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Truong Buu Lam - A Story of Vietnam

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A Story of Vietnam: summary, description and annotation

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As a specialist of Southeast Asian History, I am often asked to introduce a book that would relate the history of Vietnam, from its beginnings to the present. As often, I am embarrassed to answer that there is no such book written in English. In effect, although we have many publications that deal competently with particular periods or systematically with different topics of its past, a comprehensive history of Vietnam is still lacking. That is the reason I am happy and humbled to introduce here A Story of Vietnam.
A Story of Vietnam treats evenly all the periods and also gives equal importance to the culture and the arts as to the political or military events of Vietnams past. I call it a story and not a history, because I do not want my book to be the usual conventional textbook, overburdened with interminable academic, historical and bibliographic references.
While not a conventional textbook, A Story of Vietnam can, nonetheless, provide a substantial reading material to students interested in Asia. To the hyphenated Vietnamese, it can serve as a convenient reference tool to the historical allusions, cultural insinuations, mythical hints, literary suggestions, ethnic idiosyncrasies they encounter every day at home. This book may also be sought after by the people who know so much already about Vietnam as a War but who still would like to know more about Vietnam as a culture.
I have narrated my story with the greatest impartiality I am capable of. I have no theory that needs to be proven nor do I have any assumption to be verified. But I do come to history with emotion, even with passion. Sometimes, my sympathies surged to the surface or my distastes became apparent, though at no time, have I consciously distorted the facts or altered the documents in order to validate my feelings.
The ten chapters of this book are naturally of unequal length. They adhere strictly to the chronological order, meaning that Chapter One deals, among others, with the legendary origins of the Vietnamese people and the last chapter, Chapter Ten, recounts the social traumas, the economic hardships, and the political isolation the country experienced after reunification in 1975 to the remarkable recovery effected since 1986 and culminating in October of 2007 when Vietnam was elected as a non-permanent member of the Security Council of the United Nations.
Truong Buu Lam is a retired professor of History from the University of Hawaii.

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A

S T O R Y

of

VIET NAM

by

Truong Buu L m

New Edition

Honolulu, Hawaii

2012

~.~.~

ONTENTS

~.~.~

COPYRIGHT

2012 Truong Buu Lam

Readers are welcome to reproduce up to three thousand words from this

ebook .

Web Site:

Unless otherwise credited, the illustrations belong to the author's collection.

Unless oherwise credited, all translations are the a u thor's.

On the cover, from top left:

Marcelino Truong Luc: Reading a Page of History .Courtesy of the artist.

Pham Ngoc Diep: The Shape of Vietnam . Courtesy of the artist.

Memorial dated of the reign of Tu Duc (1858). Author's collection.

Dinh Quan: Evening . 1998. Courtesy of Thavibu Gallery, Bangkok, Thailand.

Bui Suoi Hoa: Cheo Theater . Courtesy of the artist.

Dinh Thi Tham Poong: Stream . Courtesy of the artist and Art Vietnam , Gallery, Hanoi.

~.~.~


CREDIT

The author is grateful to the following persons and institutions for permission to reproduce their works or their copyrighted material:

Bui Suoi Hoa, Tran Viet Ngac, Thanh Pho Ho Chi Minh, Viet Nam; Dinh Thi Tham Poong, Lisa Boulet, Suzanne Lecht, Nha Xuat Ban Chinh Tri Quoc Gia, Ha noi, Viet Nam; Heide Park Thaviporn, Bangkok, Thailand; Luong Quang Tuan, , San Jose, CA, USA; Pham Ngoc Diep, Las Vegas, Nevada, USA; Marcelino Truong Luc, Paris, France.

The author would like to express his thanks to:

-The Council on Southeast Asian Studies, Yale University for its permission to use e x cerpts from Patterns of Vietnamese Response to Foreign Intervention , published as Monograph Series # 11.

-The University of Michigan Press for its permission to print excerpts from Colonialism E x perienced , published in 2000.

-The Institute of Southeast Asian Studies, Singapore for its permission to use excerpts from New Lamps for Old (Occasional Paper No 66) and Resistance, Rebellion, Revolution (O c casional P a per No 75). "

~.~.~

Map of Vietnam

02. The Shape of Vietnam

03. The Waiting f or Him Mountain

04. Ch a m Temples -Towers

. The C ommunal H ouse of D i nh B a ng

. Edict-Certificate D ated C a nh H u ng Year 5

. Face of the Ng o c L u B ronze D rum

. Bronze D rum D ecorated with F rogs

09. Tri e u D a 's Nam Vi e t

10. Banner, Tr u ng V u o ng Th a nh T o

11. Lady Tri e u

12. Pointed S pikes in the B a ch D a ng

13. Daoist S hrine in Dakao

14. The R uins of M y S o n, Qu a ng Nam

Stelae Inscribed with Names of Ti e n S i

Erased name on stele

17. 13th century terra cotta

The One-Pillar Pagoda

Sketch #1 of the Battle on the B a ch D a ng

. Sketch #2 of the B attle on the B a ch D a ng

. Tr a n A rtifacts

. The Ph o Minh Tower in Nam D i nh

. Ancient M ap of Trung D o : Hanoi

. Public C ommemoration of D o ng D a

. A D ocument D ated Minh M a ng Year

. Portrait & S ignature of Prince C u o ng D e

. Statue of Phan B o i Ch a u

. Portrait of E mperor Duy T a n

. Interior of the Cao D a i C athedral

. Exterior of the Cao D a i Cathedral

. First Issue of the T a p Ch i C o ng S a n

. D inh Gia Kh a nh and Ph a m Huy Th o ng

. Nguy e n Phan Ch a nh, The Chess Party

. Banner across a S treet in Hanoi

. 1945 20 C ent C oin: L u a m o c tr e n ch i

. 1946 100 Piasters: Voi d i tr e n gi a y

. Ng o D i nh Di e m's V isit to an A rt E xhibit

. T estament of H o Ch i Minh , a Page

. Another P age of the T estament

40. Passage to China, L a ng S o n Province

. Notice in S earch of B urial G rounds

. Trade M ark of Hanoi in the E arly 1990s

. B u i Su o i Hoa, Ch e o Theater

. D inh Th i Th a m Poong, The Stream

. D inh Qu a n, Evening

~.~.~

TO OUR READERS

The text you are going to read in the following pages does not show Vietnamese diacritics. I sincerely apologize for that omission.

As Amazon Kindle platform does not support Vietnamese diacritics, I had to go through my man u script and remove all of them, one by one. I did not mind the mindless work, were it not for the searing feeling I experienced each time I had to mutilate certain words or names. Take for example the name of the minority who live on the coast of Central Vietnam. For centuries, its people have been referred erroneously as the Cha`m. Only in recent years was the mistake lifted. And now, through no fault of their own, that name is violated again. How shameful of me to remove with a simple click of my mouse the crescent mark on top of their name!

By the way, can you recognize at first sight the following name: The Lu? What about this: Dung dot? or Vo De?

May I suggest a solution? Whenever you have doubts concerning the nature of a word devoid of its diacritic, please go to the website of this book: where you can find an Index in which all the words are endowed with their diacritics.

My apologies.

~.~.~

A Story of Vietnam in Kindle form is almost one year old. The people who acquired it have been few and far between. The majority remained silent. Some lavished praises, but more numerous were those who found the book wanting in many areas. I will try to address these complaints, one by one.

For the many typographical and spelling errors, I have no excuses but si n cere apologies. This time, I shall do my best to rect i fy that situation

In response to the readers who me n tion the lack of bibliographic references, I respectfully refer them to the Preface of the first edition where I explained clearly why I omitted all refe r ences. It was, therefore, a voluntary omission. That is how I could produce a "postmodernist witches brew" that narrates 4000 years of Vietnamese hi s tory in slightly over 400 pages and still had enough time and space to narrate legends and tell stories! I would invoke the same explan a tion for the lack of archaeological evidence and for the scant attention paid to the ethnic minor i ties.

Why did I not compare the Vietnamese loss to France with what was occu r ring in Japan, Korea and Siam? Because I wanted my readers to focus on what was happening in Vietnam, not in the neighborhood. In addition, I did not want to succumb to the vogue of "comparative hist o ry" which makes national histories into an embarras s ing field of research.

As for the lack of bibliographic guidance, I must say that I have never b e lieved in spoon-feeding my students. I consider it an insult to their intelligence to pr o vide them with suggested reading lists. Would it not be far better to let them have the initiative in establishing their own list and determine, perhaps via trials and errors, the relative value of the publications they would have found by their own means? If necessary, the teacher's guidance should come at the end of this process rather than the beginning.

The low price of the Kindle edition has been blamed for the lack of professionalism in copyediting, typesetting and proofreading. I humbly apologized for my limited capabilities in preparing my manuscript for printing, but I firmly submit that the low price of the book was not, in any way, the cause of the def i ciency . As a matter of fact, I had set the price of this edition at its lowest level possible so as to make it more afford a ble than its paperback counterpart which costs, in my opinion, too much , even though I also had set its price at the lowest level a l lowed by the publisher.

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