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IU Press Journals - Transition 113: Transition: the Magazine of Africa and the Diaspora

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Published three times per year by Indiana University Press for the Hutchins Center at Harvard University, Transition is a unique forum for the freshest, most compelling ideas from and about the black world. Since its founding in Uganda in 1961, the magazine has kept apace of the rapid transformation of the African Diaspora and has remained a leading forum of intellectual debate. In issue 113, Transition updates Countee Cullens iconic question by asking, What is Africa to me now? A soul-searchingly private query, its ramifications nevertheless play out in profoundly public ways, around issues of immigration, racial and ethnic tension, and the search for belonging. Guest edited by Benedicte Ledent and Daria Tunca, in this cluster Madhu Krishnan takes Achebes Things Fall Apart as a starting point for defining contemporary African literature, while Louis Chude-Sokei explores through their novels the experiences of Africans living in America. Julie Kleinman reveals the perspective of Malian immigrants in France, and photographer Johny Pitts searches Europe with his camera for what he calls Afropeans. Meanwhile, celebrated author and editor Hilton Als has his own questions about diaspora, which he explores in recollections of a childhood summer in Barbados. Caribbean Canadian novelist David Chariandy also treats Transition readers to a sneak preview of his forthcoming novel, Brother. The issue concludes with a suite of essays that examine the social impacts of collective fear, and askgiven obvious parallels between the Rodney King beating and the murder of Trayvon Martinwhy does this keep happening to young black men?

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TRANSITION
Transition was founded in 1961 in Uganda by the late Rajat Neogy and quickly established itself as a leading forum for intellectual debate. The first series of issues developed a reputation for tough-minded, far-reaching criticism, both cultural and political, and this series carries on the tradition.
Transition 113 Transition the Magazine of Africa and the Diaspora - image 1TRANSITION 113
AN INTERNATIONAL REVIEW
Editors
Tommie Shelby
Glenda Carpio
Vincent Brown
Visual Arts Editor
Gwendolyn DuBois Shaw
Managing Editor
Sara Bruya
Editorial Assistants
Elisabeth Houston
Adam McGee
Image Assistant
Jason Silverstein
Publishers
Kwame Anthony Appiah
Henry Louis Gates, Jr.
Senior Advisory Editor
F. Abiola Irele
Advisory Editors
Laurie Calhoun
Brent Hayes Edwards
Henry Finder
Michael C. Vazquez
Chairman of the Editorial Board
Wole Soyinka
Editorial Board
Elizabeth Alexander
Houston A. Baker, Jr.
Suzanne Preston Blier
Laurent Dubois
bell hooks
Paulin Hountondji
Biodun Jeyifo
Jamaica Kincaid
Achille Mbembe
Toni Morrison
Micere M. Githae Mugo
Khalil Gibran Muhammad
Eve Troutt Powell
Cornel West
William Julius Wilson
CONTENTS
Transition updates Countee Cullens iconic question, examining the meaning of the continent for members of African diasporas both old and new.
by Bndicte Ledent and Daria Tunca
Madhu Krishnan retraces how Chinua Achebes Things Fall Apart helped inaugurate contemporary African literature as we know it, and examines the ways that contemporary African novelists are trying to smash the image of Africa as a monolitheven as their works sometimes play into efforts to stereotype what Africa means.
Narrating the story of Boubacar, a Malian immigrant in France, Julie Kleinman explores how French colonial fantasies of travel and adventure in Africa belie the fraught and perilous real-life adventures of Soninke men trying to eke out a living in the Hexagon.
Johny Pitts questions what it means to have a black body, and sets off with camera across Recession-turmoiled Europe in search of the elusive Afropean.
Engaging in close readings of fiction from a number of African-African American writersincluding Mengestu, Adichie, Oguine, and ColeLouis Chude-Sokei considers how a new wave of African immigrants thinks about race and solidarity with extant black American culture.
by Chika Unigwe
Poet and novelist Jackie Kay is interviewed by Petra Tournay-Theodotou about her memoir, Red Dust Road, which tells of the adopted, biracial Britons search for her Nigerian father and Scottish mother.
Falling through memory, Hilton Als juxtaposes a day spent with his intimate frienda man he loves like no otherwith arresting recollections of a childhood summer spent in Barbados, when sexual maturation sundered him from his brother.
by Danielle Legros Georges
Kelly Baker Josephs chats with David Chariandy, author of Soucouyant, about the relationship between his scholarship and fiction. The two also discuss Chariandys role in defining a Black Canadian literary canon.
by David Chariandy
by Malika Booker
Transition examines the social impacts of collective fear, from the L.A. Riots to the Zimmerman trial.
Laurence Ralph and Kerry Chance explore how blacks are construed by the American legal system as inherently problematictheir mere presence in public space an indication of wrong-doing. The authors draw comparisons between the Rodney King beating and Trayvon Martins murder, and introduce the following essays.
In this interview, Ju Yon Kim invites Dai Sil Kim-Gibson to reflect on the impact of her 1992 film Sa-I-Gu, which provided a Korean American perspective on the L.A. Riots. The filmmaker goes on to discuss the motivations behind her decision to return to the subject years later in Wet Sand.
Inviting the reader to consider a number of images depicting black suffering, Patricia Williams scrutinizes how black Americans, from Rodney King to Trayvon Martin, have consistently been falsely construed as the perpetratorsrather than the victimsof violence against themselves.
: West African Souvenir Seller, Eiffel Tower, Paris. 2013 Johny Pitts.
ANNOUNCEMENT
IT IS RARE that a thinker comes along who not only completely alters the way we engage in social critique, but also introduces new objects of social criticism. We at Transition deeply mourn the loss of the incomparable Stuart Hall, one of the founders of the interdisciplinary field of cultural studies and a longtime member of our Editorial Board. So much of what appears in our pages would be simply unimaginable if not for his profound impact on the study of the African diaspora and the black popular arts. Hall, more than anyone else, brought serious thinking about race and the postcolonial condition to the cultural studies movement. His legacy includes an abundant source of ideas and critical tools that can be built upon as we confront the powerful meaning-making representations of new media technologies. We owe him a tremendous debt. May he rest in peace.
The Editors
What is Africa to me now?
guest edited by
Bndicte Ledent and Daria Tunca
An Afropean OdysseySelf Portrait Ventimiglia detail 2013 Johny Pitts - photo 2
An Afropean Odyssey/Self Portrait, Ventimiglia (detail). 2013 Johny Pitts.
What is Africa to me now?
the continent and its literary diasporas
Bndicte Ledent and Daria Tunca
ARTISTS ATTEMPT TO capture the complexities of human nature through writing, painting, and other creative media. Academics, on the other hand, act on this impulse to understand the world by engaging in more mundane activities, such as holding conferences. And so it was that, eager to explore issues of representation, identity, and memory in the literatures of the African diasporas, we started to consider organizing an event at our home institution, the University of Lige, Belgium.
Academia is often about academia and not about the real, messy world.
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