A s a confirmed HBO geek, I have spent countless hours glued to my television set watching shows like Band of Brothers, Deadwood, Curb Your Enthusiasm, Rome and The Wire (Im currently working my way through a stack of Six Feet Under box sets). So I, of course, was itching for Boardwalk Empire to hit the screen. The hype surrounding it was unparalleled, but, once again, the network surpassed my expectations. It is well written, expertly acted, beautifully filmed and smart, not words you would use to describe most television programmes. God bless you, HBO. Long may you reign.
The series was ambitious by anyones standards. Rich in detail, rooted in fact, colossal in budget, and starring some of the most exciting names in the business; I found there was no shortage of things to say about it. Which brings me on to The Boardwalk Empire AZ.
Ill start by telling you what it isnt.
As any acting coach worth their salt will tell you, character is action you cant write about someone without telling their story; they are one and the same. So if youve bought or borrowed this book expecting to find a section on Jimmy Darmody or Margaret Schroeder, Im afraid youll be disappointed. My thinking is that if you havent seen the first two seasons yet, you wont thank me for giving away the story; and if you have, you really dont need to hear about it again here. That said, this book is primarily intended for those who have already seen all of the first season. Ive done my utmost to avoid them but be warned: there is the occasional, minor spoiler lurking within.
With an estimated budget of $50 million and over 200 speaking parts, Boardwalk Empire is television on an epic scale. In a book of this nature it would be impossible to credit sufficiently every single member of the cast and crew. So, again, if youre after a biography of everybody down to the best boy grip and the guy who plays the drunken Irishman in episode two, I hope youve kept your receipt.
So what is this?
Here you will meet the historical figures who inspired the show and will get to explore the world they lived in. It also covers how Boardwalk Empire came to be made, introducing some of the key figures behind the series people like Terence Winter, Tim Van Patten and Martin Scorsese. It also contains biographies of the leading cast members, examines some of their previous roles, and looks at how they came to be involved in the show. So while there might not be an entry on the character of Nucky Thompson, you will find one on Nucky Johnson, the Atlantic City boss that he is based on; another on Steve Buscemi, the actor who plays him; another on the city he ruled for 30 years; another on how, and where, they recreated that boardwalk for the series; and another on well, you get the idea.
As it says on the cover, this is an AZ, so it was not really my intention that it be read from start to finish in the traditional way. But each to their own.
Gangsters such as Al Capone and Lucky Luciano have become legends. Every new biography, documentary and movie about them adds fuel to the fire and today it is almost impossible to distil all of these myths down to hard facts. It also doesnt help that most mobsters were economical with the truth. I have done my best to present a balanced albeit potted history of those relevant to the show. If you want to know more, youll find a list of books at the back that were not only extremely useful for my research but are ones that I can heartily recommend, too.
Ill sign off now, but I sincerely hope that you enjoy reading The Boardwalk Empire AZ as much as I enjoyed researching and writing it.
John Wallace
London, December 2011
Greg Antonacci
Greg Antonacci is a multi-talented New Yorker who has been extremely active in the entertainment industry since the 1970s. Acting is only one of the strings to his bow: Antonacci is also an experienced director, writer and producer. He has also been involved in the theatre world. In 1975 he wrote, composed for and starred in the Broadway musical Dance with Me, which ran for almost a year and was nominated for three Tony Awards.
Although his writing and producing keeps him busy, his acting rsum is still impressive. Before playing mob boss Johnny Torrio in Boardwalk Empire, Antonacci was Butch DeConcini in nine episodes of the final season of The Sopranos. During his time on the show he worked with both Terence Winter and Tim Van Patten. His other previous acting credits include the short-lived series MakinIt and playing Vinnie Morabito in the comedy Busting Loose, both of which aired in the 1970s.
With his producer hat on, he has created a variety of television shows as diverse as The Blues Brothers The Animated Series and the popular Brothers, a comedy that ran for five seasons about a former kicker for the Philadelphia Eagles who opens a restaurant. He has also produced a series created by Eddie Murphy called The Royal Family. The show was initially popular but suffered a crippling blow when one of its lead actors, the comedian Redd Foxx, died midway through production.
When you add to this his numerous writing and directing credits, it is clear that Antonacci is a man of many talents. With a strong performance in The Sopranos and an ongoing role in Boardwalk Empire, he seems to be enjoying a real revival as an actor. He threw himself into the role of Johnny Torrio, researching his character and looking into the realities of life during Prohibition. He presented the Chicago part of HBOs Speakeasy Tour, visiting the site of Torrios old headquarters, the Four Deuces, as well as the Green Mill, the Green Door Tavern and other drinking dens of the era. Vincent Piazza and Michael Stuhlbarg, who play Lucky Luciano and Arnold Rothstein in the show, present the New York segment of the tour. The 25-minute documentary can be found online and is well worth watching.
Antonacci has been married twice. His first wife was Annie Potts, an actress who has starred in Ghostbusters and voices Bo Peep in the Toy Story movies. His second wife, Lynda Costanzo, is also an actress.
Considering that the real Torrio did not die until he was well into his seventies, we can safely assume that Antonacci is going to remain a firm fixture in Terence Winters show.
Speaking to ABC, he said that working with Scorsese was a real privilege. There are directors who create an atmosphere in which you can do good work; Marty creates an atmosphere in which it is impossible not to do good work, he said. And his energy is incredible its infectious. [] Youll do a take, its two in the morning youve been there from five the morning before and hell come over and hell go: Cut. Print. Perfect! Perfect! Lets do a few more.
See also: Four Deuces, Johnny Torrio
Atlantic City
Atlantic City stands on Absecon Island, a thin stretch of land on the southern New Jersey shore. Its original inhabitants were the Lenni-Lenape Indians, who would spend the summer months there. They called it Absegami, or Little Sea Water.
The first recorded owner was an Englishman, Thomas Budd, who bought the land in the second half of the 17th century. Although a few permanent structures were built and a small community developed, it did not look set to develop into anything more until a former doctor and politician by the name of Jonathan Pitney decided to create a city by the sea.
Development on any real scale was futile until visitors had a way to actually get to Absecon Island in the first place. Along with railway manager Richard Osborne, Pitney campaigned tirelessly for a line to be built, but convincing the legislators was no easy task. As one of them said: Whoever heard of a railway with only one end? On Independence Day 1854, after years of hard work, the Camden and Atlantic Railroad opened to the public. Finally, there was a link from Philadelphia to the town that Pitney had worked so untiringly to establish. By 1874, just 20 years later, close to half a million people were visiting every year.