John Adams - The Best American Science Fiction and Fantasy 2017

Welcome to year three of The Best American Science Fiction and Fantasy! This volume presents the best science fiction and fantasy (SF/F) short stories published during the 2016 calendar year as selected by myself and guest editor Charles Yu.

After more than fifteen years working in the SF/F field, I found 2016 to be an entirely new challenge, as I threw myself into the world of novel-editing, launching my own imprintJohn Joseph Adams Bookswith the publisher of this fine anthology, Houghton Mifflin Harcourt. Im very proud to have published novels by Hugh Howey, Carrie Vaughn, and Peter Cawdron thus far, and look forward to the publication of Molly Tanzers JJA Books debut in November. Those will be followed in 2018 by the release of books by Bryan Camp, Ashok K. Banker, and Todd McAulty, along with second books by Molly and Carrie.

So while for much of 2016 Ive been immersed in the long form, its always a pleasure to return to my first love: short fiction.

Our guest editor this year, Charles Yu, is a writer Ive been interested in for many years, ever since I first heard about his amazing novel How to Live Safely in a Science Fictional Universe, which came out in 2010 to major acclaim. It was published the same year I launched my magazine, Lightspeedand much to my delight, when I reached out to him about writing a story for my fledgling magazine, he agreed, and sold me the superb tale Standard Loneliness Package (which you can read online at lightspeedmagazine.com); thus our collaborative relationship was born. His short fiction has also appeared in Playboy, Esquire.com, Wired Magazine and Wired.com, The Oxford American, and Vice.com, among other anthologies and magazines, as well as in two collections: Third Class Superhero and Sorry Please Thank You.

Ive also published his work in a number of my own anthologies, including Robot Uprisings, Dead Mans Hand, and Press Start to Play. Fun fact: if you mashed up his stories in the latter two volumes, youd basically get HBOs hit TV show Westworld, for which Charlie worked as a scriptwriter and the story editor on season one.

I feel like I would be remiss if I didnt point out that Charlie had a fantastic story in The New Yorker this year called Fable, which surely would have been on the best-of-the-year list I passed along to the guest editor if it werent written by that guest editor. If you like genre short fictionand I know you do, since youre reading not only this book but this forewordthen do yourself a favor and definitely check it out. (And lucky you, its available online on The New Yorkers website for free.)

Science fiction and fantasy, though they seem to be about the future or fictional worlds, are always at their core really about the problems and issues of today. Even in the best of times, genre writers find inspiration in injustice, or in the flaws found in an otherwise well-functioning system. In the worst of times well, the one silver lining of living through the dystopian hellscape of contemporary American politics is that such strife tends to generate great artand no one embraces the ability of literature to critique and debate our daily truths by considering it through a different lens more than writers of science fiction and fantasy.

If theres one story in this book that I fully expected to resonate strongly with our guest editorspeaking of writers finding inspiration in injusticeits The Venus Effect, by Joseph Allen Hill. Like How to Live Safely in a Science Fictional Universe (and, erm, Charlies introduction to this anthology), The Venus Effect breaks the fourth wall and has the author intruding on his own story, to similarly great effect. Though it also should be completely unsurprising that Charlie loved this story because of the audacious brilliance of it and the way it tackles an extremely thorny issuepolice brutalitywith such aplomb while staying within the framework of a fun adventure story that is somehow both excessively clever and enormously poignant.

Charlie often employs other meta techniques in his stories as well, so it was an equally safe bet that he would also love the Nebula Award finalist Welcome to the Medical Clinic at the Interplanetary Relay Station | Hours Since the Last Patient Death: 0, by Caroline M. Yoachim, which uses the structure of a choose-your-own-adventure-type narrative to critique and have some fun with the completely unfun health-care system.

This Is Not a Wardrobe Door, by A. Merc Rustad (also a Nebula Award finalist), and Not by Wardrobe, Tornado, or Looking Glass, by Jeremiah Tolbert, in addition to both having wardrobe in the title, are, unsurprisingly, both portal fantasies. Portal fantasy is a subgenre that is more or less illustrated by Jeremiahs title, which references the Chronicles of Narnia (wardrobe), The Wonderful Wizard of Oz (tornado), and Alices Adventures in Wonderland (looking glass)all three everyday things serving as portals to a magical otherworld. Ive observed an uptick in portal fantasy recentlythere are some great portal fantasies on the Notable Stories listand I cant help but wonder if its partially socially motivated: things are so bleak that many of us are literally imagining escaping to a fantasy world as our only way out of the mess were in.

Caspar D. Luckinbill, What Are You Going to Do?, by Nick Wolven, and Openness, by Alexander Weinstein, are two stories that would have felt at home in the great Netflix anthology TV series Black Mirror; both explore the dark side of technologyhow, if we let it, it can take over and rule our lives how (to quote Fight Club) the things you own end up owning you (or perhaps, in one of these cases, the things you own end up pwning you).

Other selections youll find here include stories about love, alien visitations, post-climate-change futures, revisionist fairy tales, virtual worlds and corporate malfeasance, and more.

The stories chosen for this anthology were originally published between January 1 and December 31, 2016. The criteria for consideration are (1) original publication in a nationally distributed American or Canadian publication (i.e., periodicals, collections, or anthologies, in print, online, or ebook); (2) publication in English by writers who are American or Canadian, or who have made the United States or Canada their home; (3) publication as text (audiobook, podcast, dramatization, interactive, and other forms of fiction are not considered); (4) original publication as short fiction (excerpts of novels are not knowingly considered); (5) story length of 17,499 words or less; (6) at least loosely categorized as science fiction or fantasy; (7) publication by someone other than the author (self-published works are not eligible); and (8) publication as an original work by the author (i.e., not part of a media tie-in/licensed fiction program).

As series editor, I attempt to read everything I can find that meets these selection criteria. After doing all my reading, I create a list of what I feel are the top eighty stories published in the genre (forty science fiction and forty fantasy). This year those eighty stories were sent to guest editor Charles Yu, who read them and then chose the best twenty (ten science fiction, ten fantasy) for inclusion in the anthology. Charles read all the stories blind, with no bylines attached to them or any information about where a story originally appeared. His selections appear in this volume; the remaining sixty stories are listed in the back of this book as Notable Science Fiction and Fantasy Stories of 2016.

As usual, in my effort to find the top stories of the year, I scour the field to try to read and consider everything thats published.