Robert Silverberg - Now + n, Now – n

All had been so simple, so elegant, so profitable for ourselves. And then we met the lovely Selene and nearly were undone. She came into our lives during our regular transmission hour on Wednesday, October 7, 1987, between six and seven p.m. Central European Time. The moneymaking hour. I was in satisfactory contact with myself and also with myself. (Now n) was due on the line first, and then I would hear from (now + n).

I was primed for some kind of trouble. I knew trouble was coming, because on Monday, while I was receiving messages from the me of Wednesday, there came an inexplicable and unexplained break in communications. As a result I did not get data from (now + n) concerning the prices of the stocks in our carryover portfolio from last week, and I was unable to take action. Two days have passed, and I am the me of Wednesday who failed to send the news to me of Monday, and I have no idea what will happen to interrupt contact. Least of all did I anticipate Selene.

In such dealings as ours no distractions are needed, sexual or otherwise. We must concentrate wholly. At any time there is steady low-level contact among ourselves; we feel one anothers reassuring presence. But transmission of data from self to self requires close attention.

I tell you my method. Then maybe you understand my trouble.

My business is investments. I do all my work at this same hour. At this hour it is midday in New York; the Big Board is still open. I can put through quick calls to my brokers when my time comes to buy or sell.

My office at the moment is the cocktail lounge known as the Celestial Room in the Henry VIII Hotel, south of the Thames. My office may be anywhere. All I need is a telephone. The Celestial Room is aptly named. The room orbits endlessly on a silent oiled track. Twittering sculptures in the so-called galactic mode drift through the air, scattering cascades of polychromed light upon those who sip drinks. Beyond the great picture windows of this supreme room lies the foggy darkness of the London evening, which I ignore. It is all the same to me, wherever I am: London, Nairobi, Karachi, Istanbul, Pittsburgh. I look only for an adequately comfortable environment, air that is safe to admit to ones lungs, service in the style I demand, and a telephone line. The individual characteristics of an individual place do not move me. I am like the ten planets of our solar family: a perpetual traveler, but not a sightseer.

Myself who is (now n) is ready to receive transmission from myself who is (now). Go ahead, (now + n). he tells me. ((To him I am (now + n). To myself I am (now). Everything is relative; n is exactly forty-eight hours these days.))

Here we go, (now n). I say to him.

I summon my strength by sipping at my drink. Chateau dYquem 79 in a sleek Czech goblet. Sickly sweet stuff; the waiter was aghast when I ordered it before dinner. Horreurs! Quel aperitif! But the wine makes transmission easier. It greases the conduit, somehow. I am ready.

My table is a single elegant block of glittering irradiated crystal, iridescent, cunningly emitting shifting moire patterns. On the table, unfolded, lies todays European edition of the Herald Tribune. I lean forward. I take from my breast pocket a sheet of paper, the printout listing the securities I bought on Monday afternoon. Now I allow my eyes to roam the close-packed type of the market quotations in my newspaper. I linger for a long moment on the heading, so there will be no mistake: Closing New York Prices, Tuesday, October 6. To me they are yesterdays prices. To (now n) they are tomorrows prices. (Now n) acknowledges that he is receiving a sharp image.

I am about to transmit these prices to the me of Monday. You follow the machination, now?

I scan and I select.

I search only for the stocks that move five percent or more in a single day. Whether they move up or move down is immaterial; motion is the only criterion, and we go short or long as the case demands. We need fast action because our maximum survey span is only ninety-six hours at present, counting the relay from (now + n) back to (now n) by way of (now). We cannot afford to wait for leisurely capital gains to mature; we must cut our risks by going for the quick, violent swings, seizing our profits as they emerge. The swings have to be violent. Otherwise brokerage costs will eat up our gross.

I have no difficulty choosing the stocks whose prices I will transmit to Mondays me. They are the stocks on the brokers printout, the ones we have already bought; obviously (now n) would not have bought them unless Wednesdays me had told him about them, and now that I am Wednesdays me, I must follow through. So I send:

Arizona Agrochemical, 79?, + 6?

Canadian Transmutation, 116, + 4?

Commonwealth Dispersals, 12, 1?

Eastern Electric Energy, 41, + 2

Great Lakes Bionics, 66, + 3?

And so on through Western Offshore Corp., 99, 8. Now I have transmitted to (now n) a list of Tuesdays top twenty high-percentage swingers. From his vantage-point in Monday, (now n) will begin to place orders, taking positions in all twenty stocks on Monday afternoon. I know that he has been successful, because the printout from my broker gives confirmations of all twenty purchases at what now are highly favorable prices.

(Now n) then signs off for a while and (now + n) comes on. He is transmitting from Friday, October 9. He gives me Thursdays closing prices on the same twenty stocks, from Arizona Agrochemical to Western Offshore. He already knows which of the twenty I will have chosen to sell today, but he pays me the compliment of not telling me; he merely gives me the prices. He signs off, and, in my role as (now), I make my decisions. I sell Canadian Transmutation, Great Lakes Bionics, and five others; I cover our short sale on Commonwealth Dispersals. The rest of the positions I leave undisturbed for the time being, since they will sell at better prices tomorrow, according to the word from (now + n). I can handle those when I am Fridays me.

Todays sequence is over.

In any given sequenceand we have been running about three a weekwe commit no more than five or six million dollars. We wish to stay inconspicuous. Our pre-tax profit runs at about nine percent a week. Despite our network of tax havens in Ghana, Fiji, Grand Cayman, Liechtenstein, and Bolivia, through which our profits are funneled, we can bring down to net only about five percent a week on our entire capital. This keeps all three of us in a decent style and compounds prettily. Starting with $5,000 six years ago at the age of twenty-five, I have become one of the worlds wealthiest men, with no other advantages than intelligence, persistence, and extrasensory access to tomorrows stock prices.

It is time to deal with the next sequence. I must transmit to (now n) the Tuesday prices of the stocks in the portfolio carried over from last week, so that he can make his decisions on what to sell. I know what he has sold, but it would spoil his sport to tip my hand. We treat ourselves fairly. After I have finished sending (now n) those prices, (now + n) will come online again and will transmit to me an entirely new list of stocks in which I must take positions before Thursday mornings New York opening. He will be able to realize profits in those on Friday. Thus we go from day to day, playing our shifting roles.

But this was the day on which Selene intersected our lives.

I had emptied my glass. I looked up to signal the waiter, and at that moment a slender, dark-haired girl, alone, entered the Celestial Room. She was tall, graceful, glorious. She was expensively clad in a clinging monomolecular wrap that shuttled through a complex program of wavelength shifts, including a microsecond sweep of total transparency that dazzled the eye while still maintaining a degree of modesty. Her features were a match for her garment: wide-set glossy eyes, delicate nose, firm lips lightly outlined in green. Her skin was extraordinarily pale. I could see no jewelry on her (why gild refined gold, why paint the lily?) but on her lovely left cheekbone I observed a small decorative band of ultraviolet paint, obviously chosen for visibility in the high-spectrum lighting of this unique room.