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Eleanor Andrews - Spaces of the Cinematic Home

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Spaces of the Cinematic Home
This book examines the ways in which the house appears in films and the modes by which it moves beyond being merely a backdrop for action. Specifically, it explores the ways that domestic spaces carry inherent connotations that filmmakers exploit to enhance meanings and pleasures within film. Rather than simply examining the representation of the house as national symbol, auteur trait, or in terms of genre, contributors study various rooms in the domestic sphere from an assortment of time periods and from a diversity of national cinemasfrom interior spaces in ancient Rome to the Chinese kitchen, from the animated house to the metaphor of the armchair in film noir.
Eleanor Andrews is Senior Lecturer in Italian and Course Leader for Film Studies at the University of Wolverhampton, UK.
Stella Hockenhull is Reader in Film and Television Studies at the University of Wolverhampton, UK.
Fran Pheasant-Kelly is MA Course Leader and Reader in Film and Television Studies at the University of Wolverhampton, UK.
Routledge Advances in Film Studies
1 Neoliberalism and Global Cinema
Capital, Culture, and Marxist Critique
Edited by Jyotsna Kapur and Keith B. Wagner
2 Koreas Occupied Cinemas, 18931948
The Untold History of the Film Industry
Brian Yecies with Ae-Gyung Shim
3 Transnational Asian Identities in Pan-Pacific Cinemas
The Reel Asian Exchange
Edited by Philippa Gates and Lisa Funnell
4 Narratives of Gendered Dissent in South Asian Cinemas
Alka Kurian
5 Hollywood Melodrama and the New Deal
Public Daydreams
Anna Siomopoulos
6 Theorizing Film Acting
Edited by Aaron Taylor
7 Stardom and the Aesthetics of Neorealism
Ingrid Bergman in Rossellinis Italy
Ora Gelley
8 Postwar Renoir
Film and the Memory of Violence
Colin Davis
9 Cinema and Inter-American Relations
Tracking Transnational Affect
Adrin Prez Melgosa
10 European Civil War Films
Memory, Conflict, and Nostalgia
Eleftheria Rania Kosmidou
11 The Aesthetics of Antifascist Film
Radical Projection
Jennifer Lynde Barker
12 The Politics of Age and Disability in Contemporary Spanish Film
Plus Ultra Pluralism
Matthew J. Marr
13 Cinema and Language Loss
Displacement, Visuality and the Filmic Image
Tijana Mamula
14 Cinema as Weather
Stylistic Screens and Atmospheric Change
Kristi McKim
15 Landscape and Memory in Post-Fascist Italian Film
Cinema Year Zero
Giuliana Minghelli
16 Masculinity in the Contemporary Romantic Comedy
Gender as Genre
John Alberti
17 Crossover Cinema
Cross-Cultural Film from Production to Reception
Edited by Sukhmani Khorana
18 Spanish Cinema in the Global Context
Film on Film
Samuel Amago
19 Japanese Horror Films and Their American Remakes
Translating Fear, Adapting Culture
Valerie Wee
20 Postfeminism and Paternity in Contemporary US Film
Framing Fatherhood
Hannah Hamad
21 Cine-Ethics
Ethical Dimensions of Film Theory, Practice and Spectatorship
Edited by Jinhee Choi and Mattias Frey
22 Postcolonial Film
History, Empire, Resistance
Edited by Rebecca Weaver-Hightower and Peter Hulme
23 The Womans Film of the 1940s
Gender, Narrative, and History
Alison L. McKee
24 Iranian Cinema in a Global Context
Policy, Politics, and Form
Edited by Peter Decherney and Blake Atwood
25 Eco-Trauma Cinema
Edited by Anil Narine
26 American and Chinese-Language Cinemas
Examining Cultural Flows
Edited by Lisa Funnell and Man-Fung Yip
27 American Documentary Filmmaking in the Digital Age
Depictions of War in Burns, Moore, and Morris
Lucia Ricciardelli
28 Asian Cinema and the Use of Space
Interdisciplinary Perspectives
Edited by Lilian Chee and Edna Lim
29 Moralizing Cinema
Film, Catholicism and Power
Edited by Daniel Biltereyst and Daniela Treveri Gennari
30 Popular Film Music and Masculinity in Action
A Different Tune
Amanda Howell
31 Film and the American Presidency
Edited by Jeff Menne and Christian B. Long
32 Hollywood Action Films and Spatial Theory
Nick Jones
33 The Western in the Global South
Edited by MaryEllen Higgins, Rita Keresztesi, and Dayna Oscherwitz
34 Spaces of the Cinematic Home
Behind the Screen Door
Edited by Eleanor Andrews, Stella Hockenhull, and Fran Pheasant-Kelly
First published 2016
by Routledge
711 Third Avenue, New York, NY 10017
and by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
2016 Taylor & Francis
The right of the editors to be identified as the author of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
Library of Congress Cataloging in Publication Data
Spaces of the cinematic home : behind the screen door / edited by Eleanor Andrews, Stella Hockenhull and Fran Pheasant-Kelly.
pages cm. (Routledge advances in film studies)
Includes bibliographical references and index.
1. Home in motion pictures. 2. Domestic space in motion pictures. I. Andrews, Eleanor, 1953- editor. II. Hockenhull, Stella, editor. III. Pheasant-Kelly, Frances, 1960- editor.
PN1995.9.H54S63 2015
791.43'6552dc23 2015008637
ISBN: 978-1-138-79165-7 (hbk)
ISBN: 978-1-315-76261-6 (ebk)
Typeset in Sabon
by codeMantra
Contents

ELEANOR ANDREWS, STELLA HOCKENHULL, AND FRAN PHEASANT-KELLY

CHRISTOPHER HOLLIDAY

STELLA HOCKENHULL

SCOTT MARTIN

PHIL DAVEY

PAUL BRIGHTON

ANN EATWELL

PASQUALE IANNONE

JEAN AMATO

HOLLIE PRICE

ELEANOR ANDREWS

ANDREW HOCK SOON NG

MARK JONES

GLEN DONNAR

FRAN PHEASANT-KELLY
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