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Abi Morgan - Splendour

Here you can read online Abi Morgan - Splendour full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2015, publisher: Bloomsbury Publishing, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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In the opulent drawing room of the Presidential Palace, a Western photojournalist awaits the return of the dictator. She is here to take his portrait. The dictators wife, her best friend and an interpreter wait with her. Prada shoes, vodka glasses and light fingers tap out the time. He is late, very late... All four women harbour secrets and suspicions. All four are in danger. This is the day that revolution comes to the streets. Abi Morgans devastating play allows us a glimpse into the minds of four women as their world turns.

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Splendour first published in 2000 by Oberon Books Ltd 521 Caledonian Road - photo 1
Splendour first published in 2000 by Oberon Books Ltd 521 Caledonian Road - photo 2
Splendour first published in 2000 by Oberon Books Ltd 521 Caledonian Road - photo 3
Splendour first published in 2000 by Oberon Books Ltd.
521 Caledonian Road, London N7 9RH
Tel: +44 (0) 20 7607 3637 / Fax: +44 (0) 20 7607 3629
e-mail:
www.oberonbooks.com
Copyright Abi Morgan 2000, 2001, 2015
Abi Morgan is hereby identified as author of this play in accordance with section 77 of the Copyright, Designs and Patents Act 1988. The author has asserted her moral rights.
All rights whatsoever in this play are strictly reserved and application for performance etc. should be made before commencement of rehearsal to 42, First Floor, 8 Flitcroft Street, London WC2H 8DL. No performance may be given unless a licence has been obtained, and no alterations may be made in the title or the text of the play without the authors prior written consent.
You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or binding or by any means (print, electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.
A catalogue record for this book is available from the British Library.
PB ISBN: 9781783199136
E ISBN: 9781786826008
Cover design by AKA
Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY.
eBook conversion by Lapiz Digital Services, India.
Visit www.oberonbooks.com to read more about all our books and to buy them. You will also find features, author interviews and news of any author events, and you can sign up for e-newsletters so that youre always first to hear about our new releases.
Splendour was first performed by Paines Plough in association with The Peter Wolff Theatre Trust at the Traverse Theatre on 3 August 2000, with the following cast:
MICHELEINE
Mary Cunningham
KATHRYN
Faith Flint
GENEVIEVE
Myra McFadyen
GILMA
Eileen Walsh
Director
Vicky Featherstone
Designer
Neil Warmington
Splendour was revived at the Donmar Warehouse, London on 30 July 2015, with the following cast:
GILMA
Zawe Ashton
MICHELEINE
Sinad Cusack
GENEVIEVE
Michelle Fairley
KATHRYN
Genevieve OReilly
Director
Robert Hastie
Designer
Peter McKintosh
Lighting Designer
Lee Curran
Sound Designer
Adrienne Quartly
Movement Director
Jack Murphy
Characters
MICHELEINE
the wife, female, late 40s
GILMA
the interpreter, female, early/mid 20s
KATHRYN
the photographer, female, mid/late 30s
GENEVIEVE
the informer, female, early/mid 40s
SETTING
The play is set in a house, in an affluent neighbourhood on the edge of a large city.
The sound of fireworks/shelling should be abstract.
Evening; A palatial drawing room in the home of a dictator.
MICHELEINE, the wife is our hostess. GENEVIEVE, her best friend, has just entered, her coat on as if she has just come in from outside. She is covered in snow. KATHRYN, a photo-journalist, is standing, her back to us, staring at a large and incongruous abstract painting that hangs on the wall. Her interpretor, GILMA, a local woman has just broken a red Venetian vase. She is sweeping up the broken shards of glass off the floor.
MICHELEINE: Genevieve, your hair its
GENEVIEVE: Snow.
KATHRYN: dripping on her green dress.
GENEVIEVE: Im fine. The roads are terrible.
GILMA: Im sorry.
MICHELEINE: Its nothing, just a vase. (Introducing) Gilma.
GENEVIEVE: Gilma.
GILMA: Dont look me up and down like that.
GENEVIEVE: I had to take the back route. Is there anything to drink?
MICHELEINE: Yes. Were onto our third.
( GENEVIEVE walks across the room and pours herself a glass of vodka .)
I am sitting in the garden of friends, good friends a few hours before this moment.
GENEVIEVE: Jesus
MICHELEINE: we are having lunch with friends.
GENEVIEVE: ( I.e. drink .) Micha, where did you get this?
MICHELEINE: Lunch with Isabella.
KATHRYN: We are drinking chilli vodka.
GENEVIEVE: You saw her?
MICHELEINE: A few hours ago.
KATHRYN: Chilli vodka that is blindingly hot.
MICHELEINE: To my right is a pudgy man I always seem to get stuck with. He laughs too much at a joke my husband makes
(GILMA hands MICHELEINE back the dustpan and brush.)
GILMA: ( To MICHELEINE .) Im sorry.
MICHELEINE: Of course, its a very funny joke A nun is walking through a park.
GENEVIEVE: I thought Oolio would be
MICHELEINE: Coming. You know the office. Youre dripping on the carp
GENEVIEVE: (To MICHELEINE.) Micha, there are bells ringing all along the Southside.
(A beat. MICHELEINE takes her coat from her. GENEVIEVE clocks KATHRYN looking at the painting.)
MICHELEINE: A nun is walking through a park when a giant gorilla attacks her. He ravishes her in the bushes and then quickly bounds away. She is clearly distressed and returns to the convent where Mother Superior with some concern takes the young nun aside. My dear I cant help but notice, you seem very upset of late.
GENEVIEVE: The painting
(GENEVIEVE comes up to look at the painting with KATHRYN.)
I see youve noticed the painting.
KATHRYN: Sorry?
GENEVIEVE: The painting? You like it?
MICHELEINE: We commissioned it. Its not one of his best.
KATHRYN: Im sorry (To GILMA.) Gilma? Gilma? Im sorry. I dont understand. (To GENEVIEVE.) Im sorry. I dont understand.
MICHELEINE: (Introducing.) Kathryn.
KATHRYN: (To GENEVIEVE.) Kathryn.
MICHELEINE: (To GENEVIEVE.) Shes a very important journalist.
KATHRYN: Ive come to take a photograph.
MICHELEINE: This is my best friend, Genevieve. Our husbands have been, were friends for thirty
GENEVIEVE: five
MICHELEINE: years.
(GENEVIEVE and KATHRYN shake hands.)
KATHRYN: Gilma?
GILMA: The painting. Her husband
KATHRYN: painted it? Were discussing fucking painting.
MICHELEINE: (To KATHRYN.) Wont you have a little nut?
Moved by the Mother Superiors vigilant concern, the young nun confesses to the recent contretemps with the gorilla in the park. The Mother Superior bestows sympathy but as the weeks pass, a vow of silence is shrouded over the terrible event. But one day the Mother Superior unable to contain herself, betrays a certain curiosity, a certain girlish interest My dear, dont think me indiscreet, but may I ask Mid way through the punch-line, the pudgy man who is already laughing, suddenly shoots up and says Ssh did you hear that?
GILMA: (To GENEVIEVE.) The bells on the Southside. I heard them, this afternoon.
MICHELEINE: Faint, on a cold breeze. (Beat.) I heard nothing at all.
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