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Philip K. Dick - The Father Thing (short story)

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Philip K. Dick The Father Thing (short story)

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Copyright

The Father-Thing

Copyright 1954 by Philip K. Dick
Cover art and eForeword to the electronic edition copyright 2002 by RosettaBooks, LLC

All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews.

For information address Editor@RosettaBooks.com

First electronic edition published 2002 by RosettaBooks LLC, New York.

ISBN 0-7953-0750-0


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eForeword

Science fiction fans will find familiar the premise of Philip K. Dicks 1954 short story The Father-Thing. In it, a young boy, Charlie, discovers that his father is not actually his father. The man in his house who comes home from work, kisses his mother, sits down to dinner, makes comments about his day at the office may look and talk like the real Mr. Walton, but Charlie knows better. He alone knows the hideous secret: that his real father has been killed, and that an alien now inhabits his body, and has usurped his life. It is no longer his father but the Father-Thing.

It is a familiar premise but an interesting one. Works like The Thing and, most famously, Invasion of the Body Snatchers, were especially popular in the 1950s, expressing the fear that people are not what they seem to be. The idea that something sinister may be lurking beneath a faade of suburban complacency is certainly an important component to Jack Finneys novel, Invasion of the Body Snatchers and the movie of the same name. But while that work is largely about the countrys paranoia and suspiciousness during the McCarthy years, Dicks story has a much more personal focus.

The Father-Thing is more personal because it is not about the invasion of a community, but of a family. The alien takeover serves as a metaphor for estrangement, as the Father-Thing represents the agencydriven by seemingly inscrutable motivesthat irremediably damages the household and the familys stability. Dicks story, then, is both a chilling science fiction tale and a emotionally resonant work about a childs coming to grips with a home in turmoil. Where Charlie turns when he finds himself an outcast from his home is somewhat surprising, and it reveals much about Dicks ideas about community and exile.

RosettaBooks is the leading publisher dedicated exclusively to electronic editions of great works of fiction and non-fiction that reflect our world. RosettaBooks is a committed e-publisher, maximizing the resources of the Web in opening a fresh dimension in the reading experience. In this electronic reading environment, each RosettaBook will enhance the experience through The RosettaBooks Connection. This gateway instantly delivers to the reader the opportunity to learn more about the title, the author, the content and the context of each work, using the full resources of the Web.

To experience The RosettaBooks Connection for The Father-Thing:

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The Father-Thing
by PHILIP K. DICK

DINNERS READY, commanded Mrs. Walton. Go get your father and tell him to wash his hands. The same applies to you, young man. She carried a steaming casserole to the neatly set table. Youll find him out in the garage.

Charles hesitated. He was only eight years old, and the problem bothering him would have confounded Hillel. I he began uncertainly.

Whats wrong? June Walton caught the uneasy tone in her sons voice and her matronly bosom fluttered with sudden alarm. Isnt Ted out in the garage? For heavens sake, he was sharpening the hedge shears a minute ago. He didnt go over to the Andersons, did he? I told him dinner was practically on the table.

Hes in the garage, Charles said. But hes talking to himself.

Talking to himself! Mrs. Walton removed her bright plastic apron and hung it over the doorknob. Ted? Why, he never talks to himself. Go tell him to come in here. She poured boiling black coffee in the little blue-and-white china cups and began ladling out creamed corn. Whats wrong with you? Go tell him!

I dont know which of them to tell, Charles blurted out desperately. They both look alike.

June Waltons fingers lost their hold on the aluminum pan; for a moment the creamed corn slushed dangerously. Young man she began angrily, but at that moment Ted Walton came striding into the kitchen, inhaling and sniffing and rubbing his hands together.

Ah, he cried happily. Lamb stew.

Beef stew, June murmured. Ted, what were you doing out there?

Ted threw himself down at his place and unfolded his napkin. I got the shears sharpened like a razor. Oiled and sharpened. Better not touch them theyll cut your hand off. He was a good-looking man in his early thirties; thick blond hair, strong arms, competent hands, square face and flashing brown eyes. Man, this stew looks good. Hard day at the office Friday, you know. Stuff piles up and we have to get all the accounts out by five. Al McKinley claims the department could handle 20 per cent more stuff if we organized our lunch hours; staggered them so somebody was there all the time. He beckoned Charles over. Sit down and lets go.

Mrs. Walton served the frozen peas. Ted, she said, as she slowly took her seat, is there anything on your mind?

On my mind? He blinked. No, nothing unusual. Just the regular stuff. Why?

Uneasily, June Walton glanced over at her son. Charles was sitting bolt-upright at his place, face expressionless, white as chalk. He hadnt moved, hadnt unfolded his napkin or even touched his milk. A tension was in the air; she could feel it. Charles had pulled his chair away from his fathers; he was huddled in a tense little bundle as far from his father as possible. His lips were moving, but she couldnt catch what he was saying.

What is it? she demanded, leaning toward him.

The other one, Charles was muttering under his breath. The other one came in.

What do you mean, dear? June Walton asked out loud. What other one?

Ted jerked. A strange expression flitted across his face. It vanished at once; but in the brief instant Ted Waltons face lost all familiarity. Something alien and cold gleamed out, a twisting, wriggling mass. The eyes blurred and receded, as an archaic sheen filmed over them. The ordinary look of a tired, middle-aged husband was gone.

And then it was back or nearly back. Ted grinned and began to wolf down his stew and frozen peas and creamed corn. He laughed, stirred his coffee, kidded and ate. But something terrible was wrong.

The other one, Charles muttered, face white, hands beginning to tremble. Suddenly he leaped up and backed away from the table. Get away! he shouted. Get out of here!

Hey, Ted rumbled ominously. Whats got into you? He pointed sternly at the boys chair. You sit down there and eat your dinner, young man. Your mother didnt fix it for nothing.

Charles turned and ran out of the kitchen, upstairs to his room. June Walton gasped and fluttered in dismay. What in the world

Ted went on eating. His face was grim; his eyes were hard and dark. That kid, he grated, is going to have to learn a few things. Maybe he and I need to have a little private conference together.

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