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T. G. Wakeling - Forged Egyptian Antiquities

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The cover image was created by the transcriber and is placed in the public - photo 1
The cover image was created by the transcriber and is placed in the public domain.
FORGED EGYPTIAN
ANTIQUITIES

AGENTS
AMERICATHE MACMILLAN COMPANY
64 & 66 Fifth Avenue , NEW YORK
AUSTRALASIATHE OXFORD UNIVERSITY PRESS
205 Flinders Lane , MELBOURNE
CANADATHE MACMILLAN COMPANY OF CANADA LTD.
St. Martins House, 70 Bond Street , TORONTO
INDIAMACMILLAN & COMPANY LTD.
Macmillan Building , BOMBAY
309 Bow Bazaar Street , CALCUTTA

PLATE I.
A BLUE CANOPIC JAR, WITH ANUBIS HEAD.
This is an imitation of porcelain and shows very well the unevenness of the modern glaze. Such jars were used to contain the internal organs of the dead and were placed in the tomb beside the mummy.

FORGED
EGYPTIAN
ANTIQUITIES
BY
T. G. WAKELING
AUTHOR OF THE WHITE KNIGHTS
ETC.
ADAM & CHARLES BLACK
4 SOHO SQUARE LONDON
1912

BALLANTYNE & COMPANY LTD
Tavistock Street Covent Garden
London
PREFATORY NOTE
I wish to express my indebtedness to Mr. and Mrs. Firth, of the Nubian Archological Survey, and to Dr. G. A. Reisner, of the Harvard University Expedition, for their kindness in assisting me.
Plates were prepared from water-colour drawings made by Miss Enid Stoddard, but all of the others have been reproduced direct from the objects themselves.
CONTENTS
CHAPTERPAGE
I.INTRODUCTORY
II.GOLD ORNAMENTS
III.LAPIS LAZULI FIGURES AND IRIDESCENT GLASS
IV.FIGURES IN WOOD
V.STONE FIGURES
VI.PORCELAIN FIGURES
VII.SCARABS
VIII.ALABASTER
IX.PORCELAIN, SERPENTINE AND GRANITE
X.MUMMIES AND MUMMY CASES
XI.A FORGED TOMB
XII.THE MAKERS AND SELLERS OF FORGED ANTIQUITIES
XIII.EGYPTOLOGISTS
REFERENCES
INDEX
LIST OF ILLUSTRATIONS
IN COLOUR
PLATEPAGE
I.A BLUE CANOPIC JAR WITH ANUBIS HEAD
II.NECKLACES AND A BRACELET
III.WOODEN USHEBTI FIGURES
IV.FUNERARY FIGURES IN WOOD AND PLASTER
V.WOODEN ARTICLES
VI.STONE AND COMPOSITION FIGURES
VII.STONE AND OTHER FIGURES
VIII.SCARABS AND AMULETS
IX.ALABASTER
X.PORCELAIN, WOOD AND GLASS
XI.BLUE PORCELAIN
XII.PORCELAIN
XIII.BLUE PORCELAIN
XIV.A PIECE OF MUMMY CASE
XV.BEADS AND MUMMY CLOTH
XVI.REPRODUCTIONS FOUND IN NUBIA
LIST OF FIGURES
PRINTED IN THE TEXT
PAGE
MODEL OF A FUNERARY CHAMBER; VIEW OF INTERIOR
MODEL OF A FUNERARY CHAMBER; COMPLETE OBJECT
HORUS HAWK
BES
FIGURE OF A NUBIAN, MADE OF SLATE
SANDSTONE TABLET AND KNEELING FIGURE
A WINGED SCARAB AND THE FOUR GENII
A SEALED JAR, MADE OF WOOD, AND PAINTED TO REPRESENT STONE; PERIOD, 20TH DYNASTY
A HAWKS HEAD, THE LID OF A CANOPIC JAR
SMALL ROUGH MODEL OF AN IBIS, IN PORCELAIN
HATHOR
JAR MADE OF SERPENTINE
THE GODDESS TAURT

FORGED EGYPTIAN
ANTIQUITIES
CHAPTER I
INTRODUCTORY
There are a great many people in the world who are interested in Egypt, in its antiquities, and in the unfolding of its pages of ancient history; a number collect specimens of old Egyptian art, such as scarabs, pottery, small statues, &c., and others, when in Egypt, buy them as presents for friends at home.
It is for this numerous class, which is year by year defrauded of large sums of money by the plausible sellers of forged antiquities, that this book has been written, for most of them, sooner or later, find out to their dismay that that which they had thought was a genuine relic of ancient days, and prized accordingly, is nothing more nor less than a clever fraud, and, from a collectors point of view, worthless. The Egyptologist, museum authority, and expert collector may be safely left to take care of themselves; a perusal of the following pages might even prove interesting to them, although it is exceedingly unlikely that the book contains anything new so far as they are concerned.
The selling of spurious Egyptian antiquities is not confined to Egypt alone. London, New York, Paris, and even Algiers, are also the hunting-ground of the makers of imitations, who often make large sums of money by imposing upon those who do not possess the knowledge requisite to detect the fraud.
It is interesting to analyse the frame of mind of the people who have been cheated. As a rule, they are angry, but they are extremely careful to keep their feelings to themselves. If you inquire, they pooh-pooh the transaction as one of little moment, and pass it over, although, as I shall presently show, many pounds may have been lost. But if the conversation is not changed, and you wait patiently, you will presently find that under the carefully repressed annoyance runs a vein of genuine regret that the nice-spoken, honest-looking and plausible Hassan or Mohammed had cheated them.
The subsequent history of the fraudulent antiquity is often interesting. As a rule, it is packed up and taken home, to be presented in due course to some friend with the cautious remark that perhaps it is genuine. Then some day an unfortunate Egyptologist is brought face to face with it, and he has to make his escape as best he may, with a certain loss of reputation. I have heard a hostess remark sarcastically that she did not know what post was held by her victim in the Antiquities Department in Egypt, but it certainly did not require a clever man to see that hers was an important antiquity.
There is no more trying moment in an Egyptologists life than when, after a good dinner, while he is feeling at peace with all the world, a charming hostess brings out an antiquity for him to pass judgment upon. I have seen men literally squirm, and many are the subterfuges employed by them to avoid giving an opinion. Woe betide the unhappy expert if a mischievous friend happens to be there who will lead their hostess on to ask questions, and who will assure her, despite mute appeals, that her victim is an expert in the particular branch to which her statue or jar, as it may be, belongs. And when the Egyptologist is cornered, and huffily declares to be a forgery the object upon which he is asked to pass judgment, the lady is, as a rule, angry or hurt; and then it is that the mischievous friend saves the situation by murmuring, How shocking that these Egyptologists should be so jealous! The straw is caught, the hostess smiles again, and peace is restored, while the unfortunate man from Egypt, vowing vengeance, makes his escape.
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