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Alan Bradley - The Sweetness at the Bottom of the Pie

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Alan Bradley The Sweetness at the Bottom of the Pie

The Sweetness at the Bottom of the Pie: summary, description and annotation

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Winner of the 2007 Crime Writers Association Debut DaggerA delightfully dark English mystery, featuring precocious young sleuth Flavia de Luce and her eccentric family.The summer of 1950 hasnt offered up anything out of the ordinary for eleven-year-old Flavia de Luce: bicycle explorations around the village, keeping tabs on her neighbours, relentless battles with her older sisters, Ophelia and Daphne, and brewing up poisonous concoctions while plotting revenge in their homes abandoned Victorian chemistry lab, which Flavia has claimed for her own.But then a series of mysterious events gets Flavias attention: A dead bird is found on the doormat, a postage stamp bizarrely pinned to its beak. A mysterious late-night visitor argues with her aloof father, Colonel de Luce, behind closed doors. And in the early morning Flavia finds a red-headed stranger lying in the cucumber patch and watches him take his dying breath. For Flavia, the summer begins in earnest when murder comes to Buckshaw: I wish I could say I was afraid, but I wasnt. Quite the contrary. This was by far the most interesting thing that had ever happened to me in my entire life.Did the stranger die of poisoning? There was a piece missing from Mrs. Mullets custard pie, and none of the de Luces would have dared to eat the awful thing. Or could he have been killed by the familys loyal handyman, Dogger or by the Colonel himself! At that moment, Flavia commits herself to solving the crime even if it means keeping information from the village police, in order to protect her family. But then her father confesses to the crime, for the same reason, and its up to Flavia to free him of suspicion. Only she has the ingenuity to follow the clues that reveal the victims identity, and a conspiracy that reaches back into the de Luces murky past.A thoroughly entertaining romp of a novel, The Sweetness at the Bottom of the Pie is inventive and quick-witted, with tongue-in-cheek humour that transcends the macabre seriousness of its subject.From the Hardcover edition.

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EARLY ACCLAIM FOR
ALAN BRADLEY'S DEBUT MYSTERY
A wickedly clever story a dead-true and original voice and an English - photo 1 "A wickedly clever story, a dead-true and original voice, and an English country house in the summer: Alexander McCall Smith meets Sir Arthur Conan Doyle. Please, please, Mr. Bradley, tell me we'll be seeing Flavia again soon?" Laurie R. King, Edgar, Macavity, and Nero award-winning author of the Mary Russell series "Alan Bradley's marvelous book, The Sweetness at the Bottom of the Pie , is a fantastic read, a winner. Flavia walks right off the page and follows me through my day. I can hardly wait for the next book. Bravo! Louise Penny, Agatha, Anthony, and Dagger award-winning author of Still Life " The Sweetness at the Bottom of the Pie offers the reader the precious gift of a richly imagined and luscious new worldbut uniquely so, for this is the world of Flavia Sabina de Luce: an eleven-year-old, utterly winning, and altogether delightfully nasty piece of work. An outright pleasure from beginning to end. Gordon Dahlquist, New York Times bestselling author of The Glass Books of the Dream Eaters "Alan Bradley brews a bubbly beaker of fun in his devilishly clever, wickedly amusing debut mystery, launching an eleven-year-old heroine with a passion for chemistryand revenge! What a delightful, original book!" Carolyn Hart, Agatha Award-winning author of the Death on Demand series "Utterly charming! Eleven-year-old Flavia de Luce proves to be one of the most precocious, resourceful, and well, just plain dangerous, heroines around. Evildoersand big sistersbeware!" Lisa Gardner, New York Times bestselling author of Say Goodbye "Flavia is an engagingly smart new sleuth with a flair for bringing out the childand the detectivein all of us." Christopher Fowler, author of the Peculiar Crimes Unit series "Sure in its story, pace, and voice, The Sweetness at the Bottom of the Pie deliciously mixes all the ingredients of great storytelling. The kind of novel you can pass on to any reader knowing their pleasure is assured. Andrew Pyper, author of the Ellis Award-winning book The Killing Circle "While Flavia de Luce is winning your heart, she may also be poisoning your tea. She's the most wickedly funny sleuth in years, brilliant, unpredictable, unflappableand only eleven. The Sweetness at the Bottom of the Pie offers the freshest new voice in mystery yet. Charles Todd, author of the Ian Rutledge series

Contents For Shirley UNLESS SOME SWEETNESS AT THE BOTTOM LIE - photo 2

Contents


For Shirley


UNLESS SOME SWEETNESS AT THE BOTTOM LIE ,

WHO CARES FOR ALL THE CRINKLING OF THE PIE?

William King , The Art of Cookery (1708)

one

IT WAS AS BLACK IN THE CLOSET AS OLD BLOOD. THEY had shoved me in and locked the door. I breathed heavily through my nose, fighting desperately to remain calm. I tried counting to ten on every intake of breath, and to eight as I released each one slowly into the darkness. Luckily for me, they had pulled the gag so tightly into my open mouth that my nostrils were left unobstructed, and I was able to draw in one slow lungful after another of the stale, musty air.

I tried hooking my fingernails under the silk scarf that bound my hands behind me, but since I always bit them to the quick, there was nothing to catch. Jolly good luck then that I'd remembered to put my fingertips together, using them as ten firm little bases to press my palms apart as they had pulled the knots tight.

Now I rotated my wrists, squeezing them together until I felt a bit of slack, using my thumbs to work the silk down until the knots were between my palmsthen between my fingers. If they had been bright enough to think of tying my thumbs together, I should never have escaped. What utter morons they were.

With my hands free at last, I made short work of the gag.

Now for the door. But first, to be sure they were not lying in wait for me, I squatted and peered out through the keyhole at the attic. Thank heavens they had taken the key away with them. There was no one in sight; save for its perpetual tangle of shadows, junk, and sad bric-a-brac, the long attic was empty. The coast was clear.

Reaching above my head at the back of the closet, I unscrewed one of the wire coat hooks from its mounting board. By sticking its curved wing into the keyhole and levering the other end, I was able to form an L-shaped hook which I poked into the depths of the ancient lock. A bit of judicious fishing and fiddling yielded a gratifying click. It was almost too easy. The door swung open and I was free.

I SKIPPED DOWN THE BROAD stone staircase into the hall, pausing at the door of the dining room just long enough to toss my pigtails back over my shoulders and into their regulation position.

Father still insisted on dinner being served as the clock struck the hour and eaten at the massive oak refectory table, just as it had been when Mother was alive.

"Ophelia and Daphne not down yet, Flavia?" he asked peevishly, looking up from the latest issue of The British Philatelist , which lay open beside his meat and potatoes.

"I haven't seen them in ages," I said.

It was true. I hadn't seen themnot since they had gagged and blindfolded me, then lugged me hog-tied up the attic stairs and locked me in the closet.

Father glared at me over his spectacles for the statutory four seconds before he went back to mumbling over his sticky treasures.

I shot him a broad smile, a smile wide enough to present him with a good view of the wire braces that caged my teeth. Although they gave me the look of a dirigible with the skin off, Father always liked being reminded that he was getting his money's worth. But this time he was too preoccupied to notice.

I hoisted the lid off the Spode vegetable dish and, from the depths of its hand-painted butterflies and raspberries, spooned out a generous helping of peas. Using my knife as a ruler and my fork as a prod, I marshaled the peas so that they formed meticulous rows and columns across my plate: rank upon rank of little green spheres, spaced with a precision that would have delighted the heart of the most exacting Swiss watchmaker. Then, beginning at the bottom left, I speared the first pea with my fork and ate it.

It was all Ophelia's fault. She was, after all, seventeen, and therefore expected to possess at least a modicum of the maturity she should come into as an adult. That she should gang up with Daphne, who was thirteen, simply wasn't fair. Their combined ages totalled thirty years. Thirty years!against my eleven. It was not only unsporting, it was downright rotten. And it simply screamed out for revenge.

NEXT MORNING I WAS BUSY among the flasks and flagons of my chemical laboratory on the top floor of the east wing when Ophelia barged in without so much as a la-di-dah.

"Where's my pearl necklace?"

I shrugged. I'm not the keeper of your trinkets.

"I know you took it. The Mint Imperials that were in my lingerie drawer are gone too, and I've observed that missing mints in this household seem always to wind up in the same grubby little mouth."

I adjusted the flame on a spirit lamp that was heating a beaker of red liquid. If you're insinuating that my personal hygiene is not up to the same high standard as yours you can go suck my galoshes.

"Flavia!"

"Well, you can. I'm sick and tired of being blamed for everything, Feely."

But my righteous indignation was cut short as Ophelia peered shortsightedly into the ruby flask, which was just coming to the boil.

"What's that sticky mass in the bottom?" Her long manicured fingernail tapped at the glass.

"It's an experiment. Careful, Feely, it's acid!"

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