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Gertrude Lowthian Bell - Safar Nameh, Persian Pictures

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SAFAR NAMEH Warum bin ich vergnglich O Zeus so fragte die Schnheit Macht ich - photo 1

SAFAR NAMEH
Warum bin ich vergnglich, O Zeus? so fragte die Schnheit.
Macht ich doch, sagte der Gott, nur das Vergngliche schn.
Und die Liebe, die Blumen, der Tau und die Jugend vernahmens,
Alle gingen sie weg weinend von Jupiters Thron.
Goethe
Now, a traveller is a creature not always looking at sightshe remembers (how often!) the happy land of his birth; he has, too, his moments of humble enthusiasm about fire and foodabout shade and drink.
Kinglake
SAFAR NAMEH
PERSIAN PICTURES
A BOOK OF TRAVEL
LONDON
RICHARD BENTLEY AND SON
Publishers in Ordinary to Her Majesty the Queen
1894
[All rights reserved]

CONTENTS
PAGE
AN EASTERN CITY
THE TOWER OF SILENCE
IN PRAISE OF GARDENS
THE KING OF MERCHANTS
THE IMAM HUSSEIN
THE SHADOW OF DEATH
DWELLERS IN TENTS
THREE NOBLE LADIES
THE TREASURE OF THE KING
SHEIKH HASSAN
A PERSIAN HOST
A STAGE AND A HALF
A BRIDLE-PATH
TWO PALACES
THE MONTH OF FASTING
REQUIESCANT IN PACE
THE CITY OF KING PRUSIAS
SHOPS AND SHOPKEEPERS
A MURRAY OF THE FIRST CENTURY
TRAVELLING COMPANIONS

ERRATUM.
Page 138, line 2, for bouches de cheveux read bouches de chevaux.
PERSIAN PICTURES.
PERSIAN PICTURES
c1
AN EASTERN CITY
The modern capital of Persia lies in a plain ringed half-way round by mountains, which on the northern side touch with frozen summits the regions of eternal snow, and on the east sink into low ranges of hills, stretching their naked arms into the desert. It is the chief city of a land of dust and stoneswaste and desolate, Persia unfolds her monotonous length, broken only by ridges of hills even more barren than the plain itself, southward from the gates of Tehran. There is a certain fine simplicity in a landscape from which the element of water, with all the varied life it brings in its murmuring train, is entirely absent. The empty world looks like a great room cleared for the reception of some splendid company; presently it will be filled by a vast pageant of men or angels: their lance-heads will flash back the dazzling rays of the sun, their banners will float out many-coloured against the sombre background, the peal of their trumpets will re-echo from mountain to mountain. But no! day after day rises upon the same silence, the same solitude, and at length the watcher turns away impatiently, with the conviction that he has been gazing with futile expectation upon the changeless features of the dead. The pageant has long since swept over the landswept onward. Mother of human energies, strewn with the ruins of a Titanic past, Persia has slipped out of the vivid world, and the simplicity of her landscape is the fine simplicity of death. Alas, poor Yorick! says Hamlet, yielding, in an exceptionally unpremeditated moment, the natural tribute of pity from the living to the dead. Persia in such an aspect may be pitiful enough, but it is not admirable.
To the north of Tehran, however, the lower slopes of the Shimran range are clothed with gardens and cornfields, as though the dense vegetation which, by a strange freak of nature, stretches its belt of green along the southern shore of the Caspian, between the shifting sands of the Oxus and the black, naphtha-saturated earth of Baku, had sent its roots through the very heart of the mountains and found a foothold for its irrepressible luxuriance even among dust and stones. The capital itself, as you approach it from the west, presents the appearance of a wood rather than of a citynor minaret, nor tower, nor dome forms a landmark above it, the trees of its gardens conceal its stunted buildings, and it is not until the traveller finds himself under its very walls that he can say, Here is Tehran! It owes its life to the snow mountains, from whence its water flows; the ground between them and the town is undermined by a network of passages, vaulted over with stone, and ventilated by air-holes at intervals of about fifty yards, each hole being protected by a mound of earth. Within, these arteries of the city are the width of a mans shoulders, and scarcely high enough to allow him to walk upright; he stumbles, knee-deep in water, along the uneven bed, bending himself double where the vault drops lower, squeezing past narrow corners cut out of the solid rock. On either side black apertures open into more passages, bringing in tributary streams from right and leftward, and at intervals the darkness is broken by the ray of sunlight which strikes through one of the air-holes, burying itself, like an ill-directed spear, deep into the earth. No other form of irrigation remains, no storage of water, in a country where these arts were probably familiar to the far larger population which dwelt in former ages at the foot of the mountains. The present system is clumsy and laborious. Constant watchfulness is needed to keep the Kanats from falling into disrepair and from becoming blocked by masses of roots, and if this were to be relaxed, Tehran would in a few years cease to exist.
To what merit it owes its position of capital remains a mystery. It is the seat of no native industry; arid deserts and narrow mountain-passes, traversed only by caravans of mules, cut it off from all convenient intercourse with the west. Isfahan is invested with the traditions of a former importance; about Shiraz linger the vestiges of a still mightier antiquity; Casvin lies a hundred miles nearer to the Caspian; Tehran is only a modern seat of government called to importance by the arbitrary will of the present race of sovereigns.
Many gates lead into the city, breaking the level of the mud walls, with their arches and turrets, which are decorated with tiles of faence set into patterns and pictures and inscriptions. The space enclosed by the walls is a large one, but it is not by any means filled with houses. Passing through one of the western gateways, you will find yourself at first in desolate tracts of sand, stretching between unfinished or ruined buildings; occasionally the open doorway in a long mud wall will reveal to you a luxuriant garden full of tanks and fountains and flower-beds, under whose plane-trees stands the house of some rich man who can afford himself a weekly sufficiency of water to turn the wilderness into fertile pleasure-grounds; further on you will come upon wide streets, very empty and silent, fringed by low, mud-built houses; gradually the streets narrow, the sloping counters of shops present their wares to the passers-by: fruit and vegetables, and the broad thin flaps of Persian bread; here and there a European shop-window, behind which the goods are more miscellaneous than tempting; here and there the frontage of some Government building, with a doorway gaily patterned in coloured bricks. As the streets grow narrower, they become more crowded. A kaleidoscopic world of unfamiliar figures passes to and fro beneath the white mulberry-trees which spring out between the cobble stones of the pavement: grave elders holding their cloaks discreetly round them, dervishes with a loincloth about their waists, and a brilliant scarf bound over their ragged locks, women enveloped from head to foot in loose black garments, a linen veil hanging over their faces, and making them look like the members of some strange religious order, negro slaves and white-robed Arabs, beggars and loiterers, and troops of children pressing in and out between the horsemen and the carriages. Sometimes a beggar will accost youa woman, perhaps, drawing aside a corner of her veil and imploring alms in a sweet high voice. If you turn a deaf ear to her prayers, she will invoke curses on your head, but a copper coin will purchase you every blessing known to man, including the disappearance of the lady in question, who would otherwise have followed you with unblushing persistence, shouting, Pul! pul! pul!Money! money! money!in your ear.
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