CONTENTS
First Published in Great Britain in 1997
by Thorsons/HarperCollins, London
This edition published in Great Britain in 2017
by Archive Publishing, Dorset, England
www.archivepublishing.co.uk
www.transpersonalbooks.com
Jay Ramsay 1997, 2017
Jay Ramsey asserts the moral right
to be identified as the author of this work
A CIP Record for this book is available from
the British Cataloguing in Publication data office
ISBN 978-1-906289-41-6 epub
ISBN 978-1-906289-40-9 mobi
Cover painting Shimmering by Pamela Allsop
Illustrations drawn from C16 and C17 woodcuts by Helen Elwes
All rights reserved.
No part of this publication may be reproduced, stored in a retrieval
system, or transmitted at any time or by any means digital,
electronic, mechanical, photocopying, recording or otherwise,
without the prior written permission of the publisher.
Printed in England by Lightning Source
eBook by: Bluewave Publishing
Pray, read, re-read and work and you will find.
Mutus Liber
for you
Study me then, you who shall lovers bee,
At the next world, that is at the next Spring,
For I am every dead thing
In whom love wrought new Alchemie.
JOHN DONNE, A NOCTURNALL UPON ST LUCIE 'S DAY
FOREWORD
Jay Ramsay has written a luminous and wise guide to the mysteries of soul and to the images and texts of alchemy which explore these mysteries, extending an invitation to us to visit the interior of the earth that unknown territory that is both within and around us. Alchemy is the key, lost for centuries, that gives us the way to reconnect with the soul, to come to know and understand it and to release it from the prison of our neglect of it. Alchemy is, as he says, the missing aspect of our own religious tradition that we look for beyond our own culture, the missing key to the understanding of our nature and to the transformation of that nature from base metal into gold. Belief has never been enough to transform the suffering of humanity nor to bring to an end the endless repetition of human barbarism. Alchemy is a science which teaches the way to the transformation and to that inner marriage which gives us deep insight into life and to the complexes which stand in the way of a creative relationship with the soul. No one can write about alchemy who is not living it and no one can pass on his or her knowledge and insight who has not walked the difficult path of selfdiscovery. A guide is not someone who has arrived, but someone who accompanies us as we search for the treasure and who has experienced something of the darkness darker than darkness and the meaning of the wondrous stone.
ANNE BARING
ACKNOWLEDGEMENTS
In every sense this book is the harvest of a group effort, although one hand actually wrote it; but this one hand couldnt have moved as it did without all Ive been given over the seven years of experience and study that formed the basis and prima materia of it. So I want royally to thank the following as co-facilitators in all their various ways:
Alison Roberts (author of Hathor Rising ), who first saw alchemy in me; Carole Bruce, who above all nurtured its seed; Barbara Somers, who gave it so freely through her lecture notes; Bronwen Astor, who gave me invaluable house room to fall through; Glenn Storhaug (of Five Seasons Press), who first showed me Burckhardt; Alexsis and Jag Robertson, who helped me negotiate Saturn; Jehanne Mehta, who showed me a new way of loving; Marion Fawlk, for her affirmation and purity; Ferenc Aszmann, for his wit and radical integrity; Rae Beth, who confronted me with my shadow; Kristin Charlesworth, who helped me back to robedo; Keith Cashon, for coming from another planet than my own; Susan Mears (my agent and friend), for her immaculate timing; Liz Puttick (my editor and friend), for her praise and faith that I could do it; Caroline Waterlow, who showed me the prima materia ; Ted Partridge, for his wonderful golden lamp, and for being Ted; Stanley Messenger, for his timely distillation; Judy de la Hoyde, who arrived with warm earth and cakes; Catherine Leonard and Marion Shiel, for their Irish breezes; Frances Emmelaus, for her royalty and for lending me Mercurius; Bob Moore (in Denmark), for his outstanding teaching; Christopher Johnson, for his penetrating healing; Niels Bandholm, for his precious loan of Fabricius; Maggie Peters, for being there at every turn of the dream; Richard Wainwright, for meeting me in the Queens; Mary Kingsley, for reminding me of the adventure; Lindsay Clarke, for being the red lion; Anne Baring and Robert Bly, for their eloquent support; Elizabeth Hutchins, for her demonic editing eye; Helen Elwes for her painstaking excellence in the nick of time ...
Also, all my client-companions and workshop participants in the Chrysalis community who have again and again demonstrated alchemys relevance and reality to me through their process and their sharing; among them, especially Immaculate Manzi, Catherine Abbot, Emma Shackle and Sheila Ranger.
And above all to Lucy Lidell for her healing in Heaven and Earth, and for helping it come into actual form; and to Zanna Beswick, for showing me the end, and for her gift of gold in God on the way.
May we all go there, get there, be there in the heart place where we know we belong.
J.R.
ONE
BEGINNING
In a sense the secret of alchemy
is to imagine a world in which
it is possible to transmute
base metal to gold.
PATRICK HARPUR
lNTRODUCTION
Soror mystic a she raises her finger to her lips.
It may seem strange to begin by saying nothing, but the whole approach of this book is through feeling and imagination, and we have to be silent in order to feel. So I want to begin by offering you a short meditation exercise that is a key to the door of our subject:
Sit comfortably, read over what follows here and then lay it aside.
You will need some paper and a pen or pencil to write with.
Sitting quietly, just take a moment to be aware of your breathing, and as you breathe, slow down and deepen, breathing down into yourself.
Then begin to say the word ALCHEMY inwardly, and allow it to resonate. just keep repeating the word
What does it bring to mind?
How do you feel it in yourself, and where do you feel it
And, staying with the word, where is it taking you to in your body?
What does it feel like there? Can you sense or see anything? See if you can allow an image or a picture to come forward from that place to you, and trust what wants to come, whatever it is.
Give yourself a moment to hold the image in your awareness ... and then come back. Make a note of your image along with anything else that has come up for you during this exercise.
Your experience here is your key: your core feeling and connection.
We are going to be doing other exercises like this as this work proceeds. You might like to keep a journal as you read through this book, not only to record what happens for you with the exercises, but also to make this study your own, in your own writing.
So why is alchemy important? Why does the word have such power and depth? And what use is it to us now? Alchemy is a process that involves the transmutation of base metal or lead into gold, through a number of different stages that together make up the Work, or Great Work. It is both a literal or physical process and a metaphorical or inward one. It belongs to physical matter and to our feelings and imaginations. It belongs inside our bodies, and to experiences we cant immediately understand, and we can see it happening outside in the world as well. It is happening as we speak.