John Locke - The Love You Crave
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The Love You Crave
John Locke
Prologue
When Callie Carpenter's cell phone vibrated on her nightstand a single time she leaped out of bed and threw on some clothes.
Whatre you doing? said Gwen, her bedmate.
Im on alert.
Whats that mean?
Callie raced to the bathroom, relieved herself, brushed her teeth, grabbed her car keys.
It means Creed might need me. If he does, hell call back. If he does, hes in trouble. If he is, I could be in trouble.
Im coming with you.
Not on your life.
You cant stop me!
Get real, Callie said.
What about me? Gwen said, pouting.
What about you?
I want to feel useful.
Callie sighed. Go to the guest bedroom. Set out a scarf, a vibrator, and five random items. Doesnt matter what they are, as long as they fit on the counter.
Why?
Ill tell you later.
Where are you going?
To the car. I need to be on the street, engine running, ready to roll.
Sounds like that man has you wrapped around his little finger.
Dont start with me.
1.
Heres something you dont see every day.
Im jogging south on Las Vegas Boulevard, four miles south of the Strip, when a lady walks right smack into a lamp post.
Shes on Trace Street, forty yards to my right. I stop in the middle of the intersection to look and see if shes okay. Its 5:00 a.m., and from my angle and distance I could be wrong about what I thought I saw. She backs up a few steps and falls to a seated position on the sidewalk.
I wonder if shes drunk.
I scan the area to see if anyone else is watching this unfold, but see no one. Were in an industrial area, no bars nearby, and no businesses are open on Trace. I want to finish my run, but cant leave her sitting there if shes hurt. On the other hand, I dont want to get shot. It was just last week a Vegas woman staggered out of a bar in the wee hours of the morning when some local thug took her for an easy mark and got killed for his miscalculation.
Shes sitting with her back to me, so all I get is the shadow view. Her handbag is lying beside her. If it contains a gun, it wont take her long to reach it.
Thirty yards beyond the seated lady, a van slowly comes into view at the next intersection and pulls to a stop. So its me at this intersection, the van at the next, and a lady sitting between us, on the sidewalk. The van is white, with the passenger side facing the lady, but its dark and too far away for me to make out any details.
I dont know how many people are in the van, but Im guessing just the driver. I mean, a passenger would roll the window down and ask if she needs help, right?
The van driver seems to be doing what Im doing, staring at the woman. But hes got a better view, the illuminated front side of her. Were probably both waiting to see if shes going to stand, and were probably both leery about getting shot. In my case, Im unarmed.
Well, thats not completely true. I have my cell phone in my hand. In an emergency, I can press a button, fling it, and two seconds later it blows up.
But I dont press that button. Instead, I press a number that rings Callies phone a single time. Shes now on alert.
I start walking toward the lady.
Miss! I yell, loud enough for her to hear. Are you okay?
I wonder why people always ask that. Of course shes not okay. She just walked into a friggin lamp post! But thats what people always ask. A little kid falls into a well and gets stuck twenty feet below the surface. Are you okay? people shout.
Shes not okay.
Before I cover ten yards, her head explodes.
I stop in my tracks and instinctively drop to the ground to make myself a smaller target. Im so stunned I hardly notice the van slowly backing out of view. But the fact its backing up instead of racing forward tells me whoevers in the van had something to do with the ladys head exploding. And the way the street light hits the front of the van as its backing up shows me something I hadnt seen before: a magnetic sign on the side, above the front wheel well. I cant make out the wording from this distance, but its an orange logo of some sort, with black lettering. Its a temporary sign, designed to cover the actual logo beneath it. Ive seen few vans with small logos painted on the front passenger side. Ropic Industries has one. And their vans are white, also.
I look around to see if anyones behind me. I want to check on the lady, but the little voice in my head says, Why? To ask if shes okay?
Then it adds, Youre alone, miles from your safe place. What if the van circles behind you?
I look at the office and industrial buildings around me, and decide to go vertical.
Running down the alley between two buildings, I spot a staircase, and take it up to the second floor landing. Theres a flat roof ten feet above me. I stand on the railing and carefully raise my arms over my head, grab the roof ledge and pull myself up to about chest height. I swing my right leg up and hook my foot over the ledge and work my way onto the roof. From there, I get a running start and jump to the next roof, then the next, and soon Im on the rooftop of a building, looking down at the intersection where the white van had been moments earlier.
I lay flat on the roof and wait to see if anyone comes to check on the body.
While Im doing that, the building beneath me explodes.
2.
As I jump to my feet to survey the damage below, I quickly conclude the building beneath me is collateral damage. Based on my knowledge of where the woman had been sitting moments earlier, and seeing only the remnants of her ass there now, its clear shed been wired with explosives.
Which makes her a homeland terrorist.
I press the button that speed-dials Callie.
Where are you? she says.
Corner of Landmark and Trace. Heading north on Landmark, right side of the street. Make it fast!
Give me two minutes.
I hang up, check the street below me, and notice several structures have been decimated.
But why?
I mean, why here? Why now? Nothing in the immediate area remotely resembles a terrorist target.
Id love to investigate the scene, try to work it out, but within minutes the cops will be swarming the area, and I need to be long gone by then. Whatever role the driver of the white van played in all this, I doubt hes planning to hang around to deal with me. I carefully work my way down the back side of the building, thankful the blast hasnt done too much damage.
A couple minutes later Im in the passenger side of Callies black Mercedes CL65 AMG.
Sweet car, I say.
Youre not bleeding, right? she says.
Not that I know of.
She turns right, makes the block, begins heading back to her place. Says, If I knew you were this filthy, Id have stolen a car.
Sorry. I was lying on something nasty just now.
You really need to upgrade your taste in women.
I was talking about a nasty rooftop.
Still.
I sigh. There was a woman, though.
Of course there was, Callie says. Then adds, What happened to her?
You know how some people in Vegas lose their heads, and some lose their asses?
Yeah?
She lost both.
3.
Im in Callies penthouse condo now. The lovely Gwen has changed her hair to platinum blond, and its working for her. She sees me and races toward me, as if shes about to give me a big hug. But as she gets close, she stops short and wrinkles her nose.
You smell, she says.
I know. To Callie I say, Can I shower in your guest bedroom?
Of course, she says.
I enter the guest bedroom and pause to look at a group of items lined up on the dresser.
Whats all this? I call to Callie.
Oops, she says from the living room. Then adds, When you called, Gwen and I were about to have a sex marathon. We set some things out we planned to use.
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