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Joe Longthorne - Joe Longthorne--Sugar in the Morning: Sugar in the Morning

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Joe Longthorne Joe Longthorne--Sugar in the Morning: Sugar in the Morning
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    Joe Longthorne--Sugar in the Morning: Sugar in the Morning
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Joe Longthorne--Sugar in the Morning: Sugar in the Morning: summary, description and annotation

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The ups and downs, the triumphs and tragedies, Joe Longthorne doesnt hold anything back. In the golden days of Joes career, he was one of televisions highest paid performers, attracting audiences of more than 12 million courtesy of his amazing voice and impressions of singers such as Shirley Bassey, Tom Jones, and Frank Sinatra. He has countless gold and platinum albums to his name, has appeared on the Royal Variety Show, and sells out iconic venues the world over, including the Palladium, Royal Albert Hall, Sydney Opera House, and Drury Lane Chicago. However, tragedy and trauma have haunted the Hull-born singer, and he tells his life story in his own words in this wonderful book. From his childhood in the traveling community and singing on the streets for money to the colorful rock and roll lifestyle of sex, drugs, bankruptcy, court appearances, and the bizarre, hilarious stories which worldwide touring produces. But Joes toughest times have been found in his repeated battles with cancer, having fought off the illness multiple times over the last three decades, most recently in the summer of 2014 when Joe beat throat cancerand began singing again hours after his life-saving operation! This is the true story of one of Britains most iconic entertainers, a man who has never flinched from doing what he was born forperforming. In a book for which critics and fans have been united in praise, Joe Longthorne lays bare his incredible life in this, his official autobiography.

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CONTENTS


I t is difficult to know where to start when writing about Joe. His group of fanatical fans would describe him one way, fellow artistes would describe him another way and, of course, his faithful entourage would describe him their way.

I think the best way to describe Joe Longthorne is to use an old-fashioned expression my mother used when describing something which was far more than it looked: Theres good stuff in little parcels. I think this sums Joe up perfectly.

Offstage, talking to him or sharing a joke, he is Joe, the guy next door. Put him on a stage, under the bright lights and fronting his eight-piece band, you are watching a megastar. I use that expression because his live show is simply breathtaking.

This man, who is probably 5 6 or less, fills the stage with his amazing presence, wit and genuine love of his fans. He does, in my opinion, rank amongst the greatest performers we have ever produced in this country, and to this day I cannot understand why he is not topping the bill in Las Vegas or New York. Ive just come back from Vegas, where I saw one of the biggest names in the world, a major US star, and the artiste (who I wont mention) was just not up to the standard that Joe reaches every time I have ever seen him.

His impressions are second to none, and his little schoolboy jokes are told exactly like a naughty schoolboy with a cheeky little grin at the tagline.

I have seen Joe perform many times, and indeed Ive appeared on the same live show with him. His backstage demeanour is Mr Cool. This makes such a change from some of the prima donnas I have worked with over the years.

He appeared at Liverpool one time for a charity show on behalf of a famous Liverpudlian, Herbert the Hairdresser. Joe was on the same bill as The Real Thing and Claire Sweeney, but he stole the show, as he always does.

I recently appeared on The Alan Titchmarsh Show and Joe was at the same studio, getting ready to give yet another sparkling performance. When he knew I was in the dressing room, he stopped rehearsals and came to see me.

Joe, I said, get back and finish your rehearsal. Joe replied, Friends are more important than rehearsals. We sat in the dressing room and laughed as we swapped jokes and stories.

A short time ago, I had a four-way heart bypass and thought this would be the end of my performing career. Then I remembered the night Joe invited me to the Midland Hotel in Manchester. The Variety Club of Great Britain had arranged a gala benefit night in honour of Joe, who had recently undergone a bone-marrow transplant. I remembered the illness he had been through and how he had always bounced back. I said to myself that, compared to what Joe had been through, my operation was only like having a tooth out.

On that night, I was struck by all of the other show-business artistes who turned up to wish Joe well and show how much they loved and respected him. Needless to say, as frail as he was at the time, as he was just recovering, Joe sang and made a lovely, moving little speech in which he said the star of the evening was not him or any of the very many well-known faces from the world of entertainment in the hall. The star was, in fact, his surgeon and Joe thanked him publicly.

There is a saying about the phoenix rising from the ashes; I think this applies to Joe Longthorne in more ways than one. He has been up and down many times but never out. He, like many of us, has had money troubles; and he has let himself down on occasions by being led astray.

However, Joe always takes responsibility for his mistakes and never blames anybody else and more importantly, he always comes good. The last time I saw Joe perform live was at the Floral Pavilion Theatre in New Brighton. My friend and I turned up on the night to see the House Full sign in the foyer. The manager of the theatre knew us and sat us in an area reserved for wheelchair users (it was not being used at the time) with two deckchairs to sit on. The lights dimmed, music played and on walked a slight figure in an all-white suit the audience erupted and he performed. It was electrifying. Joe sang, joked, played the piano, and it was the finest performance I had ever seen.

The story of Joes life is the stuff that novelists couldnt make up. I am so pleased that he has got round to writing it with his good friend and fellow singer as well as an excellent writer Chris Berry. This book tells his amazing story, which has had more highs and lows than anyone I know. It is the best autobiography I have ever read!

Joe fully deserves his title of The Greatest British Entertainer as I said, theres good stuff in little parcels.

M Y eldest kids were teenagers when I first took them to see Joe Longthorne. They werent happy about it. My daughter loved Shane Richie. My son was into Blink 182. They moaned all the way to the Blackpool Opera House, and they carried on moaning right up until the moment Joe started to sing. But they left the show absolute converts to the Longthorne cause, just as I knew they would.

Pretty much everyone who sees Joe is blown away by his range of impressions; critics dont call Joe the Human Juke Box for nothing. But theyre also touched by his humour, his vulnerability, and his unique relationship with his adoring audience.

Man of the people, Joe Longthorne is more than just a class act. He is, as I once wrote, the spirit of show-business decanted into a suit. Pure variety.

Religious ecstasy is the closest parallel to the joyous intensity of a Longthorne live show. His powers of mimicry are uncanny. Close your eyes and he is Shirley Bassey or Tom Jones, or pretty much whoever he chooses to be. Bassey says, Joe does me better than I do myself.

Last year, as an experiment, I sneaked his David Bowie impression onto the indie rock-orientated Total Rock Radio. The musicians in the studio were amazed. Who was this hot new talent, they demanded to know. It was hot old Joe. A brand new, albeit small, audience was won over.

That is why its a constant source of irritation to me that British television treats this incredible entertainer with such disdain. Im not alone. The likes of Chris Evans, Peter Kay and Noel Edmonds have all sang his praises vocally over the years. And yet still TV bosses cock a deaf un. Instead of wining and dining each other at the Groucho Club or foisting the likes of Jedward on the viewing public, they might consider going to see Joe Longthorne live. Then theyd understand what a phenomenon the man is.

Interflora should give him shares for the amount of business his fans put their way. They leave his stage decked out like the Chelsea Flower Show.

You never know what to expect with Joe. The first time I interviewed him at home, his carthorse casually sauntered into the house and was left there until he fancied wandering out again.

Other journalists have been known to moan about Joes laissez-faire attitudes, or his penchant for the odd medicinal Jamaican Woodbine. I find it all endearing. How can a man this easygoing and seemingly disorganised off-stage be transformed into such a consummate pro when his band strike up?

The last time I saw Joe Longthorne in concert, he was headlining at Blackpools North Pier. Joe promised my wife and I the royal box, which surprised me as I didnt think the North Pier had one. It hasnt. We were led up and over the roof of the venue to a very different box the lighting box where the scatty star had thoughtfully left us a bottle of champagne on ice.

Everything in Joes life is touched with humour, even the tragedy and he has had his fair share of that. As youll read in these pages, Joe Longthorne has had priests read him the last rites more times than Tiger Woods has had hot girlfriends. The last time it happened Joe was ready to go.

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