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Edgar Allan Poe - Edgar Allan Poe Essays and Reviews: Theory of Poetry, Reviews of British and Continental Authors, Reviews of American Authors and American Literatur

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Gathers Poes essays on the theory of poetry, the art of fiction, the role of the critic, leading nineteenth-century writers, and the New York literary world

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Page iii
Edgar Allan Poe
Essays and Reviews
Theory of Poetry
Reviews of British and Continental Authors
Reviews of American Authors and American Literature
Magazines and Criticism
The Literary and Social Scene
Articles and Marginalia
Page iv Volume compilation notes and chronology copyright 1984 by - photo 2
Page iv
Volume compilation, notes, and chronology copyright 1984 by Literary Classics of the United States, Inc., New York, N.Y. All rights reserved.
No part of this book may be reproduced commercially by offset-lithographic or equivalent copying devices without the permission of the publisher.
The text of "A Reviewer Reviewed," from Collected Works of Edgar Allan Poe, edited by Thomas Ollive Mabbott, is Copyright 1978 by the President and Fellows of Harvard College.
Distributed to the trade in the United States by Penguin Books USA Inc and in Canada by Penguin Books Canada Ltd.
The paper used in this publication meets the minimum requirements of the American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI Z39.48-1984.
Library of Congress Catalog Card Number: 83-19923
For cataloging information, see end of Notes section.
ISBN 0-940450-19-4
Fifth Printing
The Library of America20
Manufactured in the United States of America
Page v
G. R. THOMPSON
WROTE THE NOTES AND SELECTED
THE CONTENTS FOR THIS VOLUME
Page vii
CONTENTS
Each section has its own table of contents.
Theory of Poetry
1
Reviews of British and Continental Authors
95
Reviews of American Authors and American Literature
351
Magazines and Criticism
1015
The Literary and Social Scene
1055
Articles and Marginalia
1223
Chronology
1473
Note on the Texts
1482
Notes
1493
Index
1513

Page 1
THEORY OF POETRY
Page 3
Contents
Letter to B (July 1836)
5
The Philosophy of Composition (April 1846)
13
The Rationale of Verse (November 1848)
26
The Poetic Principle (October 1850)
71

Page 5
Letter to B*
It has been said that a good critique on a poem may be written by one who is no poet himself. This, according to your idea and mine of poetry, I feel to be falsethe less poetical the critic, the less just the critique, and the converse. On this account, and because there are but few B's in the world, I would be as much ashamed of the world's good opinion as proud of your own. Another than yourself might here observe, "Shakspeare is in possession of the world's good opinion, and yet Shakspeare is the greatest of poets. It appears then that the world judge correctly, why should you be ashamed of their favorable judgment?" The difficulty lies in the interpretation of the word "judgment" or ''opinion." The opinion is the world's, truly, but it may be called theirs as a man would call a book his, having bought it; he did not write the book, but it is his; they did not originate the opinion, but it is theirs. A fool, for example, thinks Shakspeare a great poetyet the fool has never read Shakspeare. But the fool's neighbor, who is a step higher on the Andes of the mind, whose head (that is to say his more exalted thought) is too far above the fool to be seen or understood, but whose feet (by which I mean his every-day actions) are sufficiently near to be discerned, and by means of which that superiority is ascertained, which but for them would never have been discoveredthis neighbor asserts that Shakspeare is a great poetthe fool believes him, and it is henceforward his opinion. This neighbor's own opinion has, in like manner, been adopted from one above him, and so, ascendingly, to a few gifted individuals, who kneel around the summit, beholding, face to face, the master spirit who stands upon the pinnacle. * * * *
You are aware of the great barrier in the path of an American writer. He is read, if at all, in preference to the combined and established wit of the world. I say established; for it is
Picture 3Picture 4
*These detached passages form part of the preface to a small volume printed some years ago for private circulation. They have vigor and much originalitybut of course we shall not be called upon to endorse all the writer's opinions.
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