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Nathaniel Armstrong Wells - The Picturesque Antiquities of Spain

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CHAPEL OF SAN ISIDRO IN THE CHURCH OF SAN ANDRES MADRID THE PICTURESQUE - photo 1

CHAPEL OF SAN ISIDRO,
IN THE CHURCH OF SAN ANDRES, MADRID.
THE
PICTURESQUE ANTIQUITIES
OF
SPAIN;
DESCRIBED IN A SERIES OF LETTERS,
WITH ILLUSTRATIONS,
REPRESENTING MOORISH PALACES, CATHEDRALS,
AND OTHER MONUMENTS OF ART,
CONTAINED IN THE CITIES OF
BURGOS, VALLADOLID, TOLEDO, AND SEVILLE.
BY
NATHANIEL ARMSTRONG WELLS.
LONDON:
RICHARD BENTLEY, NEW BURLINGTON STREET,
Publisher in Ordinary to Her Majesty.
M.DCCC.XLVI.
LONDON:
Printed by S. & J. Bentley , Wilson , and Fley , Bangor House, Shoe Lane.
PREFACE.

The author of the following letters is aware that his publication would have possessed greater utility, had the architectural descriptions been more minute. He ventures to hope, however, that this imperfection may be in some measure balanced by the more extended sphere opened to whatever information it may contain.
The absence of many technical expressions, especially those which enter into a detailed description of almost all Gothic buildings, and the employment of which was forbidden by the occasion, may tend to facilitate the satisfaction of popular curiosity respecting Spanish art: the more so from the circumstance that the most intelligent in such subjects are scarcely sufficiently agreed on the application of technical terms, to allow of the compilation of a standard vocabulary. His ambition will be more than satisfied, should his past, and perhaps future researches, succeed, in some degree, in pioneering the path for a more scientific pen.
Should this work fall into the hands of any reader, whose expectations of entertainment may have been encouraged by the announcement of another Spanish tour, but who may feel but moderate enthusiasm for the artistic and monumental glories of the Peninsula, an explanation is due to him, exonerative of the author from much of the responsibility attached to the matter-of-fact tone of his descriptions. It is no less his nature than it was his wish to paint what he saw as he saw it. Unfortunately his visits to Spain took place after the accomplishment of the revolution, the hardest blows of which were aimed at her church. The confiscation of the ecclesiastical revenues has necessarily stripped the processions and other ceremonies of their former splendour, and by suppressing what constituted one of their chief attractions to the native population, transferred the interest of the lover of the picturesque from the bright colours of animated grouping, to the dead background of stone and marble they have left.
In studying, however, to preserve this strict accuracy in all that related to the principal subject of his correspondence, his aim was to enliven it by the introduction of any incidents worthy of notice which came under his observation. In this object he hopes he may have succeeded.
One more remark is necessary. The letters from Seville, which form the second of the two parts into which the volume is divided, although placed last in order of succession, date in reality from an earlier period than the rest; and even from a different tour, as will appear from the description of the route. They were addressed to various individuals, whereas those forming the first part were all written to the same person. They are thus placed with a view to geographical order and clearness, and to a sort of unity, which appeared advisable in the subject of a volume. The two excursions having been separated by an interval of three years, should alterations have taken place during that period in the places described, the above circumstance not being borne in mind might lead to an appearance of chronological inaccuracy in the descriptions, although there is not much probability of the existence of such changes.
London. December 1845.
CONTENTS.


page

To Mrs. Cr

Route To Spain through France

The Basque Provinces

Arrival at Burgos. Cathedral.

Tomb of the Cid. Citadel.

Cartuja de Miraflores. Convent of Las Huelgas.

Route To Madrid. Museo.

Picturesque Position of Toledo. Florinda.

Cathedral of Toledo

Cafes. Wedding Ceremony. Cathedral Continued. Alcazar Hospital of Santa Cruz.
Convent of La Conception. Mysterious Cavern. Convent of Santa Fe, or of Santiago.
Sons-in-law of the Cid.

Streets of Toledo. El Ama de Casa. Monastery of San Juan de Los Reyes.
Palace of Don Hurtado de Mendoza.

Arab Monuments. Pictures. The Princess Galiana. Environs.

Castles of Almonacid, Guadamur, Montalban, and Escalona. Torrijos.

Valladolid. San Pablo. College of San Gregorio. Route By Saragoza.


Journey To Seville. Character of the Spaniards. Valley of the Rhone.

Voyage To Gibraltar

Cadiz. Arrival at Seville.

The Arabs in Spain. Alcazar of Seville.

Cathedral of Seville

Spanish Beggars. Hairdressing. The Giralda. Casa de Pilatos. Monasteries. Italica.

Private Houses, and Local Customs in Seville

Inquisition. College of San Telmo. Cigar Manufactory. Bull Circus.
Exchange. Ayuntamiento.

Footnotes
ENGRAVED PLATES.
page
Chapel of San Isidro, Madrid
Transept of Cathedral, Burgos
Interior of the Church of Miraflores
View of Toledo
Interior of Cathedral, Toledo
Faade of San Gregorio, Valladolid
Hall of Ambassadors, do.
Faade of the Alcazar, Seville
Great Court of do.
Interior of the Cathedral, Seville

WOOD ENGRAVINGS.
Arco de Santa Maria. Burgos.
Interior of the Choir, Cathedral of Burgos
Sculpture in the Apse, do. do.
Head of St. Francis
Fountain of Santa Maria, Burgos
Italian Gallery at the Museo, Madrid
Florinda's Bath, Toledo
Apse of the Cathedral, Toledo
Costume of a Military Nun, Santa Fe, Toledo
Church of San Juan de Los Reyes, do.
Cloister of San Juan de Los Reyes, do.
Interior of Santa Maria la Blanca, do.
Interior of Christo de la Luz, do.
Castle of Guadamur. Environs of do.
Faade of San Pablo. Valladolid
Court of San Gregorio. Valladolid
Court of Dolls, Alcazar, Seville
Fountains at the Alcazar
Portal of San Telmo, Seville
PICTURESQUE ANTIQUITIES
OF
SPAIN.

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