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LIFE Magazine - LIFE M*A*S*H

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LIFE Magazine LIFE M*A*S*H

LIFE M*A*S*H: summary, description and annotation

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There was a book, a movie, and then of course the landmark television series that made M.A.S.H. a cultural force like few others with 11 seasons and 256 episodes. Set during the Korean War, it channeled the anxiety of the Vietnam era at home and explored the absurdism of war viewed through the staff of the mobile hospital. Now, at the 50th anniversary of M.A.S.H.s cinematic debut, this special edition of LIFE revisits Hawkeye, Trapper, Radar, Hot Lips, Klinger and the rest of the extraordinary ensemble cast through photos and a lively laugh-out-loud narrative. Youll go behind the scenes and explore the most memorable moments and episodes, including the two-hour series finale, seen by over 106 million people, remaining the most-watched series finale of all time. PLUS: The making of the iconic theme song, and the shows enduring legacy.

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LIFE MASH - image 1

LIFE MASH - image 2

M*A*S*H

LIFE MASH - image 3

THE ICONIC SIGNPOST ON the set at Malibu Creek State Park, a rustic, 8,000-acre area about 25 miles outside of Los Angeles.

LIFE MASH - image 4

M*A*S*H

EDITORIAL DIRECTOR Kostya Kennedy

EDITOR Erik Forrest Jackson

DIRECTOR OF PHOTOGRAPHY Christina Lieberman

ART DIRECTOR Lan Yin Bachelis

WRITER Steve Rushin

COPY CHIEF Parlan McGaw

COPY EDITOR Joel Van Liew

PICTURE EDITOR Rachel Hatch

WRITER-REPORTER Tresa McBee

ASSISTANT PHOTO EDITOR Steph Durante

PRODUCTION DESIGN Sandra Jurevics

PREMEDIA TRAFFICKING SUPERVISOR Patricia J. Savage

COLOR QUALITY ANALYST John Santucci

MEREDITH PREMIUM PUBLISHING

VICE PRESIDENT & GROUP PUBLISHER Scott Mortimer

VICE PRESIDENT, GROUP EDITORIAL DIRECTOR Stephen Orr

VICE PRESIDENT, MARKETING Jeremy Biloon

EXECUTIVE ACCOUNT DIRECTOR Doug Stark

DIRECTOR, BRAND MARKETING Jean Kennedy

ASSOCIATE DIRECTOR, BRAND MARKETING Bryan Christian

SENIOR BRAND MANAGER Katherine Barnet

CONSUMER MARKETING MANAGER Katherine Barnet

EDITORIAL DIRECTOR Kostya Kennedy

CREATIVE DIRECTOR Gary Stewart

DIRECTOR OF PHOTOGRAPHY Christina Lieberman

EDITORIAL OPERATIONS DIRECTOR Jamie Roth Major

MANAGER, EDITORIAL OPERATIONS Gina Scauzillo

SPECIAL THANKS Brad Beatson, Samantha Lebofsky, Kate Roncinske, Laura Villano

MEREDITH NATIONAL MEDIA GROUP

PRESIDENT, MEREDITH MAGAZINES Doug Olson

PRESIDENT, CONSUMER PRODUCTS Tom Witschi

PRESIDENT, CHIEF DIGITAL OFFICER Catherine Levene

CHIEF REVENUE OFFICER Michael Brownstein

CHIEF MARKETING & DATA OFFICER Alysia Borsa

MARKETING & INTEGRATED COMMUNICATIONS Nancy Weber

SENIOR VICE PRESIDENTS

CONSUMER REVENUE Andy Wilson

CORPORATE SALES Brian Kightlinger

DIRECT MEDIA Patti Follo

RESEARCH SOLUTIONS Britta Cleveland

STRATEGIC SOURCING, NEWSSTAND, PRODUCTION Chuck Howell

DIGITAL SALES Marla Newman

THE FOUNDRY Matt Petersen

PRODUCT & TECHNOLOGY Justin Law

VICE PRESIDENTS

FINANCE Chris Susil

BUSINESS PLANNING & ANALYSIS Rob Silverstone

CONSUMER MARKETING Steve Crowe

BRAND LICENSING Toye Cody and Sondra Newkirk

CORPORATE COMMUNICATIONS Jill Davison

VICE PRESIDENT, GROUP EDITORIAL DIRECTOR Stephen Orr

DIRECTOR, EDITORIAL OPERATIONS & FINANCE Greg Kayko

MEREDITH CORPORATION

PRESIDENT & CHIEF EXECUTIVE OFFICER Tom Harty

CHIEF FINANCIAL OFFICER Jason Frierott

CHIEF DEVELOPMENT OFFICER John Zieser

CHIEF STRATEGY OFFICER Daphne Kwon

PRESIDENT, MEREDITH LOCAL MEDIA GROUP Patrick McCreery

SENIOR VICE PRESIDENT, HUMAN RESOURCES Dina Nathanson

CHAIRMAN Stephen M. Lacy

VICE CHAIRMAN Mell Meredith Frazier

e-ISBN 978-1-54785-492-9 Copyright 2020 Meredith Corporation 225 Liberty - photo 5

e-ISBN: 978-1-54785-492-9

Copyright 2020 Meredith Corporation

225 Liberty Street New York, NY 10281

All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review.

For syndication requests or international licensing requests or reprint and reuse permission, e-mail .

PRINTED IN THE USA

LIFE is a registered trademark in the U.S. and other countries.

CONTENTS

IN ADDITION TO LAUGHS WE gave the audience permission to feel bad said series - photo 6

IN ADDITION TO LAUGHS, WE gave the audience permission to feel bad, said series cocreator Larry Gelbart of the shows gritty verisimilitude, like this moment from a 1974 episode. America was feeling pretty rotten then, we were at war in Vietnam. And once the war stopped, we didnt start feeling really terrific right away, if we ever will again about that situation.

Foreword

Chapter 01

Chapter 02

CHAPTER 03

Chapter 04

Chapter 05

CHAPTER 01

FROM PAGE TO SCREEN

Before M*A*S*H laid siege to TV, it was a shaggy-dog novel and a ribald hit film that shocked and titillated a war-weary nation. Audiences had never seen anything like it.

MAJOR MARGARET HOULIHAN Sally Kellerman arrives at the 4077th Mobile Army - photo 7

MAJOR MARGARET HOULIHAN (Sally Kellerman) arrives at the 4077th Mobile Army Surgical Hospital in the 1970 movie.

IN 1968, AN AMERICAN SURGEON NAMED H. RICHARD HORNBERGER JR. PUBLISHED HIS FIRST NOVEL.

At the time, he was practicing in Maine, but early in the previous decade hed served as a surgeon in the Korean War, at the 8055th Mobile Army Surgical Hospital, the acronym for which provided the book with its title. Hornberger enlisted the help of sportswriter W.C. Heinz, and the two men, using the pseudonym Richard Hooker, published a loosely fictionalized account of the surgeons wartime experience. MASH : A Novel About Three Army Doctors, was the worlds introduction to Captain Benjamin Franklin Pierce, a married father of two young sons from Crabapple Cove, Maine. Few called the man by his lofty given name, however; Pierce was known to most simply as Hawkeye, a sobriquet bestowed on him by his father. The only book my old man ever read, explains Pierce, was The Last of the Mohicans. (Hawkeye is an alias of Natty Bumppo, the protagonist of James Fenimore Coopers novel.)

Hawkeye affectionately dubs the ramshackle medical tent to which hes been assigned the Swamp, partly because it looked like the kind of haunt one might come across in a bog. He soon befriends the other two doctors referred to in the novels subtitle. John McIntyre, a thoracic surgeon from Boston, has his own quirky nickname: Trapper John. He earned the moniker when a woman with whom he was having a romantic assignation in the lavatory of a Boston & Maine railroad car disingenuously told a porter who walked in on them that McIntyre had trapped her. A third doctor, Duke Forrest of Georgia, somehow remains nickname-free despite a head of red hair.

The trio toils near the front lines of the warring countrys 38th parallel. During the intervals when there isnt a crush of incoming casualties, they blow off steam with dry martinis and randy rendezvous with nurses. The character of Forrest didnt make it to the TV series, but these twin pastimesnarcotizing and womanizingremain staples for Hawkeye and Trapper in the adaptations. Trapper asks Hawkeye, You have a lot of trouble with women, dont you? Hawkeye replies, Every chance that I can.

Their nemesis in the med tent, Major Frank Burns, pretends to be above the fray when it comes to carousing. I dont waste my time drinking and chasing women, the hypocrite tells Pierce and McIntyre in one episode of the TV show, to which Hawkeye retorts, Were thinking of chasing only drinking women. Eliminates one process. The affairs remain consistent subplots in the series until the very end. I cant say that Ive loved you all, Hawkeye announces to the nurses near the conclusion of the final episode. But Ive loved as many of you as I could.

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