Damien Lewis - Smoky the Brave: How a Feisty Yorkshire Terrier Mascot Became a Comrade-in-Arms during World War II
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- Book:Smoky the Brave: How a Feisty Yorkshire Terrier Mascot Became a Comrade-in-Arms during World War II
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Smoky the Brave: How a Feisty Yorkshire Terrier Mascot Became a Comrade-in-Arms during World War II: summary, description and annotation
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Copyright 2018 by Omega Ventures
Cover design by Kerry Rubenstein
Cover photograph: Photo taken of Smoky in the Pacific theater, from Yank magazine, US Army
Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.
The scanning, uploading, and distribution of this book without permission is a theft of the authors intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com. Thank you for your support of the authors rights.
Da Capo Press
Hachette Book Group
1290 Avenue of the Americas, New York, NY 10104
dacapopress.com
@DaCapoPress, @DaCapoPR
Originally published in 2018 by Quercus in Great Britain
First U.S. Edition: December 2018
Published by Da Capo Press, an imprint of Perseus Books, LLC, a subsidiary of Hachette Book Group, Inc. The Da Capo Press name and logo is a trademark of the Hachette Book Group.
The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591.
The publisher is not responsible for websites (or their content) that are not owned by the publisher.
Picture credits in order of appearance:
: 26th Photo Reconnaissance Squadron;
: Australian Government, Australian War Memorial;
: Otis Historical Archives of National Museum of Health & Medicine (OTIS Archive 1);
: US Federal Government; 6: Maxwell Air Force Base
USAF Photographic Archives, US Federal Government;
: Rouse Voisey;
: Bill Wynne
Library of Congress Control Number: 2018949099
ISBNs: 978-0-306-92254-1 (hardcover), 978-0-306-92256-5 (ebook)
E3-20181031-JV-PC
War Dog
Judy: A Dog in a Million
Churchills Secret Warriors
The Nazi Hunters
Hunting the Nazi Bomb
SAS Ghost Patrol
Operation Certain Death
Bloody Heroes
Cobra 405
Zero Six Bravo
Operation Relentless
Sergeant Rex
Its All About Treo
Fire Strike 7/9
Operation Mayhem
X Platoon
A Dog Called Hope
For the fallen of the 26th
Captain Sheldon P. Hallett
1st Lt. Donald W. Christians
1st Lt. William McDaniels
T/Sgt. Harry R. Rogers
1st Lt. Clair J. Bardsley
1st Lt. Lee G. Smith
2nd Lt. James H. Morrison
1st Lt. Karl M. Booth Jr
1st Lt. Madison E. Gillespey
2nd Lt. Clarence E. Cook
F/O James L. Wilson
F/O Henry R. Willis
1st Lt. Samuel Dunaway
They shall grow not old, as we who are left grow old:
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning,
We will remember them.
Laurence Binyon
Photo Joe
Now, Photo Joe is an altitude fiend.
He flies way up high where he cant be seen.
He flies at thirty thousand in his P-three-eight,
Getting drunk on oxygen at a rapid rate.
He tells all the bombers of every hot spot.
He flies over places where the fighters will not.
The bombers have top-cover and the fighters have a gun,
But all Photo Joe can ever do is run.
Theres a little more to this sad, sad story:
The bombers do the work and the fighters get the glory.
And heres another thing that you ought to know
There arent any medals for a Photo Joe!
Anon
The time served by Allied servicemen and women during the Second World War was often traumatic. Memories tend to differ and apparently none more so than those concerning operations flown deep behind enemy lines. The written accounts that do exist of such missions tend to vary in their detail and timing, and locations and chronologies can prove contradictory. That being said, I have done my best to provide a proper sense of place, timescale and narrative to the story as depicted in these pages.
Where various accounts of a mission appear to be somewhat confused, the methodology I have used to determine when and how events took place is the most likely scenario. If two or more testimonies or sources point to a particular time or place or sequence of events, I have opted to use that version as most likely. Where necessary I have very occasionally re-created small sections of dialogue to aid the storys flow.
The above notwithstanding, any mistakes herein are entirely of my own making, and I would be happy to correct them in future editions. Likewise, while I have endeavoured to locate the copyright holders of the photos, sketches and other images and material used in this book, this has not always been straight-forward or easy. Again, I would be happy to correct any errors in future editions.
Of particular use during the writing of this book were the 5th Air Force, 26th Photo Reconnaissance Squadrons own accounts of the war years. These include the Flight Reports, Intelligence Reports and other official squadron records held at Maxwell Air Force Base, in Alabama, USA. The 26th being a photo reconnaissance squadron, the photo archive held at Maxwell AFB also proved particularly useful. So too did the 26th Photo Reconnaissance Squadrons own war diary, entitled simply Squadron HistoryTwenty-Sixth Photographic Squadron (L). Likewise, the squadrons more informal photographic and written legend of the war years, entitled 26th Photo, and published by 26th Photo Reconnaissance Squadron, proved hugely insightful.
In researching this book I was able to speak to and receive assistance from a number of individuals, who were especially generous with their time. My special thanks and gratitude are extended to all, and my apologies to those that I have inadvertently forgotten to mention.
In no particular order I wish to thank the following, who assisted in many ways: research, proofreading, recollections and subject matter expertise. Author Taylor Dowling was kind enough to alert me to the existence of his superlative account of the British reconnaissance pilots of the Second World War, when we shared a platform at an Imperial War Museum Duxford event, and to discuss same.
Sim Smiley, for your expertise and inspiration, gleaned from the various archives in the USA. Simon Fowler, for your expertise and inspiration, gleaned from the various archives in the UK. Paul and Anne Sherratt, for your perceptive comments and guidance.
The staff at several archives and museums also deserve special mention, including those at the British National Archives, in Kew, London; and those at the Maxwell Air Force Base archives, Alabama, USA. I would like to make particular mention of Tammy Horton, archivist at Maxwell AFB, for your diligent help and assistance.
Id like to thank in particular nonagenarian Rouse Voisey, a survivor of the the Second World War years in the southwest Pacific theatre, who was captured by the Japanese and survived many months of hellish forced labour, not to mention journeys on the so-called hell ships, shipwrecks and the Sumatra hell railway. Thank you, again, Rouse, for sharing with me your extraordinary memories and recollections of your time serving in this theatre of war, over seventy years ago.
My gratitude also to my literary agent, Gordon Wise, and film and TV agent, Luke Speed, both of Curtis Brown, for helping bring this project to fruition, and to all at my publishers Quercus, including, but not limited to, Jon Butler, Charlotte Fry, Ben Brock and Hannah Robinson. My editor, Richard Milner, deserves very special mention, as does Josh Ireland: your unstinting enthusiasm for this story is, I hope, rewarded in these pages.
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