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Nigel Pennick - Operative Witchcraft: Spellwork and Herbcraft in the British Isles

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Operative Witchcraft: Spellwork and Herbcraft in the British Isles: summary, description and annotation

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A comprehensive look at the history and practices of rural English witchcraft Explores witchs familiars and fetches, animal magic, and the forms of witchcraft practiced by rural tradespeople, such as blacksmiths, herbalists, and artisans Offers practical insight into spells, charms, folk incantations, herbal medicine practices, amulets, sigils, and tools of the craft Details the evolution of public perception of witchcraft throughout Englands history, including the laws against witchcraft in place until the 1950s and witchcrafts contentious relationship with the Christian churchIn this practical guide, Nigel Pennick takes the reader on a journey through the practice of operative witchcraft in the British Isles from the Middle Ages and the Elizabethan era to the decriminalization of witchcraft in the 1950s and its practice today.Highlighting uniquely English traditions, Pennick explores fetches and witchs familiars, animal magic, and the forms of witchcraft practiced by rural tradespeople, such as blacksmiths, herbalists, and artisans, to enhance their professional work and compel others to do their bidding, both man and beast. He provides actual spells, charms, and folk incantations, along with details about the magical use of a variety of herbs, including nightshades, the creation of amulets and sigils, protection against the Evil Eye, and the use of aromatic oils. Pennick explains the best times of day for different types of magic, how to identify places of power, and the use of the paraphernalia of operative witchcraft, such as the broom, the witches dial, and pins, nails and thorns.He explores the belief in three different types of witches: white witches, who offer help and healing for a fee; black witches, who harm others; and gray witches, who practice both white and black magic. Examining witchcrafts contentious relationship with the Christian church, he investigates the persecution of witches throughout the UK and the British West Indies up until the mid-20th century. He offers a look into the changing public perceptions of witchcraft and the treatment of its followers as well as revealing how English churchmen would offer magical solutions to the perceived threat of black witchcraft.Painting an in-depth picture of English witchcraft, including how it relates to and differs from modern Wicca, Pennick reveals the foundation from which modern witchcraft arose. He shows how this context is necessary to effectively use these ancient skills and techniques and how the evolution of witchcraft will continue harmonizing the old ways with the new.

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OPERATIVE WITCHCRAFT In our postmodern world appearances often upstage - photo 1

OPERATIVE WITCHCRAFT In our postmodern world appearances often upstage - photo 2

OPERATIVE
WITCHCRAFT

In our postmodern world appearances often upstage matters of real substance - photo 3

In our postmodern world, appearances often upstage matters of real substance, and people freely adopt new personae as they pleasewitness the plethora of contemporary witches, many of whom share little in common with the sorts of rural figures that bore the name in earlier times. Nigel Pennicks Operative Witchcraft is an unromanticized warts and all survey of the real history and lore of witchcraft in his native England and elsewhere. This treasure trove of seldom-seen material encompasses topics ranging from toadmen and horsemen to weird plants and darker folk traditions, including a fascinating chapter on the syncretic links between British witchcraft and West Indian Obeah religion. One could not ask for a more knowledgeable and sympathetic guide through these shadow-filled realms than Nigel Pennick.

MICHAEL MOYNIHAN, COAUTHOR OF LORDS OF CHAOS AND COEDITOR OF THE JOURNAL TYR: MYTHCULTURETRADITION

Operative Witchcraft is a fascinating, wide-ranging, and detailed work that acknowledges and tackles the complex nature of British witchcraft. The book discusses the powers of the witch, how witches have been portrayed, and the persecution of them through legislation and unofficial violence borne of ancient fears. The comparison with West Indian Obeah highlights the repetition of old patterns of persecution in Britains former colonies. Nigel Pennick has long been a leading authority on this subject, and Operative Witchcraft is another excellent work, shining new light not only on the history of witchcraft but also on how it has been practiced over the centuries. This beautifully written and authoritative work, which is both accessible and academically rigorous, should grace the bookshelves of folklorists, historians, practitioners of witchcraft, and those with a general interest in this enduring aspect of our culture.

VAL THOMAS, HERBALIST, PRACTITIONER OF WITCHCRAFT AND NATURAL MAGIC, AND AUTHOR OF A WITCHS KITCHEN

While most historians of witchcraft have focused on the early modern and Renaissance era (myself included), Pennick goes beyond the great conflagrations of Europe to show how magic and witchcraft survived into the twentieth century. Operative Witchcraft offers one interesting tidbit of forgotten magical history after the nextnot a page went by that I didnt stop and say, Wow! Well written, well researched, a fantastic addition to any witchcraft library.

THOMAS HATSIS, AUTHOR OF THE WITCHES OINTMENT AND PSYCHEDELIC MYSTERY TRADITIONS

Nigel Pennick stands with one leg in the eldritch world and one in the mundane, as all who know him can attest. After a lifetime of dedication to these ancient mysteries, both in theory and in practice, there is no one better qualified to lead the reader through the highways and byways of operative witchcraft.

IAN READ, FORMER EDITOR OF CHAOS INTERNATIONAL AND RNA MAGAZINES, LEADER OF THE RUNE-GILD IN EUROPE, AND FOUNDING MUSICIAN IN THE BAND FIRE + ICE

Yet another generous offering from Nigel Pennick! In Operative Witchcraft, Pennicks extensive knowledge of British folk magic tradition builds a richly furnished mansion from the presumed molehill of its textual and material traces.

DANICA BOYCE, PRODUCER OF FAIR FOLK PODCAST

In this intriguing book, Nigel Pennick gives numerous examples of operative witchcraftwitchcraft as it was actually practiced and documented by earlier researchers. It also includes details of the techniques and practices he personally learned from traditional practitioners over a period of more than forty-five years.

ANNA FRANKLIN, AUTHOR OF THE HEARTH WITCHS COMPENDIUM AND THE SACRED CIRCLE TAROT

Operative Witchcraft Spellwork and Herbcraft in the British Isles - image 4

THANKS AND CREDITS

To those both living and now departed, for various and sundry assistance over the years, discussions and information that contributed in one way or another to this book, I thank the following: Ivan Bunn, Michael W. Burgess, Andrew Chumbley, Michael Clarke, Frances Collinson, Jess Cormack, Ben Fernee, Anna Franklin, Tony Harvey, Brian Hoggard, Tim Holt-Wilson, Chris Jakes, Pete Jennings, K. Frank Jensen, Linda Kelsey-Jones, Patrick McFadzean, Rupert Pennick, Mike Petty, Sid Smith, Val Thomas, John Thorne, and Genevieve West in addition to the staffs of various libraries, archives, and record offices in England, Scotland, Wales, Switzerland, and Germany.

Introduction

The Many Names of Witchcraft

T his book is about witchcraft in the British Isles, a subject that has generated a large body of literature and opinion. The history of witchcraft has been approached from many angles: religious, sociological, political, speculative. Witchcraft has been described in terms of pagan survival, devil worship, spiritualism, shamanism, early feminism, peasant resistance against ruling-class oppression, folk medicine, veterinarianism, agriculture and horticulture, folk meteorology, fortunetelling, finding lost property, the exercise of unknown paranormal powers, fraudulence, confidence trickery, and extortion. Perhaps individual people deemed witches in the past did fall into one or another of these categories, but as a broad and complex historical subject, witchcraft cannot be labeled conveniently as just one or another of these.

This work on operative witchcraft deals with the early modern and modern periods in Great Britain, from the late sixteenth century to the early twenty-first century. Until 1735, witchcraft, as defined by the law, was a heavily punishable offense that carried the death penalty for certain charges. Of course the law never succeeds in totally extirpating those offenses that it creates; it often acts as a recommendation for those who feel a need to transgress. In the absence of internal documentationthat is, accounts written or told by the practitioners themselveswe are dependent on a history that derives from almost random anecdotal accounts. This is a history that emphasizes accounts that are usually secondhand. Here, there is a hierarchy of credibility; the absurd allegations from witch trials, following the motifs that were expected at the time, tell us more about the beliefs of the witch hunters than about those of the people accused of witchcraft and labeled as witches. Accounts of witch trials are not necessarily sound or objective. It is probable that most of the words we have from the alleged practitioners were put into their mouths by their accusers.

These accounts infer motives, but they are not the direct record of the practitioners themselves, alleged or otherwise. Many historical accounts appear to be fabricated, perhaps written after the event with the objective of justifying the necessity of the witch trial and the punishment of those deemed guilty. Sensationalized accounts existed long before the advent of the tabloid press. Equally, we cannot take for granted the speculations of the twentieth-century witchcraft writers Margaret Murray and Gerald Gardner. In actuality, there are enormous gaps in the recorded historical evidence of what practitioners did. We are presented with disconnected fragments from which we must attempt to construct a plausible and relatively coherent picture.

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