Sarah D'Almeida - Dying by the Sword
Here you can read online Sarah D'Almeida - Dying by the Sword full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:
Romance novel
Science fiction
Adventure
Detective
Science
History
Home and family
Prose
Art
Politics
Computer
Non-fiction
Religion
Business
Children
Humor
Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.
- Book:Dying by the Sword
- Author:
- Genre:
- Rating:5 / 5
- Favourites:Add to favourites
- Your mark:
- 100
- 1
- 2
- 3
- 4
- 5
Dying by the Sword: summary, description and annotation
We offer to read an annotation, description, summary or preface (depends on what the author of the book "Dying by the Sword" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.
Sarah D'Almeida: author's other books
Who wrote Dying by the Sword? Find out the surname, the name of the author of the book and a list of all author's works by series.
Dying by the Sword — read online for free the complete book (whole text) full work
Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Dying by the Sword" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.
Font size:
Interval:
Bookmark:
Sarah D'Almeida
Dying by the Sword
The fifth book in the Musketeers Mystery series, 2008
Those Who Live by the Sword; The Honor of a Musketeers Servant; All for One
ATHOS was not used to being looked at with suspicion and hostility, much less suspicion and hostility from mere commoners-a confused rabble of women and children, servants and passersby, the dregs and crowds of early afternoon in Paris.
In fact, the oldest of the three musketeers and the guard of Monsieur des Essarts, commonly known as the inseparables-Athos, Porthos, Aramis and DArtagnan-wasnt used to being looked at directly at all. Though he had now, for some years, lived under a nom de guerre in the ranks of his Majestys musketeers, Athos normally got treated as the nobleman he was.
No matter how much blond and elegant Aramis preened, and no matter how many yards of lace and gold brocade the splendid redheaded giant Porthos draped himself in, Athos could make them all fade into the background simply by stepping forward and throwing back his head. In his much-mended musketeers uniform, his curly black hair tied back with a bit of ribbon, the gaze from his dark blue eyes guarded, he looked like what he was born to be: the scion of one of France s oldest and noblest families.
And he wasnt used to people not listening when he spoke; he wasnt used to being doubted; he certainly wasnt used to having his words shouted down.
Yet the words, I will stand by- had barely left his lips when the crowd shouted back at him, in confused tumult, drowning him out.
What the crowd shouted-murder and thief and hang him-was not directed at the musketeer himself, but Athos could not have been more surprised if it had been.
He surveyed the scene before him, his face setting into a hard look composed half of determination and half of disdain.
Porthoss servant, Mousqueton, almost as tall as his master and nearly as powerful, looked bewildered, held by five guards of the Cardinal. And around them the crowd surged. Behind them was the armorers shop, where Porthos had sent Mousqueton to arrange for Porthoss sword to be mended.
It was a low-slung building, and its wide door normally stood open to the outside street-to allow the inner air, warmed by the forge, to cool. But now the heavy oak doors were shut and there were muscular locals standing in front of them. When the musketeers had come to find the long-delayed Mousqueton, theyd stumbled on this scene of confusion and public disorder and just managed to step in front of the guards dragging Porthoss servant away.
Athos raised his hand towards the crowd, palm out, an imperious gesture. His assumption of authority quieted them for a moment. Into the silence, Athos poured his words, I will vouch for Mousqueton. He is my friend Porthoss-he indicated the redheaded giant just behind him with a head tilt-servant and Ive known him long. He is not a murderer.
He abstained from swearing that Mousqueton was not a thief because, in truth, Porthos had recruited the then famished waif into his service upon Mousquetons trying to steal from him. And even now, when he had for many years been employed in a steady if not necessarily respectable position as a musketeers servant, Mousqueton was known to supplement Porthoss irregular pay in various and creative ways. Athos would be loath to say how many times the young man had shown up at one of their assemblies carrying a bottle, which he swore had just fallen from an overloaded cart, or a chicken, which he claimed had been run over by a cart and to which Mousqueton had felt compelled to give mercy.
But Athos was sure, as he was sure of breathing, that Mousqueton would not murder anyone. And yet his words met with the sneer of one of the guards holding Mousquetons arm. A fine thing to say, monsieur, when he was found next to the murdered armorer. And the armorers best sword in this ruffians hand!
And on this the crowd shouted again. Murderer and thief and other things. Things about the musketeers and their servants, duelers and bullies and riffraff all.
Athos felt his hand fall onto the hilt of the sword strapped at his waist. Do you call me a liar? he shouted above the abuse of the crowd, Do you doubt me?
His voice, or the outrage in it, again brought a few moments of silence. But another of the guards said, Well, monsieur, it is not as if it is not known that this man-he shook Mousqueton, whose hands were tied together and who looked too bewildered to resist-is a thief, all too fond of taking that which doesnt belong to him-eggs and bread and wine.
But Porthos said, stepping forward. He was twice again as large as most other men, redheaded and dressed-as he normally was-in a splendid suit of golden brocade in the latest court fashion. But he looked as bewildered as his captive servant. But, surely taking a loaf of bread or an egg is not the same thing as killing someone, or even stealing a sword.
Doubtless he killed in the heat of the moment, another guard said. When discovered in theft.
Weve told you he wouldnt kill, Porthos said.
Yes, yes, Athos said, impatiently. His hand held so tight onto the hilt that he felt as though the metal itself might snap under the force of his fury. And they do not believe us, Porthos. They doubt the word of the Kings Musketeers.
With all respect, one of the guards said, in a voice that denoted he had none, it is not your word we doubt, so much as your knowing anything about this. We found this man unconscious and holding a sword next to an armorer that had been killed with that sword. No one else was in the shop. No one else was seen to come in. He is the murderer.
And on this the crowd started shouting again, demanding Mousquetons death. And Athos-furious at being ignored, feeling his face cool as blood drained from it-pulled at his sword, removing about a quarter of it from its sheath. He would have got it out altogether, and challenged all five of the guards of the Cardinal to defend themselves against his fury, had not a hand held onto his arm, forcing the sword back down.
Athos turned to look into the cool gaze, the intent green eyes of his friend Aramis. Tall, slim and blond, Aramis was admired by half the women and not a few men at court. He claimed a wish to become a priest. He claimed that his passage through the musketeers was just that-a temporary exile on his way to taking orders. But there were very few duelists in Paris who would dare cross swords with him. And the grip of his white, elongated fingers felt like bands of iron on Athoss arm.
Will you stop me? Athos hissed back at him. I can fight all five of them. Not bad odds, one of the Kings Musketeers against five guards of Richelieu. And the rabble will melt. You know they will.
No, Athos, Aramis said. You forget the edict.
The Athos said, and realized, as if on a wave of blind fury that seemed to obscure his gaze, that indeed, he had. Oh, not the edict against dueling. That had been in effect for many years. Aramiss own downfall, as a young divinity student, had come about because he had killed someone in a duel. But the edicts just drafted had a new force.
Dueling might have been illegal before, and brought the Kings displeasure down on your head. It did not, however, bring down your head, itself. The new edict called for any nobleman caught in duel to be beheaded in the public square. And while it was said his Majesty hadnt signed it yet, the Cardinal was bringing it before the King every day. Who knew if hed not signed it, just moments ago?
Athos took a deep breath, trying to control his anger. Many years ago, in the grip of a lesser fury, hed killed the woman he loved, the woman hed believed had lied to him and betrayed him in a grotesque way-a way likely to destroy his and his familys reputation forever. Then, on a wave of doubt and remorse, hed entered the profession of musketeer to punish himself for that crime-as other men might enter a monastery to expiate sin. And yet his anger remained within him, in a confused coil with his overwhelming guilt.
Next pageFont size:
Interval:
Bookmark:
Similar books «Dying by the Sword»
Look at similar books to Dying by the Sword. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.
Discussion, reviews of the book Dying by the Sword and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.