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Mark W. Van Wienen - American Socialist Triptych: The Literary-Political Work of Charlotte Perkins Gilman, Upton Sinclair, and W. E. B. Du Bois

Here you can read online Mark W. Van Wienen - American Socialist Triptych: The Literary-Political Work of Charlotte Perkins Gilman, Upton Sinclair, and W. E. B. Du Bois full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: Ann Arbor, year: 2011, publisher: University of Michigan Press, genre: History / Science. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Mark W. Van Wienen American Socialist Triptych: The Literary-Political Work of Charlotte Perkins Gilman, Upton Sinclair, and W. E. B. Du Bois
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American Socialist Triptych: The Literary-Political Work of Charlotte Perkins Gilman, Upton Sinclair, and W. E. B. Du Bois: summary, description and annotation

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A meticulously researched, highly informed, carefully argued, and very accessible account of American socialism, socialists, and socialistic thinking, from the late nineteenth century through the 1960s . . . challenges the intellectual and political legacy of Werner SombartsWhy Is There No Socialism in the United States?, whose spirit still hovers over animated discussions about the failures of socialism in the United States.
---James A. Miller, George Washington University
A valuable rethinking and reframing of the traditions of leftist literary scholarship in the U.S.
---Sylvia Cook, University of Missouri, St. Louis
American Socialist Triptych: The Literary-Political Work of Charlotte Perkins Gilman, Upton Sinclair, and W. E. B. Du Boisexplores the contributions of three writers to the development of American socialism over a fifty--year period and asserts the vitality of socialism in modern American literature and culture.
Drawing upon a wide range of texts including archival sources, Mark W. Van Wienen demonstrates the influence of reform-oriented, democratic socialism both in the careers of these writers and in U.S. politics between 1890 and 1940. While offering unprecedented in-depth analysis of modern American socialist literature, this book charts the path by which the supposedly impossible, dangerous ideals of a cooperative commonwealth were realized, in part, by the New Deal.
American Socialist Triptychprovides in-depth, innovative readings of the featured writers and their engagement with socialist thought and action. Upton Sinclair represents the movements most visible manifestation, the Socialist Party of America, founded in 1901; Charlotte Perkins Gilman reflects the socialist elements in both feminism and 1890s reform movements, and W. E. B. Du Bois illuminates social democratic aspirations within the NAACP. Van Wienens book seeks to re-energize studies of Sinclair by treating him as a serious cultural figure whose career peaked not in the early success ofThe Junglebut in his nearly successful 1934 run for the California governorship. It also demonstrates as never before the centrality of socialism throughout Gilmans and Du Boiss literary and political careers.
More broadly,American Socialist Triptychchallenges previous scholarship on American radical literature, which has focused almost exclusively on the 1930s and Communist writers. Van Wienen argues that radical democracy was not the phenomenon of a decade or of a single group but a sustained tradition dispersed within the culture, providing a useful genealogical explanation for how socialist ideas were actually implemented through the New Deal.
American Socialist Triptychalso revises modern American literary history, arguing for the endurance of realist and utopian literary modes at the height of modernist literary experimentation and showing the importance of socialism not only to the three featured writers but also to their peers, including Edward Bellamy, Hamlin Garland, Jack London, Edna St. Vincent Millay, and Claude McKay. Further, by demonstrating the importance of social democratic thought to feminist and African American campaigns for equality, the book dialogues with recent theories of radical egalitarianism. Readers interested in American literature, U.S. history, political theory, and race, gender, and class studies will all find inAmerican Socialist Triptycha valuable and provocative resource.

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CLASS CULTURE SERIES EDITORS Amy Schrager Lang Syracuse University and - photo 1

CLASS : CULTURE

SERIES EDITORS

Amy Schrager Lang, Syracuse University, and Bill V. Mullen, Purdue University

TITLES IN THE SERIES:

The Syntax of Class: Writing Inequality in Nineteenth-Century America
Amy Schrager Lang

Vanishing Moments: Class and American Culture
Eric Schocket

Let Me Live
Angelo Herndon

Workin' on the Chain Gang: Shaking Off the Dead Hand of History
Walter Mosley

Commerce in Color: Race, Consumer Culture, and American Literature, 18931933
James C. Davis

You Work Tomorrow: An Anthology of American Labor Poetry, 192941
Edited by John Marsh

Chicano Novels and the Politics of Form: Race, Class, and Reification
Marcial Gonzlez

Moisture of the Earth: Mary Robinson, Civil Rights and Textile Union Activist
Edited by Fran Leeper Buss

Grassroots at the Gateway: Class Politics and Black Freedom Struggle in St. Louis, 193675
Clarence Lang

Natural Acts: Gender, Race, and Rusticity in Country Music
Pamela Fox

Transcribing Class and Gender: Masculinity and Femininity in Nineteenth-Century Courts and Offices
Carole Srole

An Angle of Vision: Women Writers on Their Poor and Working-Class Roots
Edited by Lorraine M. Lpez

Michael Moore: Filmmaker, Newsmaker, Cultural Icon
Edited by Matthew H. Bernstein

Hog Butchers, Beggars, and Busboys: Poverty, Labor, and the Making of Modern American Poetry
John Marsh

American Socialist Triptych: The Literary-Political Work of Charlotte Perkins Gilman, Upton Sinclair, and W. E. B. Du Bois
Mark W. Van Wienen

FOR NATHANIEL, MIRANDA, AND BENJAMIN

Copyright by the University of Michigan 2012
All rights reserved

This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher.

Published in the United States of America by The University of Michigan Press
Manufactured in the United States of America
Picture 2Printed on acid-free paper

2015 2014 2013 2012 4 3 2 1

A CIP catalog record for this book is available from the British Library.

Library of Congress Cataloging-in-Publication Data

Van Wienen, Mark W.

American socialist triptych : the literary-political work of Charlotte Perkins Gilman, Upton Sinclair, and W.E.B. Du Bois / Mark W. Van Wienen.

p. cm. (Class : culture)

Includes bibliographical references and index.

ISBN 978-0-472-11805-2 (acid-free paper) ISBN 978-0-472-02808-5 (e-book)
1. Gilman, Charlotte Perkins, 18601935Political and social views. 2. Sinclair, Upton, 18781968Political and social views. 3. Du Bois, W. E. B. (William Edward Burghardt), 18681963Political and social views. 4. Socialism and literatureUnited StatesHistory20th century. 5. Socialism and literatureUnited StatesHistory19th century. 6. SocialismUnited StatesHistory20th century.
7. SocialismUnited StatesHistory19th century. I. Title.

PS1744.G57Z88 2012
810.9'3581dc23

2011023785

ACKNOWLEDGMENTS

For a study that explores the interconnectedness of individuals in human societies, and which seeks to offer a fuller account of this interconnectedness, it is altogether fitting to begin with thanks for the many people and institutions that have helped to make this book possible. Thanks are due first to my mentor, Cary Nelson, who has been unfailingly supportive from my time in graduate school and ever since.

My colleagues in the Department of English at Northern Illinois University have also been magnificent. Special thanks to colleagues there who have read portions of my manuscript during various stages of its creation: Keith Gandal (now at the City University of New York), James Giles, Mark Kipperman, and Diana Swanson.

I have also been blessed with several smart and diligent research assistants. Julie K. Kraft helped with initial research of the W. E. B. Du Bois materials when she was an undergraduate student and I an assistant professor at Augustana College, Sioux Falls, South Dakota. At Northern Illinois University, graduate students Sang-Wook Kim, Meagan Peabody, and Brett Stumphy assisted with research on Upton Sinclair's EPIC campaign and with the voluminous papers related to the Scottsboro trials.

The institutions where I have worked while this book has been in the making have also been uncommonly generous in their financial support. My research in the summer of 1999 was supported by an Augustana Research and Artistry Fellowship, while at Northern Illinois University a portion of the work for this book was funded by a spring 2008 sabbatical leave and a 2010 Summer Research and Artistry Award. Moreover, a portion of the production cost of this book has been supplied by a subvention provided jointly by the Department of English, College of Liberal Arts and Sciences, and Graduate School at Northern Illinois University. Special kudos to Phil Eubanks, Christopher McCord, and James Erman for their assistance in making the subvention happen.

At another critical juncture in 2003, this book was supported by a yearlong fellowship from the National Endowment for the Humanities. That grant was transformative not only for this book project but for my academic career. I am also deeply appreciative of a grant from the Lilly Library, Indiana University, Bloomington, supporting research in its collections through an Everett Helm Visiting Fellowship.

And then there are the special collections libraries that have preservedmaterials important to the history of American socialism. Without these collections and the people who have helped me in accessing them, this book could not have existed. I thank the following libraries, their administrators and staffs: Bancroft Library, University of California, Berkeley; Beinecke Library, Yale University; and Lilly Library, Indiana University, Bloomington. Thanks, too, to the catalogers and microfilmers at the Schlesinger Library on the History of Women in America, Radcliffe College, Cambridge, Massachusetts, and at the university library at the University of Massachusetts, Amherst, who have made the papers of Charlotte Perkins Gilman and W. E. B. Du Bois, respectively, readily available via microfilm. Not least, I thank the libraries and librarians at Augustana College, Sioux Falls, and Northern Illinois University, especially their indefatigable interlibrary loan personnel.

I gratefully acknowledge the permission of American Quarterly and African American Review to republish materials that originally appeared in those journals. For their assistance in shepherding the manuscript through the submission, editing, and publication process, I heartily thank acquisitions editor LeAnn Fields, her editorial assistant, Scott Ham, and project manager Marcia LaBrenz. Thanks also for the constructive feedback of the three anonymous readers commissioned by the University of Michigan Press and for the careful copyediting of Richard Isomaki.

For a study about social interconnections and interdependence, it is slightly ironic that certain personal acknowledgments take the form, almost, of an apology for times when the author was far away on the porch or basement study, lost to family and friends because he was so intensely invested in the lives of Charlotte, Upton, and W. E. B. I stand largely unabashed in my thanks on this point only because my family members were so generous in their support of this project. Thanks to my parents Margaret and Bill Van Wienen, my parents-in-law Eveleen and Walt Windholz, my sister, Marcia Van't Hof, my brother-in-law, Mark Van't Hof, and their son Braden. Since Mark's untimely death in February of 2008, I have come to see him as Virgil to my Dante, a comparison altogether unfitting on my side, for I do not pretend to have written a

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