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Erica Spindler - Copy Cat

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I wont talk to anyone else only you. Another child, another sweet girl will die. You can stop it, Kitt. Dont you want to stop it? Five years ago, three young victims were found dead, posed like little angels. There were no witnesses. Strangely clean scenes. The Sleeping Angel Killer called his despicable acts the perfect crimes. The case immobilized the close-knit community of Rockford, Illinois, and nearly destroyed homicide detective Kitt Lundgrens career and her life. During the investigation, Kitt tragically lost her own child to illness. She was overwhelmed by the death of her daughter, and the final blow was the crushing realization that she let the killer get away. Now the Sleeping Angel Killer is back. Familiar with every nuance of the cold-case file, Kitt knows theres something different about this new rash of killings a tiny variation that opens terrifying new possibilities. Is the Sleeping Angel Killer really back, or is a copycat killer re-creating the original perfect crimes? But Kitt has no authority in this investigation. Young, ambitious detective Mary Catherine Riggio is heading up the Sleeping Angel Killer case. M.C. knows that Kitt wants back in and shes smart enough to realize that Kitts obsession with the case has given the detective insight that M.C. lacks. But M.C., intent on proving herself, fears Kitt will blow the investigation again. Then Kitt starts receiving disturbing phone calls. Its him the Sleeping Angel Killer and he makes Kitt an unthinkable offer: help in finding his copycat. Forced to rely on each other, Kitt and M.C. must decide whether to place their trust in a murderer or risk becoming victims of a fiend who has taken the art of the perfect murder to horrific new heights.

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Erica Spindler Copy Cat part one 1 Rockford Illinois Tuesday March 5 - photo 1

Erica Spindler

Copy Cat

part one

1

Rockford, Illinois

Tuesday, March 5, 2001

1:00 a.m.

The girls hair looked silky. He longed to feel it against his fingers and cursed the latex gloves, the necessity that he wear them. The strands were the color of corn silk. Unusual in a child of ten. Too often, as the years passed, the blond darkened until settling on a murky, dishwater color that only bleach could resuscitate.

He cocked his head, pleased with his choice. She was even more beautiful than the last girl. More perfect.

He bent closer, stroked her hair. Her blue eyes gazed lifelessly up at him. Breathing deeply, he let her sweet, little-girl scent fill his head.

Carefulcareful

Mustnt leave anything for them.

The Other One insisted on perfection. Always pushing him. Demanding more. And more.

Always watching. Every time he looked over his shoulder, the Other One was there.

He felt himself frown and worked to smooth the telltale emotion from his face.

My pretty baby. Most beautiful creation.

Sleeping Angel.

The woman detective, Kitt Lundgren, had coined the name Sleeping Angel Killer. The media had jumped on it.

The name pleased him.

But not the Other One. Nothing, it seemed, pleased him.

Quickly, he finished arranging the scene. Her hair. The nightgown he had chosen just for her, with its pink satin bows. Everything had to be just so.

Perfect.

And now for the finishing touch. He took the tube of pale pink lip gloss from his pocket. Using the wand, he applied a coat of the gloss to the girls lips. Carefully, smoothing, making certain the color was even.

That done, he smiled at his handiwork.

Good night, my little angel. Sleep tight.

2

Tuesday, March 5, 2001

8:25 a.m.

Violent Crimes Bureau detective Kitt Lundgren stood in the doorway to the childs bedroom, a queasy sensation in the pit of her stomach. Another girl was dead. Murdered in her own bed while her parents slept just down the hall.

Every parents worst nightmare.

But for these parents, this family, a nightmarish reality.

The sounds of a scene being processed swirled around her. The click of a camera shutter, a detective on his cell phone, a muttered expletive, conversations.

Familiar sounds. Ones she had become accustomed to along with losing her squeamishness years ago.

But this was a child, the second victim in six weeks. Another ten-year-old girl.

The same age as her Sadie.

At the thought of her daughter, her chest tightened. Kitt fought the sensation, fought to keep focused on this child. On nailing the monster who had killed her.

Hed left the first scene eerily clean. Now they had another chance. Maybe this time the bastard had screwed up.

Kitt entered the bedroom. She moved her gaze over it, taking in the girlish interior. Walls painted a delicate blush pink. White provincial furniture, a canopy bed. Ruffled white eyelet curtains that matched the canopy. A shelf of American Girl dolls. She recognized Felicity; Sadie owned the same one.

In fact, the room was a near replica of Sadies. Move the bed from the right side of the room to the left, add a desk in the corner and change the paint color from pink to peach.

Focus, Kitt. This isnt about Sadie. Do the job.

She glanced to her right. Her partner, Brian Spillare, had already arrived. He stood with Detective Scott Snowe, one of the Identification Bureau detectives. There were nine detectives and a supervisor in the ID Bureau. Unlike most big, urban PDs, crime scene techs in the Rockford Police Department were sworn officers, highly trained in all areas of evidence collection. ID processed the scene for fingerprints and trace evidence, collected blood and analyzed blood splatter and spray, retrieved bullets and casings, and ran ballistic checks. They had also been known to collect insects and larvae from corpses, whose life cycles aided in the determination of time of death. In addition, the ID guys were responsible for diagramming and photographing every scene and attending every autopsy, which they also photographed.

The fun never stopped for those guys.

After recovering the evidence, they shipped it to the state crime lab, located just down the street from the Public Safety Building, or PSB, as they called the structure that housed not only the Rockford PD, but the sheriffs department, city jail and the coroners office as well.

The deputy chief of detectives had sent the entire ID Bureau to the scene. Kitt wasnt surprised. Two dead children in six weeks was a very big deal in this family-first industrial town that averaged only fifteen murders in an entire calendar year-none of those typically blond, blue-eyed girls safely tucked into their beds.

Kitt caught her partners eye and pointed toward the bed. He held up a finger, indicating she wait. She did; he concluded his conversation with the other detective and crossed to her.

This guy is really starting to piss me off, he said.

Brian was a big guy. One of those easygoing, teddy-bear types. In his case, a teddy bear with freckles and red hair. His cuddly good looks masked a damn impressive temper. If a bad guy crossed Brian, he invariably wished he hadnt.

She would love for Brian to get his hands on this bastard.

You been here long? she asked.

Maybe fifteen minutes. He glanced toward the victim, then back at her. You think hell go for three?

I hope to hell not, she said. He certainly wont if we catch his ass.

He nodded, then touched her arm, leaned toward her. Hows Sadie?

Dying. Her daughter, her only child. Kitts throat closed as emotion swamped her. Five years ago, Sadie had been diagnosed with acute lymphatic leukemia. She had rallied so many times in the past, from chemo and radiation treatments, from the bone marrow transplant that hadnt been successful, but Kitt sensed she had given up. That she simply didnt have the reserves to hold on much longer.

Kitt couldnt speak and shook her head. Brian squeezed her arm, understanding. How about you? he asked. You hanging in there?

More like hanging on, by her fingernails. Yeah, she managed to say, the catch in her voice giving her away. As best I can.

To his credit, Brian didnt call her on it. He, more than anyone other than her husband, Joe, knew what she was going through.

Brian gave her arm another gentle squeeze, then released it. They crossed to the victim. Kitt pushed all expectations of what she would see from her mind. Yes, it appeared the same unknown subject, or UNSUB, had killed both these children, but she needed to come to this scene, this murder, fresh. A good investigator always let the scene and its evidence tell the story. The minute a detective started doing the talking instead of the listening, objectivity-and credibility-went out the window.

The first look at the dead girl hit her hard.

Like the last one, shed been pretty. Blond. Blue-eyed. Save for the gruesome indications of death-lividity, petechiae (blood vessels broken in the eyes and lips) and the advancing rigor mortis-she appeared to be sleeping.

A sleeping angel.

Just like the last one.

Her blond hair fanned out around her head on the pillow, like a halo. Obviously, the killer had brushed and arranged it. Kitt leaned closer. The killer had applied lip color to her mouth, a sheer pink gloss.

Looks like she was suffocated, Brian offered. Just like the last one.

The absence of outward signs of violence and the petechiae supported suffocation, and Kitt nodded. Which means the killer applied the lip gloss postmortem. She glanced at her partner. What about the gown?

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