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Paul Muldoon [Paul Muldoon] - Poems 1968-1998

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Paul Muldoon [Paul Muldoon] Poems 1968-1998

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Thirty years of work from the most significant English-language poet born since the second world war. The Times Literary Supplement

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FOR JEAN, DOROTHY, AND ASHER

CONTENTS
This book comprises the complete texts of the eight main collections of poetry I have published over the last thirty years, from NewWeather (1973) to Hay (1998). It does not include the uncollected work that appeared in magazines and in a number of small, interim publications: opera libretti written in verse, verse drama, poems for children, KerrySlides, and ThePrinceoftheQuotidian, a journalistic sequence which came out in 1994. It is not, therefore, to be considered a complete or collected volume, but rather a making available of the volumes to which I refer, several of which arent in print in the United Kingdom, Ireland, or the United States. Other than to correct such factual errors as my having written painfully for painstakingly, bathyscope for bathysphere, Ranusranus for Ranatemporaria, jardonelle for jargonelle, and aureoles for areolae, I have made scarcely any changes in the texts of the poems, since Im fairly certain that, after a shortish time, the person through whom a poem was written is no more entitled to make revisions than any other reader. P.M.
The early electric people had domesticated the wild ass.

They knew all about falling off. Occasionally, they would have fallen out of the trees. Climbing again, they had something to prove To their neighbours. And they did have neighbours. The electric people lived in villages Out of their need of security and their constant hunger. Together they would divert their energies To neutral places.

Anger to the banging door, Passion to the kiss. And electricity to earth. Having stolen his thunder From an angry god, through the trees They had learned to string his lightning. The women gathered random sparks into their aprons, A child discovered the swing Among the electric poles. Taking everything as given, The electric people were confident, hardly proud. They kept fire in a bucket, Boiled water and dry leaves in a kettle, watched the lid By the blue steam lifted and lifted.

So that, where one of the electric people happened to fall, It was accepted as an occupational hazard. There was something necessary about the thing. The North Wall Of the Eiger was notorious for blizzards, If one fell there his neighbour might remark, Bloody fool. All that would have been inappropriate, Applied to the experienced climber of electric poles. I have achieved this great height? No electric person could have been that proud, Thirty or forty feet. Perhaps not that, If the fall happened to be broken by the roof of a shed.

The belt would burst, the call be made, The ambulance arrive and carry the faller away To hospital with a scream. There and then the electric people might invent the railway, Just watching the lid lifted by the steam. Or decide that all laws should be based on that of gravity, Just thinking of the faller fallen. Even then they were running out of things to do and see. Gradually, they introduced legislation Whereby they nailed a plaque to every last electric pole. They would prosecute any trespassers.

The high up, singing and live fruit liable to shock or kill Were forbidden. Deciding that their neighbours And their neighbours innocent children ought to be stopped For their own good, they threw a fence Of barbed wire round the electric poles. None could describe Electrocution, falling, the age of innocence.

In the way that the most of the wind Happens where there are trees, Most of the world is centred About ourselves. Often where the wind has gathered The trees together and together, One tree will take Another in her arms and hold. Their branches that are grinding Madly together and together, It is no real fire.

They are breaking each other. Often I think I should be like The single tree, going nowhere, Since my own arm could not and would not Break the other. Yet by my broken bones I tell new weather.

This is not the nest That has been pulling itself together In the hedges intestine. It is the cup of a boys hands, Whereby something is lost More than the necessary heat gone forever And death only after beginning. There is more to this pale blue flint In this careful fist Than a birds nest having been discovered And a bird not sitting again.

This is the start of the underhand, The way that he has crossed These four or five delicate fields of clover To hunker by this crooked railing. This is the breathless and the intent Puncturing of the waste And isolate egg and this the clean delivery Of little yolk and albumen. These his wrists, surprised and stained.

I guessed the letter Must be yours. I recognized The cuttle ink, The serif on The P. I read the postmark and the date, Impatience held By a paperweight.

I took your letter at eleven To the garden With my tea. And suddenly the yellow gum secreted Halfwayup The damson bush Had grown a shell. I let those scentless pages fall And took it In my feckless hand. I turned it over On its back To watch your mouth Withdraw. Making a lean white fist Out of my freckled hand.

Bored by Ascham and Zeno In private conversation on the longbow, I went out onto the lawn.

Taking the crooked bow of yellow cane, I shot an arrow over The house and wounded my brother. He cried those huge dark tears Till they had blackened half his hair. Zeno could have had no real Notion of the flying arrow being still, Not blessed with the hindsight Of photography and the suddenly frozen shot, Yet that obstinate one Eye inveigled me to a standing stone. Evil eyes have always burned Corn black and people have never churned Again after their blink. That eye was deeper than the Lake of the Young, Outstared the sun in the sky.

Every year they have driven stake after stake after stake Deeper into the cold heart of the hill.
Every year they have driven stake after stake after stake Deeper into the cold heart of the hill.

Their arrowheads are more deadly than snowflakes, Their spearheads sharper than icicles, Yet stilled by snowflake, icicle. They are already broken by their need of wintering, These archers taller than any snowfall Having to admit their broken shafts and broken strings, Whittling the dead branches to the girls they like. That they have hearts is visible, The nests of birds, these obvious concentrations of black. Yet where the soldiers will later put on mail, The archers their soft green, nothing will tell Of the heart of the mailed soldier seeing the spear he flung, Of the green archer seeing his shaft kill. Only his deliberate hand, a bird pretending a broken wing.

Macha, the Ice Age Held you down, Heavy as a man.

As he dragged Himself away, You sprang up Big as half a county, Curvaceous, Drumlin country. Now at war With men, Leading them against Each other, You had to prove Your permanence. You scored the ground With a sharp brooch, Mapped your first Hillfort. The day you fell, At the hands of men, You fell Back over half a county. Clutching a town To your breasts.

My father and I are catching spricklies Out of the Oona river.

They have us feeling righteous, The way we have thrown them back. Our benevolence is astounding. When my father stood out in the shallows It occurred to me that The spricklies might have been piranhas, The river a red carpet Rolling out from where he had just stood, Or I wonder now if he is dead or sleeping. For if he is dead I would have his grave Secret and safe, I would turn the river out of its course, Lay him in its bed, bring it round again. No one would question That he had treasures or his being a king, Telling now of the real fish farther down.

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