• Complain

Charles Baxter - Gryphon: New and Selected Stories

Here you can read online Charles Baxter - Gryphon: New and Selected Stories full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2011, publisher: Pantheon, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Charles Baxter Gryphon: New and Selected Stories

Gryphon: New and Selected Stories: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Gryphon: New and Selected Stories" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Charles Baxter: author's other books


Who wrote Gryphon: New and Selected Stories? Find out the surname, the name of the author of the book and a list of all author's works by series.

Gryphon: New and Selected Stories — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Gryphon: New and Selected Stories" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
Permissions Acknowledgments

Grateful acknowledgment is made to the following for permission to reprint previously published material:

Alfred Publishing Co., Inc.: Excerpts from Gimme Shelter, words and music by Mick Jagger and Keith Richards, copyright 1968 (renewed) by ABKCO Music, Inc., 85 Fifth Avenue, New York, N.Y. 10003. All rights reserved. Reprinted by permission of Alfred Publishing Co., Inc.

European American Music Distributors LLC: Excerpt from Harmonie der Welt by Paul Hindemith, copyright 1952 by Schott Music, Mainz, Germany. Copyright renewed. All rights reserved. Reprinted by permission of European American Music Distributors LLC, sole U.S. and Canadian agent for Schott Music, Mainz, Germany.

The Literary Trustees of Walter de la Mare: Excerpt from Alice Rodd and excerpt from Ann Poverty from Ding Dong Bell by Walter de la Mare. Reprinted by permission of The Literary Trustees of Walter de la Mare and the Society of Authors as their representative.

W. W. Norton & Company, Inc.: The Disappeared, Fenstads Mother, Shelter, Snow, and Westland from A Relative Stranger by Charles Baxter, copyright 1990 by Charles Baxter. Reprinted by permission of W. W. Norton & Company, Inc.

ALSO BY CHARLES BAXTER

FICTION
The Soul Thief
Saul and Patsy
The Feast of Love
Believers
Shadow Play
A Relative Stranger
First Light
Through the Safety Net
Harmony of the World

POETRY
Imaginary Paintings and Other Poems

PROSE
The Art of Subtext: Beyond Plot
Burning Down the House

AS EDITOR
A William Maxwell Portrait
(with Edward Hirsch and Michael Collier)
The Business of Memory: The Art of Remembering in an Age of Forgetting
Bringing the Devil to His Knees: The Craft of Fiction and the Writing Life (with Peter Turchi)

About the Author

Charles Baxter is the author of nine previous works of fiction, including five novels, The Feast of Love (nominated for the National Book Award), The Soul Thief, Saul and Patsy, Shadow Play, and First Light, and four previous collections of stories: Believers, A Relative Stranger, Through the Safety Net, and Harmony of the World. He lives in Minneapolis and teaches at the University of Minnesota and in the M.F.A. Program for Writers at Warren Wilson College.

The Would-be Father
Picture 1

WIPING OFF THE kitchen counter after dinner, Burrage happened to glance at the window over the sink and saw a womans face outside, peering in. The face had an inquisitive but friendly expression. It belonged to Mrs. Schultz from across the street, who tended to wander around the Heritage Condominium complex in the early evening while under the influence of powerful medications prescribed for her after-dinner and bedtime pains.

Hi, Mrs. Schultz, Burrage said, waving a sponge. Are you all right? Do you know where you are?

I think so, she said, waving back. Her gray hair was bundled at the top of her head, and the lines around her mouth rose when she smiled. I think I know where I am, if Im across the street and if you are who I think you are. I wanted to see that boy of yours. Also, Im thirsty. Can you pass a glass of water to me through this window?

I cant, Mrs. Schultz, Burrage said. Looking boyish and preoccupied, as was usual for him, he pointed at the window. Screens. And Gregorys already in his pajamas. See how late its getting? Mrs. Schultz glanced up, but it was still too early for stars. All the same, she nodded. Let me take you home. He dried his hands, poured a glass of water, and glanced down the hall. Gregorys door was closed, but Burrage could hear him singing. He carried the water outside to where the old lady stood near the arborvitae, slowly moving her left hand back and forth in the air. Burrage realized that she was trying to brush away gnats. Here, he said, putting the glass in her other hand. She sipped it, thanked him, and gave it back. Then she took his arm, and together they crossed the street. It was spring: he could hear children playing softball in the distance.

You said it was late, she said, but I dont see any stars.

They walked up the sidewalk to her front door, which was wide open, and Burrage turned her around so that they faced his house. He could smell onions, or something acidic, coming from the inside of her condominium, a permanent smell and a sign that she had lost the knack of effective housekeeping.

The days are longer now, Mrs. Schultz. Daylight savings time. Look over the roof of my garage at the sky. What do you see? Do you see anything?

I see a dot, she said.

Thats Mars, Burrage told her, letting out a breath with the word. The red planet. So you see? It is getting dark. Im leaving you here, okay? You should do yourself a favor and go inside now. Try to get some rest. Will you be all right? Mrs. Schultz stared at his shirt buttons. You should try to be all right, he said.

Oh, its you Im worried about, not me, she said. What a man in your position does, after all. And that dot, Mars. Its right over your house, isnt it? Its not over my house. She looked at him with her Im-not-so-dumb face. Thank you anyway. Ill go in now. Say good night to that little boy of yours.

I will.

She turned once more and went in. Burrage watched her trudge down the hall toward the living-room chair in front of the perpetually blaring television set. He reached inside her door to make sure the lock was set and then closed it before going back.

Gregory was kneeling at the side of his bed, his arms stretched out over the patchwork quilt, his fingers clasped tightly together. The only illumination in the room came from the Scotty dog night-light, which cast a pale glow on the bed and dresser and made them look like toy furniture used in a circus act. Gregory, who was five years old, was praying to Santa Claus. With his face buried in the quilt, his words broke out with difficulty, a mumble of wishes.

On the opposite side of the room was a narrow rocking chair, next to a low table on which was placed a windup double-decker bus and an ashtray. Above them was a wall poster of Paddington Bear, a poster the boy had outgrown. Burrages routine was to go into the room, kiss Gregory good night, light up a cigar, and turn on the boys cassette recorder, which would play the same selection of tunes as always, Glenn Millers greatest hits, starting with Moonlight Serenade. When Burrage had been a boy himself, suffering from asthma and unable to sleep, his mother would play Glenn Miller on the phonograph. In this way he became accustomed to falling asleep to the big-band sound.

His prayers finished, the boy climbed into bed and waited for Burrage to tuck him in. He was used to Burrages cigars and now liked the smell at bedtime. After Burrage entered, he kissed Gregory and, as usual, sat down to be close to the ashtray, before tapping the button on the recorder.

Where were you? Gregory asked.

Mrs. Schultz was over here. I had to help her back across the street. He waited a moment. Did you say your prayers?

Yeah, the boy said. He picked up his stuffed dragon and made a sound.

Was that a roar, Burrage asked, or a yawn?

Hes sleepy, the boy said. Tell me a story. Tell me a story with me in it. Tell me my horoscope. As always, he tripped over the word. Whats happening tomorrow?

Dont you want to hear a bunny story or something?

No. My horoscope.

Okay. Burrage took a deep breath. The planets are in a good position for you tomorrow, especially Mercury and Venus. Theyll take good care of you, just like today. The stars are really interested in what will happen to you at school tomorrow, and they want to know how youre doing. They want to know if youve learned the alphabet and if youre getting along better with Rosemary.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Gryphon: New and Selected Stories»

Look at similar books to Gryphon: New and Selected Stories. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Gryphon: New and Selected Stories»

Discussion, reviews of the book Gryphon: New and Selected Stories and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.