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Michael Connelly - The Closers

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Michael Connelly The Closers

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A city that forgets its murder victims is a city lost. This is where we dont forget, Detective Hieronymus Harry Bosch is told by his new boss, as he ends a three-year retirement and rejoins the Los Angeles Police Department at the start of The Closers, the 11th installment of Michael Connellys Edgar-winning series. Having long ago demonstrated his knack for cracking previously unsolved homicides, Bosch is assigned to the newly re-branded Open-Unsolved Unit (aka cold case squad), and charged with resolving the 17-year-old abduction and slaying of a mixed-race teenager.Rebecca Verloren, 16, was discovered missing from her Chatsworth home on a July morning in 1988. Her corpse and the gun that ended her life were later found on a hill behind the house. An autopsy revealed that shed recently undergone an abortion, and a piece of skin tissue--presumably the killers--was found trapped inside the murder weapon. Only now, though, has DNA science matched that tissue to Roland Mackey, a dyslexic 35-year-old tow-truck operator with no obvious connection to the deceased. Its up to Bosch, once more partnered with Kizmin Rider, to determine whether Mackey offed Becky Verloren, or was at least an accessory to that tragedy. But the more Bosch and Rider dig into this dusty crime, trying in part to determine whether racial animosity might have been involved, the more pain and resistance they encounter. Beckys white mother maintains the teens old bedroom as a shrine, while her shattered father, an African-American chef, has vanished into LAs homeless community. Of the two original investigators on the case, one has since committed suicide, and Bosch suspects that the other--now a police commander--is helping to keep the lid tight on some old departmental secrets, perhaps linked to our heros nemesis, Deputy Chief Irvin S. Irving.Understandably rusty after three years sans shield, Bosch makes his share of personal and professional mistakes here--including one that supplies The Closers with a lethal, plot-turning climax. But the greater problem is that Connelly exhausts so much time and effort following his protagonist through the tedium of modern police procedures, that he neglects what readers have liked more about this series in the past: its persistently deft exploration of Boschs lonely, haunted soul (which remains mostly out of sight in this tale), and the authors frequent flights of lyrical prose (also not much in evidence). Would-be novelists wanting an example of a solidly constructed cop tale need look no further than The Closers. But readers hoping to learn why Connelly is so well-respected in this genre should turn, instead, to previous Bosch titles such as The Concrete Blonde, Angels Flight, or City of Bones. --J. Kingston Pierce

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Chasing the Dime by Michael Connelly

Michael Connelly

A former police reporter for the Los Angeles Times, Michael Connelly is the author of eight novels featuring his famed detective Harry Bosch, as well as The Poet, Blood Work and Void Moon. His novels have won an Edgar Award, the Nero Wolfe Prize, and the Anthony Award, He lives in Tampa, Florida.

CHASING THE DIME

The voice on the phone was a whisper. It had a forceful, almost desperate quality to it.

Henry Pierce told the caller he had the wrong number. But the voice became insistent.

"Where is Lilly?" the man asked.

"I don't know," Pierce said. "I don't know anything about her."

"This is her number. It's on the site."

"No, you have the wrong number. There is no one named Lilly here. And I don't know anything about any site. Okay?"

The caller hung up without responding. Then Pierce hung up, annoyed. He had plugged in the new phone only fifteen minutes earlier and already he had gotten two calls for someone named Lilly.

He put the phone down on the floor and looked around the almost empty apartment. All he had was the black leather couch he sat on, the six boxes of clothes in the bedroom and the new phone. And now the phone was going to be a problem.

Nicole had kept everything- the furniture, the books, the CDs and the house on Amalfi Drive. She didn't keep it, actually: he had given it all to her. The price of his guilt for letting things slip away. The new apartment was nice. It was high luxury and security, a premier address in Santa Monica. But he was going to miss the house on Amalfi. And the woman who was still living in it.

He looked down at the phone on the beige carpet, wondering if he should call Nicole and let her know he had moved from the hotel to the apartment and had the new number. But then he shook his head. He had already sent her the e-mail with all the new information. To call her would be breaking the rules she had set and he had promised to follow on their last night together.

The phone rang. He leaned down and checked the caller ID screen this time. The call was coming from the Casa Del Mar again. It was the same guy. Pierce thought about letting it ring through to the message service that came with the new phone number, but then he picked up the phone and clicked the talk button.

"Look, man, I don't know what the problem is. You have the wrong number. There is nobody here named-"

The caller hung up without saying a word.

Pierce reached over to his backpack and pulled out the yellow pad on which his assistant had written down the voice mail instructions. Monica Purl had set up the phone service for him, as he had been too busy in the lab all week preparing for the following week's presentation. And because that was what personal assistants were for.

He tried to read the notes in the dying light of the day. The sun had just slipped beneath the Pacific and he had no lamps yet for the new apartment's living room. Most new places had sunken lights in the ceiling. Not this one. The apartments were newly renovated, with new kitchens and windows, but the building was old. And slab ceilings without internal wiring could not be renovated in a cost-effective way. Pierce didn't think about that when he rented the place. The bottom line was he needed lamps.

He quickly read through instructions on using the phone's caller ID and caller directory features. He saw that Monica had set him up with something called the convenience package- caller ID, caller directory, call waiting, call forwarding, call everything. And she noted on the page that she had already sent the new number out to his A-level e-mail list. There were almost eighty people on this list. People who he would want to be able to reach him at any time, almost all of them business associates or business associates he also considered friends.

Pierce pressed the talk button again and called the number Monica had listed for setting up and accessing his voice mail program. He then followed the instructions provided by an electronic voice for creating a pass code number. He decided on 92102 -the day Nicole had told him that their three-year relationship was over.

He decided not to record a personal greeting. He would rather hide behind the disembodied electronic voice that announced the number and instructed the caller to leave a message. It was impersonal, but it was an impersonal world out there. He didn't have time to make everything personal.

When he was finished setting up the program a new electronic voice told him he had nine messages. Pierce was surprised by the number- his phone had not been put into service until that morning -but immediately hopeful that maybe one was from Nicole. Maybe several. He suddenly envisioned himself returning all the furniture Monica had ordered for him online. He saw himself carrying the cardboard boxes of his clothes back inside the house on Amalfi Drive.

But none of the messages were from Nicole. None of them were from Pierce's associates or associates friends either. Only one was for him- a "welcome to the system" message delivered by the now familiar electronic voice.

The next eight messages were all for Lilly, no last name mentioned. The same woman he had already fielded three calls for. All the messages were from men. Most of them gave hotel names and numbers to call back. A few gave cell numbers or what they said was a private office line. A few mentioned getting her number off the net or the site, without being more specific.

Pierce erased each message after listening to it. He then turned the page on his notebook and wrote down the name Lilly. He underlined it while he thought about things. Lilly- whoever she was- had apparently stopped using the number. It had been dropped back into circulation by the phone company and then reassigned to him. Judging by the all-male caller list, the number of calls from hotels and the tone of trepidation and anticipation in the voices he had listened to, Pierce guessed that Lilly might be a prostitute. Or an escort, if there was a difference. He felt a little thrill of curiosity and intrigue go through him. Like he knew some secret he wasn't supposed to know. Like when he called up the security cameras on his screen at work and surreptitiously watched what was going on in the hallways and common areas of the office.

He wondered how long the phone number would have been out of use before it was reassigned to him. The number of calls to the line in one day indicated that the phone number was still out there- probably on the website mentioned in a few of the messages- and people still believed it was Lilly's valid number.

"Wrong number," he said out loud, though he rarely spoke to himself when he wasn't looking at a computer screen or engaged in an experiment in the lab.

He flipped the page back and looked at the information Monica had written down for him. She had included the phone company's customer service number. He could and should call to get the number changed. He also knew it would be an annoying inconvenience to have to resend and receive e-mail notifications correcting the number.

Something else made him hesitate about changing the number. He was intrigued. He admitted it to himself. Who was Lilly? Where was she? Why did she give up the telephone number but leave it on the website? There was a flaw in the logic flow there, and maybe that was what gripped him. How did she maintain her business if the website delivered the wrong number to the client base? The answer was that she didn't. She couldn't. Something was wrong and Pierce wanted to know what and why.

It was Friday evening. He decided to let things stand until Monday. He would call about changing the number then.

Pierce got up from the couch and walked through the empty living room to the master bedroom, where the six cardboard boxes of his clothing were lined against one wall and a sleeping bag was unrolled alongside another. Before moving into the apartment and needing it, he hadn't used the sleeping bag in almost three years -since a trip to Yosemite with Nicole. Back when he had time to do things, before the chase began, before his life became about only one thing.

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