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Margaret Atwood - Oryx and Crake

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Margaret Atwood Oryx and Crake

Oryx and Crake: summary, description and annotation

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Oryx and Crake is at once an unforgettable love story and a compelling vision of the future. Snowman, known as Jimmy before mankind was overwhelmed by a plague, is struggling to survive in a world where he may be the last human, and mourning the loss of his best friend, Crake, and the beautiful and elusive Oryx whom they both loved. In search of answers, Snowman embarks on a journeywith the help of the green-eyed Children of Crakethrough the lush wilderness that was so recently a great city, until powerful corporations took mankind on an uncontrolled genetic engineering ride. Margaret Atwood projects us into a near future that is both all too familiar and beyond our imagining.

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Oryx and Crake: a novel

Margaret Atwood

For my family

I could perhaps like others have astonished you
with strange improbable tales; but I rather chose
to relate plain matter of fact in the simplest
manner and style; because my principal design
was to inform you, and not to amuse you.

Jonathan Swift,
Gullivers Travels

Was there no safety? No learning by heart of
the ways of the world? No guide, no shelter,
but all was miracle and leaping from the
pinnacle of a tower into the air?

Virginia Woolf,
To the Lighthouse

Mango

Snowman wakes before dawn. He lies unmoving, listening to the tide coming in, wave after wave sloshing over the various barricades, wish-wash, wish-wash, the rhythm of heartbeat. He would so like to believe he is still asleep.

On the eastern horizon theres a greyish haze, lit now with a rosy, deadly glow. Strange how that colour still seems tender. The offshore towers stand out in dark silhouette against it, rising improbably out of the pink and pale blue of the lagoon. The shrieks of the birds that nest out there and the distant ocean grinding against the ersatz reefs of rusted car parts and jumbled bricks and assorted rubble sound almost like holiday traffic.

Out of habit he looks at his watch stainless-steel case, burnished aluminum band, still shiny although it no longer works. He wears it now as his only talisman. A blank face is what it shows him: zero hour. It causes a jolt of terror to run through him, this absence of official time. Nobody nowhere knows what time it is.

Calm down, he tells himself. He takes a few deep breaths, then scratches his bug bites, around but not on the itchiest places, taking care not to knock off any scabs: blood poisoning is the last thing he needs. Then he scans the ground below for wildlife: all quiet, no scales and tails. Left hand, right foot, right hand, left foot, he makes his way down from the tree. After brushing off the twigs and bark, he winds his dirty bedsheet around himself like a toga. Hes hung his authentic-replica Red Sox baseball cap on a branch overnight for safekeeping; he checks inside it, flicks out a spider, puts it on.

He walks a couple of yards to the left, pisses into the bushes. Heads up, he says to the grasshoppers that whir away at the impact. Then he goes to the other side of the tree, well away from his customary urinal, and rummages around in the cache hes improvised from a few slabs of concrete, lining it with wire mesh to keep out the rats and mice. Hes stashed some mangoes there, knotted in a plastic bag, and a can of Sveltana No-Meat Cocktail Sausages, and a precious half-bottle of Scotch no, more like a third and a chocolate-flavoured energy bar scrounged from a trailer park, limp and sticky inside its foil. He cant bring himself to eat it yet: it might be the last one hell ever find. He keeps a can opener there too, and for no particular reason an ice pick; and six empty beer bottles, for sentimental reasons and for storing fresh water. Also his sunglasses; he puts them on. One lens is missing but theyre better than nothing.

He undoes the plastic bag: theres only a single mango left. Funny, he remembered more. The ants have got in, even though he tied the bag as tightly as he could. Already theyre running up his arms, the black kind and the vicious little yellow kind. Surprising what a sharp sting they can give, especially the yellow ones. He rubs them away.

It is the strict adherence to daily routine that tends towards the maintenance of good morale and the preservation of sanity, he says out loud. He has the feeling hes quoting from a book, some obsolete, ponderous directive written in aid of European colonials running plantations of one kind or another. He cant recall ever having read such a thing, but that means nothing. There are a lot of blank spaces in his stub of a brain, where memory used to be. Rubber plantations, coffee plantations, jute plantations. (What was jute?) They would have been told to wear solar topis, dress for dinner, refrain from raping the natives. It wouldnt have said raping . Refrain from fraternizing with the female inhabitants. Or, put some other way...

He bets they didnt refrain, though. Nine times out of ten.

In view of the mitigating, he says. He finds himself standing with his mouth open, trying to remember the rest of the sentence. He sits down on the ground and begins to eat the mango.

Flotsam

On the white beach, ground-up coral and broken bones, a group of the children are walking. They must have been swimming, theyre still wet and glistening. They should be more careful: who knows what may infest the lagoon? But theyre unwary; unlike Snowman, who wont dip a toe in there even at night, when the sun cant get at him. Revision: especially at night.

He watches them with envy, or is it nostalgia? It cant be that: he never swam in the sea as a child, never ran around on a beach without any clothes on. The children scan the terrain, stoop, pick up flotsam; then they deliberate among themselves, keeping some items, discarding others; their treasures go into a torn sack. Sooner or later he can count on it theyll seek him out where he sits wrapped in his decaying sheet, hugging his shins and sucking on his mango, in under the shade of the trees because of the punishing sun. For the children thick-skinned, resistant to ultraviolet hes a creature of dimness, of the dusk.

Here they come now. Snowman, oh Snowman, they chant in their singsong way. They never stand too close to him. Is that from respect, as hed like to think, or because he stinks?

(He does stink, he knows that well enough. Hes rank, hes gamy, he reeks like a walrus oily, salty, fishy not that hes ever smelled such a beast. But hes seen pictures.)

Opening up their sack, the children chorus, Oh Snowman, what have we found? They lift out the objects, hold them up as if offering them for sale: a hubcap, a piano key, a chunk of pale-green pop bottle smoothed by the ocean. A plastic BlyssPluss container, empty; a ChickieNobs Bucket ONubbins, ditto. A computer mouse, or the busted remains of one, with a long wiry tail.

Snowman feels like weeping. What can he tell them? Theres no way of explaining to them what these curious items are, or were. But surely theyve guessed what hell say, because its always the same.

These are things from before. He keeps his voice kindly but remote. A cross between pedagogue, soothsayer, and benevolent uncle that should be his tone.

Will they hurt us? Sometimes they find tins of motor oil, caustic solvents, plastic bottles of bleach. Booby traps from the past. Hes considered to be an expert on potential accidents: scalding liquids, sickening fumes, poison dust. Pain of odd kinds.

These, no, he says. These are safe. At this they lose interest, let the sack dangle. But they dont go away: they stand, they stare. Their beachcombing is an excuse. Mostly they want to look at him, because hes so unlike them. Every so often they ask him to take off his sunglasses and put them on again: they want to see whether he has two eyes really, or three.

Snowman, oh Snowman, theyre singing, less to him than to one another. To them his name is just two syllables. They dont know what a snowman is, theyve never seen snow.

It was one of Crakes rules that no name could be chosen for which a physical equivalent even stuffed, even skeletal could not be demonstrated. No unicorns, no griffins, no manticores or basilisks. But those rules no longer apply, and its given Snowman a bitter pleasure to adopt this dubious label. The Abominable Snowman existing and not existing, flickering at the edges of blizzards, apelike man or manlike ape, stealthy, elusive, known only through rumours and through its backward-pointing footprints. Mountain tribes were said to have chased it down and killed it when they had the chance. They were said to have boiled it, roasted it, held special feasts; all the more exciting, he supposes, for bordering on cannibalism.

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