeled all his ill humor into this duel. Anyway, it was too late to turn back now. The other man was in deadly earnest and, all honor to him, very good with a blade and agile as a deer. He seemed to Alatriste, from his manner of fighting, to have a soldiers technique: a wide stance, a quick hand, and many a riposte and counter-riposte. He would unleash fierce attacks, intent on wounding, give stabbing thrusts, then withdraw as if to cut and reverse, always watching for the moment when he might lunge forward on his left foot and hook the hilt of his enemys blade with his dagger. It was an old trick, but effective if the person performing it had a good eye and an even better hand. Alatriste, however, was an older and more battle-hardened fighter, and so he kept moving in a semicircle in the direction of his opponents left hand, thus thwarting his intentions and wearing him out. He also took the opportunity to study his opponent, who was a good-looking young man in his twenties. Despite his city clothesshort suede boots, an over-doublet of fine cloth, and the brown cape which he had placed on the ground along with his hat so as to be able to move more freelyhe had, at least to the eye of an expert, a soldierly air about him: confident, brave, tight-lipped, and certainly no braggart, but concentrating on the job at hand. He was perhaps from a good family. The captain ignored a feint and made a circling movement to the right so that the sun was in his adversarys eyes. He silently cursed himself. By now, the first act of The Garden of Juan Fernndez would be in full swing.
He decided to finish the business, although not so hastily that it might work against him. Besides, there was no point in complicating his life further by killing a man in broad daylight, and on a Sunday. His opponent made a lunge, which Alatriste parried, making as if to deliver a straightforward blow, but instead shifting to the right, lowering his sword to protect his own chest and, in passing, dealing the other man an ugly cut to the head with his dagger. A bystander might have described this as both unorthodox and somewhat underhand, but there were no by standers. Besides, Mara de Castro would already be on stage, and it was still a fair walk to the Corral de la Cruz. This was no time for niceties. More important, the strategy had worked. The young man turned pale and fell to his knees, bright red blood gushing from his temple. He had dropped his dagger and was resting all his weight on his sword, which buckled slightly beneath him. Alatriste sheathed his own sword, then went over and disarmed the wounded man by gently kicking the blade from under him. Then he held him up so that he wouldnt fall, took a clean handkerchief from the sleeve of his doublet and bandaged the gash in the mans head as best he could.
Will you be all right on your own? he asked.
The young man looked at him, confused, but did not reply. Alatriste snorted impatiently.
I have things to do, he said.
The man nodded weakly. He made as if to get up, and Alatriste helped him to his feet, letting him lean on his shoulder. The blood was still flowing beneath the improvised bandage, but the man was young and strong. The bleeding would soon stop.
Ill send help, added Alatriste.
He couldnt wait to be gone. He looked at the tower of the Alczar Real that rose up above the walls, then back toward the long Segovia bridge. No constablesthat was one good thingand no bluebottles either. No one. The whole of Madrid was watching Tirsos play, and there he was, wasting time. One way to solve the problem, he thought impatiently, would be to slip a real to some errand boy or footboy, of the sort usually to be be found loitering near the city gate, waiting for travelers. They could then take the stranger back to his innor indeed to hell or wherever else he might choose to go. He helped the wounded man sit down on a large boulder that had once formed part of the city wall. Then he restored to him hat, cape, sword, and dagger.
Can I do anything more for you?
The other mans breathing was somewhat labored, and his face was still drained of color. He looked at Alatriste for a long while, as if he found it hard to make out his features.
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