Dzheffri Diver - Nothing Good Happens After Midnight: A Suspense Magazine Anthology

Introduction Copyright 2020 by Gunner Publications, LLC

12:01 AM Copyright 2020 by Alan Jacobson

Cell Phone Intolerant Copyright 2020 by Kevin OBrien

All Aboard Copyright 2020 by Hank Phillippi Ryan

Gone Forever Copyright 2020 by Joseph Badal

Night Shift Copyright 2020 by NJSB Entertainment Inc.

Midnight in the Garden of Death Copyright 2020 by Heather Graham

The Sixth Decoy Copyright 2020 by Paul Kemprecos

A Creative Defense Copyright 2020 by Gunner Publications, LLC

After Midnight: Cinderella Then and Now Copyright 2020 by Rhys Bowen

Easy Peasey Copyright 2020 by John Lescroart

Tonic Copyright 2020 by D. P. Lyle

Tonight is the Night Copyright 2020 by Shannon Kirk

ATM Copyright 2020 by Jon Land

Ive had a soft spot in my heart for the hour of midnight ever since, at a young age, I knew that by then my parents would be asleep and I could pull the blanket off my head and continue to read Ian Fleming or Tolkien or Edgar Allan Poe without the risk of detection... or suffocation (though I did keep the bedside table light off and continued to plow through pages by the less-obvious beam of my Boy Scout flashlight I wasnt stupid).

It also didnt hurt my affection for that transitional time that one of the films steering me toward crime writing was the gritty 1957 noir The Midnight Story, set in San Francisco and starring Tony Curtis and Gilbert Roland.

So it was with unbound eagerness that I leapt at the chance to edit this volume of suspense stories describing incidents of the curious, the eerie, the disturbed, the violent that occur in that netherworld after the witching hour (yes, yes, I know that purists claim that title belongs to three a.m. but Im the editor and Im bestowing it upon 00:00).

Another soft spot? For short form fiction.

We readers are long-distance travelers when we enter the world of novels, taking our time as we get to know characters and bask in their journey, their perils, their wins and losses. Sometimes, though not necessarily, were treated to a big wallop of a twist at the end. A short story doesnt have the luxury of seducing us during the course of such leisurely transit; it has to grab us immediately with a high-speed plot and, in the end, deliver a gut punch of the unexpected.

And the more spine-tingling the atmosphere the author has created, the better.

All of the tales in this anthology deliver that punch, and tingle that spine, and do so in a fascinating variety of ways, reflecting the wide-ranging talents, themes and styles of our contributors. Youll be reminded of Conan Doyle, Edgar Allan Poe, O. Henry, Agatha Christie and Stephen King, as well as episodes from The Twilight Zone, Outer Limits and Alfred Hitchcock Presents.

Lets meet our crew.

Rarely has a ticking clock been put to such keen effect before, at and after midnight as in Alan Jacobsons 12:01 AM. As the moments count down to the execution of a particularly nasty serial killer, we learn that theres much more to the crimes and the mans history than meets the eye. Jacobsons sharp, compelling series character Karen Vail, ace FBI profiler, joins forces with some familiar faces in the Commonwealth of Virginia in a break-neck race to save an innocent life before time runs out. The back and forth between Vail and the soon-to-die killer will also keep you on the edge of your seat.

Youd think it would be tough to write about the start of an entire social movement in a short story but Kevin OBrien has done just that in the witty Cell Phone Intolerant. The story hits all the right buttons forgive that and makes us smile with satisfaction at the exploits of Ed, a dyspeptic divorc, who, to borrow from pop culture of a few years back, comes up with his own variation of Were not going to take it anymore! I, for one, recognized a bit of Ed in myself, and I suspect youll feel the same when you finish the story.

Nothing is more exotic and potentially eerier than an overnight train ride. Think of From Russia With Love or Strangers on a Train, not to mention Agatha Christies classic. Hank Phillippi Ryans All Aboard perfectly recreates the claustrophobia and suspense of such nighttime travel on the rails. The setup is indeed Hitchcockian: a savvy public relations expert overhears something not intended for her ears, which sets the plot in motion. In addition to being a page-turning thriller, Ryans contribution asks this telling question: is not information as powerful a weapon as a gun or knife?

In Gone Forever Joseph Badal takes us front and center to an event that is all too common in the news, a mass killing, this one in a church. We relive the event through the eyes of a stalwart police officer and the man shes interviewing, the shaken priest whose congregation was the target of the assault. I always like to see a storywrights skill at work in coming up with a title that does double duty. That can be a surprise in itself. In Badals tale the phrase gone forever comes hauntingly home to roost on the last few pages.

Imagine this: youre on the phone with a crazy man, you dont know his identity and youre the only one who can stop him from a killing spree. How would you play that scenario out? This is the edge-of-the-seat premise of Linwood Barclays twisty Night Shift. As a former journalist, I know how accurately the author has recreated the atmosphere of a late-night newsroom, a place that is invariably placid and sleepy and dull... until it absolutely isnt.

What would a midnight-themed anthology be without a visit to a graveyard? Heather Grahams Midnight in the Garden of Death has us flipping pages in rapid order to see what happens next in her tale of teens whose on-a-lark sleepover in a cemetery doesnt go exactly as planned. Grahams fine depiction of the characters takes us straight back to those days when our world could be divided into the inside kids and the geeks and the portrayal of that fraught time is as spot-on as the action is heart-racing.

Every suspense anthology needs a classic private eye story and Paul Kemprecos has contributed a great one with The Sixth Decoy, which stars his immensely likable series character, Aristotle Socarides, ex-marine, old salt, and part-time P.I. In this tale Soc is hired by a wealthy recluse to track down a missing sculpture, carved by an artist who can only be described as the Michelangelo of wooden birds. This story will remind you of John D. MacDonald, the creator of Travis McGee, at his best.

My first novel was not in crime, but horror, and occasionally Ill pen a story in that genre, as Ive done here. In A Creative Defense I aim for supernatural gothic in telling a tale of a horrific murder in a small New England town. The inspiration was this: trying to imagine the expression on the jurors faces when the defendants attorney pitches a particular argument as to why his client should not be found guilty for the slaughter. And just to try something a little different, the midnight, after which something bad happens doesnt refer to the time, but to something else entirely. And, no, it isnt a cats name.

It would simply be wrong to publish an anthology based on the theme of midnight without a Cinderella story and Im pleased to report that we have not one, but two and both written by the same author. In After Midnight Rhys Bowen has given us a clever retelling of the classic fairy tale of old, though we meet a protagonist whos a bit different from the one were familiar with. Her second Cinderella tale is set in the modern time. Suffice it to say no mice, pumpkins or slippers figure in