Roger Zelazny - Home Is the Hangman
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Roger Zelazny
Home Is the Hangman
Big fat flakes down the night, silent night, windless night. And I never count them as storms unless there is wind. Not a sigh or whimper, though. Just a cold, steady whiteness, drifting down outside the window, and a silence confirmed by gunfire, driven deeper now that it had ceased. In the main room of the lodge the only sounds were the occasional hiss and sputter of the logs turning to ashes on the grate.
I sat in a chair turned sidewise from the table to face the door. A tool kit rested on the floor to my left. The helmet stood on the table, a lopsided basket of metal, quartz, porcelain, and glass. If I heard the click of a microswitch followed by a humming sound from within it, then a faint light would come on beneath the meshing near to its forward edge and begin to blink rapidly. If these things occurred, there was a very strong possibility that I was going to die.
I had removed a black ball from my pocket when Larry and Bert had gone outside, armed, respectively, with a flame thrower and what looked like an elephant gun. Bert had also taken two grenades with him.
I unrolled the black ball, opening it out into a seamless glove, a dollop of something resembling moist putty stuck to its palm. Then I drew the glove on over my left hand and sat with it upraised, elbow resting on the arm of the chair. A small laser flash pistol in which I had very little faith lay beside my right hand on the tabletop, next to the helmet.
If I were to slap a metal surface with my left hand, the substance would adhere there, coming free of the glove. Two seconds later it would explode, and the force of the explosion would be directed in against the surface. Newton would claim his own by way of right-angled redistributions of the reaction, hopefully tearing lateral hell out of the contact surface. A smother-charge, it was called, and its possession came under concealed-weapons and possession-of-burglary-tools statutes in most places. The molecularly gimmicked goo, I decided, was great stuff. It was just the delivery system that left more to be desired.
Beside the helmet, next to the gun, in front of my hand, stood a small walkie-talkie. This was for purposes of warning Bert and Larry if I should hear the click of a microswitch followed by a humming sound, should see a light come on and begin to blink rapidly. Then they would know that Tom and Clay, with whom we had lost contact when the shooting began, had failed to destroy the enemy and doubtless lay lifeless at their stations now, a little over a kilometer to the south. Then they would know that they, too, were probably about to die.
I called out to them when I heard the click. I picked up the helmet and rose to my feet as its light began to blink.
But it was already too late.
The fourth place listed on the Christmas card I had sent Don Walsh the previous year was Peabody's Book Shop and Beer Stube in Baltimore, Maryland. Accordingly, on the last night in October I sat in its rearmost room, at the final table before the alcove with the door leading to the alley. Across that dim chamber, a woman dressed in black played the ancient upright piano, uptempoing everything she touched. Off to my right, a fire wheezed and spewed fumes on a narrow hearth beneath a crowded mantelpiece overseen by an ancient and antlered profile. I sipped a beer and listened to the sounds.
I half hoped that this would be one of the occasions when Don failed to show up. I had sufficient funds to hold me through spring and I did not really feel like working. I had summered farther north, was anchored now in the Chesapeake, and was anxious to continue Caribbean-ward. A growing chill and some nasty winds told me I had tarried overlong in these latitudes. Still, the understanding was that I remain in the chosen bar until midnight. Two hours to go.
I ate a sandwich and ordered another beer. About halfway into it, I spotted Don approaching the entranceway, topcoat over his arm, head turning. I manufactured a matching quantity of surprise when he appeared beside my table with a, "Ron! Is that really you?" I rose and clasped his hand.
"Alan! Small world, or something like that. Sit down! Sit down!"
He settled onto the chair across from me, draped his coat over the one to his left. "What are you doing in this town?" he asked. "Just a visit," I answered. "Said hello to a few friends." I patted the scars, the stains on the venerable surface before me. "And this is my last stop. I'll be leaving in a few hours." He chuckled. "Why is it that you knock on wood?" I grinned.
"I was expressing affection for one of Henry Mencken's favorite speakeasies."
"This place dates back that far?" I nodded.
"It figures," he said. "You've got this thing for the past, or against the present. I'm never sure which."
"Maybe a little of both," I said. "I wish Mencken would stop in. I'd like his opinion on the presentWhat are you doing with it?"
"What?"
"The present. Here. Now."
"Oh." He spotted the waitress and ordered a beer. "Business trip," he said then. "To hire a consultant."
"Oh. How is business?"
"Complicated," he said, "complicated."
We lit cigarettes and after a while his beer arrived. We smoked and drank and listened to the music.
I've sung this song and I'll sing it again: the world is like an uptempoed piece of music. Of the many changes which came to pass during my lifetime, it seems that the majority have occurred during the past few years. It also struck me that way several years ago, and I'd a hunch I might be feeling the same way a few years hence, that is, if Don's business did not complicate me off this mortal coil or condenser before then.
Don operates the second-largest detective agency in the world, and he sometimes finds me useful because I do not exist. I do not exist now because I existed once at the time and the place where we attempted to begin scoring the wild ditty of our times. I refer to the world Central Data Bank project and the fact that I had had a significant part in that effort to construct a working model of the real world, accounting for everyone and everything in it. How well we succeeded, and whether possession of the world's likeness does indeed provide its custodians with a greater measure of control over its functions, are questions my former colleagues still debate as the music grows more shrill and you can't see the maps for the pins. I made my decision back then and saw to it that I did not receive citizenship in that second world, a place which may now have become more important than the first. Exiled to reality, my own sojourns across the line are necessarily those of an alien guilty of illegal entry. I visit periodically because I go where I must to make my livingThat is where Don comes in. The people I can become are often very useful when he has peculiar problems.
Unfortunately, at that moment, it seemed that he did, just when the whole gang of me felt like fuming down the volume and loafing.
We finished our drinks, got the bill, settled it.
"This way," I said, indicating the rear door, and he swung into his coat and followed me out.
"Talk here?" he asked, as we walked down the alley.
"Rather not," I said. "Public transportation, then private conversation."
He nodded and came along.
About three-quarters of an hour later we were in the saloon of the Proteus and I was making coffee. We were rocked gently by the Bay's chill waters, under a moonless sky. I'd only a pair of the smaller lights burning. Comfortable. On the water, aboard the Proteus, the crowding, the activities, the tempo, of life in the cities, on the land, are muted, slowed, fictionalized, by the metaphysical distancing a few meters of water can provide. We alter the landscape with great facility, but the ocean has always seemed unchanged, and I suppose by extension we are infected with some feelings of timelessness whenever we set out upon her. Maybe that's one of the reasons I spend so much time there.
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