THE
EMPATHY EXAMS
Praise for
The Empathy Exams: Essays
Winner of the Graywolf Press Nonfiction Prize
Leslie Jamison has written a profound exploration into how empathy deepens us, yet how we unwittingly sabotage our own capacities for it. We care because we are porous, she says. Pain is at once actual and constructed, feelings are made based on how you speak them. This riveting book will make you a better writer, a better human.Mary Karr, author of Lit and The Liars Club
The Empathy Exams is a necessary book, a brilliant antidote to the noise of our time. Intellectually rigorous, its also plainly personal, honest and intimate, clear-eyed about its confusions. Its about the self as something other than a bundle of symptoms, its about female pain and the suffering of solitary souls everywhere, its an exploration of empathy and the poverty of our imaginations, its ultimately about the limits of language and the liberating possibilities of a whole new narrative. This fierce collections cri de coeur is that we desperately need new words. The Empathy Exams earns its place on the shelf alongside Susan Sontags Regarding the Pain of Others and Illness as Metaphor and Virginia Woolfs odd but stunning essay, On Being Ill. Like Woolf, Leslie Jamison comes to her subject but finds nothing ready made, or, at best, a rickety, suspect vocabulary, and so, starting over, takes her pain in one hand, and a lump of pure sound in the other and crushes them together until a vital new language begins to emerge.Charles DAmbrosio, author of The Dead Fish Museum and Orphans
In The Empathy Exams , Leslie Jamison positions herself in one fraught subject position after the next: tourist in the suffering of others, guilt-ridden person of privilege, keenly intelligent observer distrustful of pure cleverness, reclaimer and critic of female suffering, to name but a few. She does so in order to probe her endlessly important and difficult subjectempathy, for the self and for othersa subject this whirling collection of essays turns over rock after rock to explore. Its perambulations are wide-ranging; its attentiveness to self and others, careful and searching; its open heart, true.Maggie Nelson, author of The Art of Cruelty: A Reckoning and Bluets
Leslie Jamison writes with her whole heart and an unconfined intelligence, a combination that gives The Empathy Exams an inquiry into modern ways and problems of feelinga persuasive, often thrilling authority. These essays reach out for the world, seeking the extraordinary, the bizarre, the alone, the unfeeling, and finding always what is human.Michelle Orange, author of This Is Running for Your Life
Leslie Jamison threads her fine mind through the needle of emotion, sewing our desire for feeling to our fear of feeling. Her essays pierce both pain and sweetness.Eula Biss, author of On Immunity: An Inoculation and Notes from No Mans Land: American Essays
Brilliant. At times steel-cold or chili-hot, [Jamison] picks her way through a society that has lost its way, a voyeur of voyeurism. Here now comes the post-Sontag, post-modern American essay.Ed Vulliamy, author of Amexica: War along the Borderline
When we chance upon a work and a writer who summons and dares the full tilt of all her volatile resources, intellectual and emotional, personal and historical, the effect is, well, disorienting, astonishing. We crash into wonder, as she says, and the span of topics Jamison tosses up is correspondingly smashing and wondrous: medical actors, sentimentality, violence, plastic surgery, guilt, diseases, the Barkley Marathons, stylish ex-votos for exemplary artists, incarceration, wounds, scars, fear, yearning, community, and the mutations of physical pain.Robert Polito, Judge, Graywolf Press Nonfiction Prize
Also by Leslie Jamison
The Gin Closet
The Empathy Exams
ESSAYS
Leslie Jamison
GRAYWOLF PRESS
Copyright 2014 by Leslie Jamison
This publication is made possible, in part, by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund, and through grants from the National Endowment for the Arts and the Wells Fargo Foundation Minnesota. Significant support has also been provided by Target, the McKnight Foundation, Amazon.com, and other generous contributions from foundations, corporations, and individuals. To these organizations and individuals we offer our heartfelt thanks.
Published by Graywolf Press
250 Third Avenue North, Suite 600
Minneapolis, Minnesota 55401
All rights reserved.
www.graywolfpress.org
Published in the United States of America
ISBN 978-1-55597-671-2
Ebook ISBN 978-1-55597-088-8
2 4 6 8 9 7 5 3 1
First Graywolf Printing, 2014
Library of Congress Control Number: 2013946927
Cover design: Kimberly Glyder Design
For my mother ,
Joanne Leslie
Homo sum: humani nil a me alienum puto
I am human: nothing human is alien to me.
TERENCE, The Self-Tormentor
THE EMPATHY EXAMS
My job title is medical actor, which means I play sick. I get paid by the hour. Medical students guess my maladies. Im called a standardized patient, which means I act toward the norms set for my disorders. Im standardized-lingo SP for short. Im fluent in the symptoms of preeclampsia and asthma and appendicitis. I play a mom whose baby has blue lips.
Medical acting works like this: You get a script and a paper gown. You get $13.50 an hour. Our scripts are ten to twelve pages long. They outline whats wrong with usnot just what hurts but how to express it. They tell us how much to give away, and when. We are supposed to unfurl the answers according to specific protocol. The scripts dig deep into our fictive lives: the ages of our children and the diseases of our parents, the names of our husbands real estate and graphic design firms, the amount of weight weve lost in the past year, the amount of alcohol we drink each week.
My specialty case is Stephanie Phillips, a twenty-three-year-old who suffers from something called conversion disorder. She is grieving the death of her brother, and her grief has sublimated into seizures. Her disorder is news to me. I didnt know you could convulse from sadness. Shes not supposed to know, either. Shes not supposed to think the seizures have anything to do with what shes lost.
STEPHANIE PHILLIPS
Psychiatry
SP Training Materials
CASE SUMMARY: You are a twenty-three-year-old female patient experiencing seizures with no identifiable neurological origin. You cant remember your seizures but are told you froth at the mouth and yell obscenities. You can usually feel a seizure coming before it arrives. The seizures began two years ago, shortly after your older brother drowned in the river just south of the Bennington Avenue Bridge. He was swimming drunk after a football tailgate. You and he worked at the same miniature-golf course. These days you dont work at all. These days you dont do much. Youre afraid of having a seizure in public. No doctor has been able to help you. Your brothers name was Will.
MEDICATION HISTORY: You are not taking any medications. Youve never taken antidepressants. Youve never thought you needed them.
MEDICAL HISTORY: Your health has never caused you any trouble. Youve never had anything worse than a broken arm. Will was there when you broke it. He was the one who called the paramedics and kept you calm until they came.
Our simulated exams take place in three suites of purpose-built rooms. Each room is fitted with an examination table and a surveillance camera. We test second- and third-year medical students in topical rotations: pediatrics, surgery, psychiatry. On any given exam day, each student must go through encounterstheir technical titlewith three or four actors playing different cases.
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