Neil Arnold - Haunted Chatham

I would like to dedicate this book
to my sister Vicki I love you x

The stories grew more and more lurid, wilder and sillier, and soon the gasps and cries merged into fits of choking laughter

Susan Hill The Woman in Black

Many thanks to the following for helping me write this book: My mum Paulene, and dad, Ron; my sister Vicki; my wife Jemma; my nan, Win, and granddad, Ron; Joe Chester; Sean Tudor; Missy Lindley and Corriene Vickers; The History Press; Chatham World Heritage; the Kent Messenger ; Adscene; the Chatham, Rochester & Gillingham News ; Kent Today ; the Chatham Observer ; the Medway Messenger ; This Is Kent ; True Crime ; the Evening Post ; the Chatham Standard . Big thanks also to Medway Archives & Local Studies; Paranormal Magazine ; Most Haunted ; Chris Cooke; Derek Hargrave; Matt Newton; Susie Higgins and Mark Gower; Mark Wright; Maureen; Judy at City Books, Rochester; Lisa Birch; Rachel Thomson-King; Shane Nichols at Fort Amherst; and Terry Cameron. Extra special thanks to Pam Wood at Chatham Dockyard and the people of Chatham who came forward with their ghostly tales. Thanks to Simon Wyatt for the illustrations. All photographs are by the author unless otherwise stated.

I did not believe in ghosts. Or rather, until this day, I had not done so, and whatever stories I had heard of them I had, like most rational, sensible young men, dismissed as nothing more than stories indeed.

Susan Hill The Woman in Black

The Ghosts of Chatham Past

A pea-soup fog sits upon the Medway river,

The yellow moon peeks through the cloud.

Tales are spun around the fireside as shivers

Run down the spines of those gathered round.

Listen carefully, the storyteller hushes the tone,

There is more to this town than meets the eye

A wooden stair creaks as the eerie wind moans,

And the silence is split by a cry.

Spirits they gather seemingly without a reason,

Except to haunt those who fail to believe.

Throughout the crisp spring and warm summer seasons,

To the dark night of All Hallows Eve.

And not to forget the Christmas festivities,

Where ghost stories seem to fester so well.

Those pesky spooks that tamper with the electricity,

And ghouls who abide by church bells.

So many ghosts litter Chathams past,

Flitting from the forts to the river front docks.

Some fade as memories, some have strength to last,

Others have the ability to stop clocks.

Those crooked old buildings may exist only as a shell,

But if only those cold walls could talk,

For when theres no room left in Heaven and Hell,

Then those departed choose this plateau to walk.

Some are in limbo, others happy to remain,

Forever encased in the fabric of time,

From hooded monks, phantom ladies and animals arcane,

Slipping from the ethereal void to the backstreets of the mind.

Chatham a ghost town in the literal sense,

In that many a house hides a ghost in its nook.

So, when youre weak and weary, beware of the eerie,

And in slumber keep one eye open for spooks.

When the witching hour draws in its cloak of blackness,

And the shadows play tricks on the mind,

Heed this warning as you step into darkness,

Always remember to look behind.

A snap of a twig, the rattle of a handle,

May not be quite what it seems.

So, the next time you ascend the stairs with a candle,

Blow out the flame and wish for sweet dreams.

You must know at least one ghost story, stepfather, everyone knows one

Susan Hill The Woman in Black

It was in the late 1960s, when my family and I moved to an old large, army building to live, that I saw a ghost. I was just eleven years old at the time. Based on my description, it was decided that what I had seen could have been a nurse from about the time of the Crimean War. It added to the obsession that I had then, which still remains with me to this day. The curious need to research ghost stories and track down any real facts still holds its fascination. I knew of a drummer boy ghost yarn as a child and now, as an adult, I have researched the real murder. Putting meat on the bones of a story, if you pardon the expression, gives me a great deal of satisfaction. The real journey is making the past come to life and giving it a voice; the ghost walks do just that for me, whilst giving those long dead a chance to air their views once more.

There are ghosts in the Dockyard but why do we have so many? This has caused much debate; the earliest reference to a ghost in the yard was from Samuel Pepys. It is easy to imagine that on dimly lit, misty, eerie evenings, ghost stories and tales of mysterious noises and footsteps are recounted to help wile away a night shift. Today we are left with an 80-acre site; the majority of the buildings were constructed between 1704 and 1855, and were used for shipbuilding during the magnificent age of sail. It is no wonder that the legacy of the military and the colourful past of the shipwrights has left their footprints behind, echoing down the cobblestone roads of the present.

Some stories have been handed down, and the ghosts not only want their stories to be retold, they also let us know that they are there. Using all their senses on a ghost investigation, people have detected sudden drops in room temperature and odours, such as the smell of horses, fresh hay, and urine but also more pleasant aromas like roses, lavender and even freshly ironed linen. Footsteps have been heard when no one was there. Tour groups have even heard heavy objects being dropped, when they were the only people in the building at the time. Raw emotions, like a sense of overwhelming sadness, have been experienced by visitors; I have seen grown men cry in Commissioners House and people run from the building weeping. However, sometimes these feelings are on the other end of the spectrum; I have been told many times that the atmosphere evokes a feeling of anger in some people during the course of a tour. The attic space is well-known for having a spooky atmosphere and the joiners shop was where, twenty-two years ago, I first heard a ghost in the yard. Recently, when I gave a talk to the present tenants, they confirmed that these incidents were continuing to happen.

I grew up in Chatham and remember the area which was known as the Brook; I am even lucky enough to own pictures of the people who lived and worked in old Chatham. My grandmother would tell me of the town of her youth and the stories in our family date back to the 1850s.

Every year new stories and ghostly goings-on come to light. Neil has looked at all aspects of the Dockyard stories and of Chatham, unearthing an excellent selection of ghost stories. I hope you enjoy reading them as much as I have.

Pam Wood, 2012

Pam Wood is Visitor Services Manager at Chatham Dockyard and organises regular ghost tours around the site. For more information visit www.theDockyard.co.uk