• Complain

Tim Stevens - Delivering Caliban

Here you can read online Tim Stevens - Delivering Caliban full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2012, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover

Delivering Caliban: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Delivering Caliban" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Tim Stevens: author's other books


Who wrote Delivering Caliban? Find out the surname, the name of the author of the book and a list of all author's works by series.

Delivering Caliban — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Delivering Caliban" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

Tim Stevens

Delivering Caliban

One

Amsterdam,

Sunday 19 May, 9.45 am

The woman in the beret looked back over her shoulder and John Purkiss registered two things simultaneously.

She was blonde and attractive.

And she was his dead fiance.

He felt the familiar surge in his chest propelling him forwards, as though he was connected physically with her and needed to be in direct contact with her. Countering this was a voice that screamed in his mind, told him to get a grip.

Purkiss stepped on to the road and wove between the trams and the clangour of the bicycle bells. Amsterdam was a gentle bustle of primitive transport around him, seeming to wash around him like a stream around a rock. He disregarded it, eyes fixed on the woman who had turned away again and was striding with purpose in the direction of the Central Station. Claire wore a mauve beret perched at an angle above her short fair hair, a suede coat tight across her shoulders. He didnt recognise the clothes, but the gait was hers, there was no question about that: taut, fast, sexy.

The voice in his mind jabbered at him, its words beyond his hearing.

Overhead the iron cast of the sky threatened rain. The Dutch spring morning was as ambiguous as they ever were. Purkiss watched Claire pass a stall where among the usual Amsterdam tourist tat motifs of tulips and cannabis leaves, Van Gogh and Rembrandt prints sat a number of incongruous Roman Catholic items. A particularly kitsch row of tea towels portrayed the crucifixion, the Vatican, the Pope with hands clasped.

The Pope

The voice broke through into his consciousness. Purkiss lurched to one side out of the path of a blaring taxi, spun to view the road hed just crossed. He pivoted on his heel, scanning the environment in a sweeping motion that took in the spread of the city south of the station.

Damn it. Hed lost him.

As if the thought had somehow sharpened his vision he picked out the tiniest shape in the distance, heading straight for the stations grand and massive concourse. The head was bowed, the gait almost a sprint.

It was Pope.

Purkiss broke into a run.

*

The man seemed to sense him approaching at the last minute and turned his shoulder a fraction. For an instant Purkiss thought hed be someone else, another illusion like the one of Claire that had taken him in a few moments ago. But there was no doubt this was Pope, even in the brief glimpse Purkiss caught of his profile. The thin, prominent nose, the high cheekbones that marked him out even in this city of young and good-looking people, the hint of a grey eye not quite catching Purkisss: all were unmistakable.

Purkiss was a tall man, two inches or so above Popes height. He had the advantage of momentum; Pope had been slowing when hed noticed Purkiss bearing down. But he couldnt simply drop Pope by diving on him or aiming a blow at the back of his neck. It was broad daylight outside the largest train station in the largest city in the Netherlands.

Purkiss would have to get close enough to take the man down unobtrusively.

Pope seemed to sense this and turned fully to face Purkiss, adopting the stance of someone preparing for combat: slightly bent knees, head lowered, arms raised at waist height. He stood at the centre of one of the entrances to the station concourse and people bustled past him, occasionally barging him. His eyes were locked on Purkisss. Purkiss assumed Pope would want to avoid drawing attention to them just as much as he himself did.

Popes hand moved inside his leather jacket as Purkiss closed the final few metres between them, and emerged flashing.

Purkiss stepped aside at the last minute as the blade flashed in an arc across his abdomen, the point catching the edge of his own linen coat; even in the noise of the crowd he heard fabric tear. Pope was right-handed but had swept the blade in a counter-instinctive forehand gesture so that at the end of the movement his arm was across his body, protecting it. Purkiss grabbed for his wrist and caught it and pulled it on, continuing the movement. Pope had been anticipating this and wrenched his arm back, failing to free himself from Purkisss grip but keeping his balance.

With a sharp twist of Popes wrist Purkiss popped the knife out of his hand and heard it clatter to the pavement even as Popes free hand came jabbing at his midsection. Popes stiffened fingers caught him beneath the sternum and even though Purkiss managed to tense his abdominal muscles in time the pain was immense, as though a skewer had been rammed into his belly. He bent forward involuntarily which was a mistake because Popes forehead connected with his cheekbone.

Light and agony exploded in Purkisss head. Dimly he was aware that hed let go of Popes wrist. Blinded by nausea he closed up with his arms, covering himself in anticipation of the next blow, but in an instant he realised Pope hadnt pressed home his advantage but had instead chosen to run.

Purkiss plunged into the teeming, tilting surge of the crowd ahead of him, shoving people aside crudely, feeling as though he were wading through sludge. He kept sight of Popes head, maddeningly close yet separated from him by bodies that were starting to turn and react to him with surprise and outrage. He broke through the mass, sending suitcases spinning. Pope was sprinting down the concourse to the right, all attempts at unobtrusiveness abandoned.

The yelling behind Purkiss echoed off the great arched ceiling as he gave chase. Pope was heading along a platform towards the semicircle of daylight at the end of the station, veering close to the edge. Two uniformed, shouting men station personnel, or police hove into Purkisss field of vision and he dodged them smartly. Pope was nearly at the concrete barrier blocking the way between the end of the station concourse and what was presumably some sort of freight platform on the outside. A burly man, another member of staff, had planted himself at the barrier in Popes way.

Purkiss didnt see exactly what happened next but as he reached the barrier himself he saw the large man sprawled on the platform, hands clasped at his throat, a high-pitched gargling piping from his mouth. There was blood, too, a lot of it. Purkiss vaulted the barrier without breaking his stride. Pope had got across it even more quickly and was well along the platform outside.

It was as Purkiss had guessed a loading area for freight. Personnel in orange jackets were clustered in a group, staring in astonishment, one or two stepping towards Pope with their hands raised in warning. None of them made a grab at him. By the time Purkiss passed them they had got over their initial bewilderment and looked more willing to confront this second interloper. Something in Purkisss face seemed to discourage them.

A train was at rest on the track to the left. Purkiss watched Pope draw level with the last carriage ahead, then hesitate, looking back. Pope leaped from the edge of the platform, disappearing behind the train.

Purkiss reached the end of the train. Four tracks ran in parallel, and Pope was on the island between the middle two tracks, sprinting again in the same direction as before. Instead of crossing behind the stationary train and following Pope, Purkiss continued running along the platform, parallel now to the other man. Ahead, the outer two tracks merged into one so that Purkiss and Pope were now separated by a single track.

Even as he ran, Purkiss knew the other man had the edge: in stamina and in speed. Not an enormous advantage, but enough to make a difference. Pope was pulling ahead so that they were no longer level.

When youve lost one advantage, create another.

Scattered on the platform ahead of Purkiss was an assortment of bits of metal. He spotted what he wanted while he was still running, so the delay when he reached the pile was minimal. Slowing only a fraction he ducked and grasped a wheel of some sort, orange with rust, the size of a dinner plate. It had a good heft as he swung it up, enough to give it the momentum needed.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Delivering Caliban»

Look at similar books to Delivering Caliban. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Delivering Caliban»

Discussion, reviews of the book Delivering Caliban and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.