Doug Allyn - The Best American Mystery Stories 2000

Miracles! Happen! by Doug Allyn. First published in Ellery Queens Mystery Magazine, December 1, 1999. Copyright 1999 by Doug Allyn. Reprinted by permission of the author and his agent, James Allen.

Ghosts by David Beaty. First published in Mystery in the Sunshine Slate, edited by Stuart Kaminsky, Pineapple Press. Copyright 1999 by David Beaty. Reprinted by permission of the author.

Spring Rite by Tom Berdine. First published in Alfred Hitchocks Mystery Magazine, December 1, 1999. Copyright 1999 by Tom Berdine. Reprinted by permission of the author.

Annies Dream by Bentley Dadmun. First published in Alfred Hitchocks Mystery Magazine, December 1, 1999. Copyright 1999 by Bentley Dadmun. Reprinted by permission of the author.

Motel 66 by Barbara DAmato. First published in Murder on Route 66, edited by Carolyn Wheat, Prime Crime. Copyright 1999 by Barbara DAmato. Reprinted by permission of the author.

Jumping with Jim by Geary Danihy. First published in Ellery Queens Mystery Magazine, November 1, 1999. Copyright 1999 by Geary Danihy. Reprinted by permission of the author.

Triangle by Jeffery Deaver. First published in Ellery Queens Mystery Magazine, March 1, 1999. Copyright 1999 by Jeffery W. Deaver. Reprinted by permission of the author.

The Instruments of Peace by Edward Falco. First published in Playboy, July 1, 1999. Copyright 1999 by Edward Falco. Reprinted by permission of the author.

Grit by Tom Franklin. First published in Poachers: Stones, by Tom Franklin, Morrow. Copyright 1999 by Tom Franklin. Reprinted by permission of the author.

Compass Rose by David Edgerley Gates, First published in Alfred Hitchocks Mystery Magazine, September 1, 1999. Copyright 1999 by David Edgerley Gates. Reprinted by permission of the author.

The Defenestration of Aba Sid by Robert Girardi. First published in A Vaudeville of Devils, by Robert Girardi, Delacorte. Copyright 1999 by Robert Girardi. Reprinted by permission of the author.

The Island in the River by Chad Holley. First published in The Greensboro Review, Fall 1999. Copyright 1999 by Chad Holley. Reprinted by permission of the author.

ICU by Edward Lee. First published in 999, edited by Al Sarrantonio, Avon. Copyright 1999 by Edward Lee. Reprinted by permission of the author.

Running Out of Dog by Dennis Lehane. First published in Murder and Obsession, edited by Otto Penzler, Dell. Copyright 1999 by Dennis Lehane. Reprinted by permission of Ann Rittenberg Literary Agency, Inc.

Sheep by Thomas H. McNeely. First published in The Atlantic Monthly, June 1, 1999. Copyright 1999 by Thomas H. McNeely. Reprinted by permission of the author.

Dead Rock Singer by Martha Moffett. First published in The Chattahoochee Review, Winter 1999. Copyright 1999 by Georgia Perimter College. Reprinted by permission of Lawrence Hetrick, editor.

Wrong Numbers by Josh Pryor. First published in Zoetrope, Spring 1999. Copyright 1999 by Josh Pryor. Reprinted by permission of the author.

The Guilty Party by Shel Silverstein. First published in Murder and Obsession, edited by Otto Penzler, Dell. Copyright 1999 by Shel Silverstein. Reprinted by permission of the Estate of Shel Silverstein.

Forgetting the Girl by Peter Moore Smith. First published in The MacGuffin, Spring 1999. Copyright 1999 by Peter Moore Smith. Reprinted by permission of the author.

Water Dog God by Brad Watson. First published in The Oxford American, September/October 1999. Copyright 1999 by Brad Watson. Reprinted by permission of the author.

The American Mystery Story is flourishing as we approach the new millennium (which begins, of course, on January 1, 2001, as I do not know of a single historical entity who lived in the year o).

Mysteries have changed in both style and content, just as the rest of literature has changed, over the course of the genres life, which is just a bit more than a century and a half (assuming that were all agreed that the first true mystery short story was Edgar Allan Poes The Murders in the Rue Morgue in 1841).

Mystery stories used to be mainly puzzles, then they seemed to be mainly private eye stories. Both kinds are still written, and sometimes they are very good, but more stories in this anthology (and the three that preceded it) are stories of character than one has been accustomed to seeing in collections of mystery stories. These are still mysteries, but they are more. In the words of the truly stupid reviewers who condescend when they write about a good mystery, they transcend the genre. As readers have become more demanding, contemporary writers have stepped up and produced more complex, more textured, more stylistically original stories.

This evolution has been reflected in the Edgar Allan Poe Awards, given in the short story category by the Mystery Writers of America. Recent winners have been Tom Franklins Poachers and Michael Malones Red Clay, neither of which could be classified as a traditional mystery story, and neither of which, Id be willing to bet, could have been honored a half-century ago. Therefore, as you open this book and begin to read, be prepared for the unexpected, and be ready for some of the best prose being written today.

Not only do crime stories seem to be improving each year, but there seem to be more of them as well. For the first anthology in this series, I read more than 600 stories. The next year the number exceeded 800, and it went up the following year. For the calendar year 1999 I examined more than 1, 100 stories a task that would have been impossible without the help of Michele Slung, who looks at three times that many stories just to see whether they are mystery-related, much less any good. It seems reasonable to think that with a wider array of material from which to pick, more good stuff will float to the top.

This years guest editor, Donald E. Westlake, demonstrated his professionalism yet again. Hes the kind of writer who, if you ask for a story of 5,000 to 6,000 words, will give you one of 5,500. If you say you need it by the fifteenth of the month, you get it on the fourteenth. When I sent the fifty stories that I regarded as the best of the year to him, I apologized for being a little late, as there had been many late submissions. If you can read the stories and make your selections in a month, I hinted, that would be nice. He did it in just over three weeks. And wrote the introduction. And this from a man with more books and movie scripts waiting to be written than you can imagine.

This next paragraph is redundant only to those who have added previous volumes in this series to their collections and who actually read the foreword. Mysteries are defined for this series as any story in which a crime or the threat of a crime is central to the theme or plot. To be eligible for this anthology, stories must be by an American or a Canadian author and published initially in an American or a Canadian periodical or book. Popular consumer magazines, specialty mystery magazines, literary journals, anthologies, or collections containing initial appearances all and any can serve as the source for these stories.

To submit a story for consideration in this series, please send a copy of the published story (no originals can be considered) to me at the address below, or just drop me a note to let me know the name of a worthy story and where it has been published. Dont bother telling me about the mystery magazines and anthologies, as these are scrutinized carefully. Im unlikely to miss anything in