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Caro Ramsay - The Blood of Crows

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Caro Ramsay The Blood of Crows

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Shortlisted with her novel Absolution for the CWAs New Blood Dagger, Caro Ramsay returns with a brand new murder case in the popular Anderson & Costello series - The Blood of Crows will be a huge treat for all fans of Ian Rankin and Val McDermid and establishes Caro Ramsay firmly as one of the most exciting new voices in Scottish crime fiction.For one Scottish cop the beat is about to get dark and very bloody . . . DI Colin Anderson is having a bad week. His conviction of paedophile Skelpie Fairbairn is declared unsafe - putting Fairbairn back on Glasgows streets and leaving Anderson under investigation.Add to this a gangster torched alive, a teenage boy tortured then dropped off a bridge and the suicide of a cop who worked an unsolved child kidnapping way back in 1996 and Andersons got his hands full. Then one night, a young girl is tied to the river bank and left for the tide. Anderson gets there, but she dies in his arms. Working round the clock his team discover these...

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CARO RAMSAY The Blood of Crows PENGUIN BOOKS Table of Contents - photo 1

CARO RAMSAY

The Blood of Crows

Picture 2
PENGUIN BOOKS

Table of Contents

PENGUIN BOOKS

THE BLOOD OF CROWS

Caro Ramsay was born in Glasgow and now lives in a village on the west coast of Scotland. This is her fourth DI Anderson and DS Costello novel, following the critically acclaimed Absolution , Singing to the Dead and Dark Water.

To Alan

Praise for Caro Ramsay:

A cracker of a debut many shivers in store for readers, followed by a shuddering climax

The Times

Undoubtedly one of the most impressive debut novels in the field in some time

Barry Forshaw, Amazon

Edgy, fast-paced, this crime thriller is a cleverly understated page-turner deliciously dark, this well-written debut will leave you wanting more

Woman

Glasgow comes alive in Caro Ramsays dark, vivid and daring thriller

Val McDermid

A cracking debut [4 stars]

Mirror

A very sophisticated first novel at once humane, horrifying and exciting

Literary Review

A classy example of the genre

London paper

Intelligent, unpredictable and hard to put down

Sainsburys Magazine

A thrilling crime read

Daily Telegraph, Sydney

With her first novel, Caro Ramsay makes an impressive contribution to the growing ranks of Scottish crime writers

Shots-Mag

[Ramsay] is able to write scenes of heartbreaking tenderness nestled amid evocations of such grotesque violence that it is difficult to imagine that they can coexist as such sublime interlocking pieces of the whole Absolution marks the beginning of what certainly will be a major career

New York Sun

Proves [that Ramsay] deserves to inhabit the same orbit of Scottish thriller talent as Rankin, McDermid, MacBride and Mina

Daily Record

Four wee craws, sitting on a wa.

One wee craw was greetin fer its maw,

The second wee craw fell and broke its jaw,

The third wee craw couldnt flee awa

The fourth wee craw wisnae there at a.

Prologue

31 January 1993

Pauline McGregor walked quickly towards the lift; the smell of petrol and exhaust fumes was making her feel nauseous. She was getting too old for this subterfuge. Not only too old, she was too pregnant eight months now. It was nine weeks since she had been able to button her coat, and exactly seven weeks and three days since she had last worn her stilettos. Was she going to be a bad mother? Probably. But at least she would be a stylish one.

She hated the red pumps she had on; they made her ankles look fat and she could feel the cold of the concrete beneath her feet nibble through the soles. She pulled her scarf up round her neck. The forecast said it was going down to minus five tonight but the chill in the wind that funnelled through the first level of the multi-storey car park promised an even colder night was on its way.

She stopped at the lift doors and pressed the mangled button with a gloved finger, swaying from side to side as she waited, rocking the baby. The lift doors opened with a reluctant whine and she stepped forward, then back again, cupping her hand to her mouth as the stink of stale urine swept out to meet her. A discarded beanie hat lay in the corner, a syringe lying neatly on top of it. The mess that splattered the wall looked like a half-digested kebab.

One advantage of her flat shoes was that she could take the stairs. But at the door to the stairwell she heard voices higher up hard, violent words answered by the sing-song anger of the drunk. She thought better of it and decided to walk up the narrow pavement that edged the spiralling exit at the centre of the car park. She shivered, and placed a protective hand over her stomach. It was dark and cold, and the sooner she was in her car and out of here the better.

She knew she was parked on the second storey, on the side that faced down on to Mitchell Lane. Sound travelled far on the cold evening air, and she could hear bursts of chit-chat from the pub on the street below, which echoed strangely off the bare walls, slightly disorientating her. Her gloves patted the way along the wall, the cashmere wool catching occasionally on the roughness of the concrete, and her breath billowed in front of her as she walked round a hairpin bend up to Level 2, her back and legs aching. She could hear fighting in the stairwell, then the slam of a door. A figure shot past the glass panel in the stairwell door, followed by another. Another slam and a nearby car alarm started to shriek, then fell silent. For the first time she hesitated, feeling a vague prickle of apprehension that she was being watched. All noise had ceased now, the silence in here somehow separate from the sounds of life going on down in the street. It was quiet. Too quiet.

She quickened her step, pulling the bone-handled knife from her handbag. She always carried it it was part of her, a gift from her father. Then she heard a car door open on an upper floor, and she moved to the inside of the pavement, in case the car came past her. She wasnt so nimble on her feet these days.

She could see her own Merc waiting for her in the far corner. Looking carefully left and right, she stepped off the pavement to make her way towards it. All the spaces between her and her car were full.

She sensed him rather than heard him, and her grip on the knife tightened. He came out of the darkness between two cars. There was a few seconds slow dance between them. Then his blade went low and into her ribs, like a hot knife through snow. Hers went high, into his face. Neither made a sound.

He raised his hand to stem the blood a thick curtain of red, pouring down his cheek into his scarf and walked off, making his unhurried way to the level above, leaving her to stagger against the bonnet of the car. She felt her knife slip from her fingers, felt the baby kick, then she sank to her knees on the ice-cold concrete. She punched the car on her left hard, and kicked the one to her right, relieved at the cacophony of alarms.

She curled up between the cars, her hand pressed to the wound. She watched the flow of her own blood spreading on the concrete. She raged silently at the betrayal. The baby kicked again, and she spread her fingers on her belly. Be calm, be calm. She was hidden from view, she realized; if anyone came past, they wouldnt be able to see her. Her fingers scrabbled against the wheel arch and she pushed her body a few inches, so her feet in their red shoes would be visible to anyone driving past. But would they see the red shoes, in the blood? She tried again, another few inches, then fell exhausted, out of breath.

But nothing was happening. There was no air coming into her lungs. She felt her chest collapsing to nothing.

The baby kicked, then kicked again, demanding oxygen.

She heard the shriek of a cold engine being gunned, the screech of tyres. A black car swung round the spiral, steering wide, then jerked left, aiming straight for her. She never felt the tyres go over her legs, crushing her ankles, ripping her shoes off. She only saw the raw ends of her own bones, so beautiful and pink.

A billow of exhaust hung in the air as one blood-red shoe bounced and rolled, and came to rest in a puddle of oil.

Sunday

27 June 2010

11.30 P.M.

It was late on a hot summer night, Partick Central Station was sweltering, and DI Colin Anderson was bored not tired, just bored. There was a pile of paperwork waiting for his attention but he couldnt concentrate on it. He really wanted a case he could get his teeth into but all he had was the suspicious death of one William Stuart Biggart in a fire in the very early hours of the 21st of June, and that case had visited every other desk in Partick Central before landing on his. The forensic fire investigation unit were due to deliver a report first thing in the morning, after which he might have something of evidential value, but he knew his heart wasnt in it. The top brass would be better off putting their money towards LOCUST, the new organized crime initiative, rather than looking into the death of pond life such as Biggart, whose only evolution had been from a dealer in dodgy DVDs to a dealer in dodgy heroin.

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