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David Williams - The Burning Skies

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In his electrifying debut, The Mirrored Heavens, David J. Williams created a dark futuristic world grounded in the military rivalries, terror tactics, and political wrangling of our own time. Now he takes his masterful blend of military SF, espionage thriller, and dystopian cyberpunk one step further - to the edge of annihilation . Life as U.S. counterintelligence agent Claire Haskell once knew it is in tatters - her mission betrayed, her lover dead, and her memories of the past suspect. Worse, the defeat of the mysterious insurgent group known as Autumn Rain was not as complete as many believed. It is quickly becoming clear that the groups ultimate goal is not simply to destroy the tenuous global alliances of the 22nd century - but to rule all of humanity. And theyre starting with the violent destruction of the Net and the assassination of the U.S. president. Now its up to Claire, with her ability to jack her brain into the systems of the enemy, to win this impossible war. Battling ferociously across the Earth-Moon system, and navigating a complex world filled with both steadfast loyalists and ruthless traitors, Claire must be ready for the Rains next move. But the true enemy may already be one step ahead of her.

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David J Williams

The Burning Skies

Dedicated to the memory of George Cotton, S.B.St.J.,

QFSM

19132003

PART I SUNS MESSENGER 2110 AD Maximum security doesnt even begin to - photo 1

PART I SUNS MESSENGER 2110 AD Maximum security doesnt even begin to - photo 2

PART I

SUN'S MESSENGER

2110 AD Maximum security doesnt even begin to describe it No one talks to the - photo 3

2110 A.D

Maximum security doesnt even begin to describe it.

No one talks to the prisoner. No one enters his cell. No one sets foot in his cell-block. No one else is confined within. The guards charged with carrying out these directives stand outside the cell-block doors in powered armor. The presidential seal has been placed upon those doors. Only one man can break that seal. And hes not taking calls.

The cell-block is located at the far end of one wing of a massive space station thats the aggregation of several smaller ones, each one capable of operating autonomously should the need arise. But none of the crew have ever witnessed such a moment. Nor do they expect to. Nor, if truth be told, do they think of themselves as a crew. They consider themselves a garrison. And the space station they man is one of the largest fortresses ever built.

The structure is situated at L5, the libration point thats been an American possession for almost a century now. Its defenses are organized into several orbiting perimeters. Clouds of mini-sats and space mines begin a hundred klicks out. They comprise the first perimeter, stretching as close to the center as sixty klicks in places, forming a continuously shifting pattern that only those kept current with the correct routes can navigate through.

Fifty klicks out, the directed-energy batteries begin to appear: a variety of sats equipped with lasers, particle beams, and microwaves capable of lacerating targets at the speed of light, arranged in several layers, intended to both maximize crossfire capability and ensure maximum redundancy of hardware. Most of those weapons are optimized to hit targets in vacuum, but some of the larger ones are intended for planetary bombardment.

Twenty klicks out the manned defenses begin. Some are troopships designed for rapid deployment to the lunar or terrestrial theaters. Some house still more guns. Some contain the razors who defend the U.S. zone against net incursions. Many are just decoys, intended to eat up the enemys shots and give the real weapons a chance to do some damage.

Ten klicks out are the giant slabs of rockchunks of asteroids that have been towed into position to orbit L5 like fragments of some incomplete sphere. Five klicks out is the second, inner layer of slabs. Each rock has more weapons racked upon it, including more directed-energy cannons, along with rows of mass-drivers that can take advantage of a ready supply of ammunition.

At the center of all this sits the L5 fortresshalf a kilometer across. Its manned by razors, logistics-masters, and AIs intended to direct L5s defenses in the event of war with the Eurasian Coalition, ready to make adjustments as enemy fire degrades the libration points assets and enemy targets are reprioritized. Scenarios are constantly played out, assessed, and reassessed. The men and women of L5 train daily for the day of final reckoning.

But national security takes many forms. Not all of it involves planning for the next war.

Some of it involves the war thats going on right now.

The prisoner is in his sixties. He wears the regulation uniform that everyone in American military custody wears. His cell contains no furniture, just toilet facilities and a small hatch through which food and water comes.

The man drinks the water, but he barely touches the food. He doesnt seem to sleep either. He just sits cross-legged on the floor, staring at the locked door opposite him.

But then he notices a screen on the wall where theres no screen he knew of.

Even as he hears a voice he thought hed never hear again.

Hacking L5 is impossible. Not just for all the usual reasonsinterlocking firewalls, elite razors, guardian AIs, uncrackable codes, systems switching on and off randomly so that even were hostile razors to get inside theyd still be kicked back out into the coldbut because of L5s location, almost four hundred thousand kilometers away from both Earth and Moon. Any razor based at either of those points would operate at a decisive disadvantage, working more than a second behind the razors based at L5 due to the limits of lights speed. A razor could operate out of a spaceship closer inbut for that very reason L5 accepts no signal traffic that hasnt traveled a certain distance.

All of which makes a hack on L5 almost impossible. Unless the attacking razor is based at L5 itself.

Or unless that razors something more than razor.

Picture 4

The face now appearing on the screen opposite the prisoner is that of a woman. She looks like shes about thirty. Shes got brown hair and freckles. She looks like shes neither slept nor smiled in a long time.

Matthew Sinclair, she says.

The man smiles. Nothings beyond you now, he says.

You knew all along.

Id put it no higher thanhoped.

Which doesnt mean you didnt plan it.

But youre the one whos gone and done it. His voice is lit with a strange sort of pride. I assume that the ones who watch this room are seeing the same footage theyve been too bored to watch for days now?

Its like Im not even here, she says. Im a long way out too.

Oh? Where are you, Claire?

She smiles:right. Right here, Matthew.

No ones called me that since my wife died.

I didnt know you were married.

She killed herself.

Im sorry.

Why have you come here? he asks.

To see you.

To learn, you mean. But I fear youve chosen a man sadly out of every loop. You have the advantage of at least knowing that I really am Matthew Sinclair. I dont even know if youre really Claire.

The screen changes slightly. The man watches.

Ah. Codes I gave you. And footage from within the plane Morat jacked. Taken by your ocular cameras, I presumeis he dead, by the way?

Yes, she says. Hes dead.

Did he die well?

Not particularly.

Did you kill him?

Yes.

With news like that, youre welcome here anytime. With or without those codes establishing that youreprobablyClaire. But even if youre not her, youre still welcome to anything I have to say. Ive told the Throne everything anyway. Im finished, as you can see. My life is over.

Then why are you still alive?

Because Andrew has yet to use that laserthe one through which youre projecting your faceas a blowtorch against my head.

Thats not an answer.

Thats too bad.

You call the Throne by his first name.

And I daresay I earned the privilege. Ive known him for fifty years. Long before he became president. We used to be midshipmen, you know. Back in the final days of the old navy. Back before we laid the foundations of what was to become NavCom. I remember when

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