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Felicitas Titus - Old Beijing: Postcards from the Imperial City

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Felicitas Titus Old Beijing: Postcards from the Imperial City
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This collection of rare and vintage postcards offers a unique look at a vanished China and its storied capital.
Comprising 355 black-and-white and hand-tinted Beijing photography postcards that span the period from the last years of Imperial China to the Japanese invasion of 1937, it is a treasure trove for buffs of Beijing history, collectors, Sinophiles, and anyone fascinated by people and cultures from times past.
Readers will enjoy the wide selection of images showing different aspects of the life of old Pekingfrom the arrival of a camel train at a city gate to hand-colored views of the Forbidden City and an array of vendors, street performers, officials, gentry, commoners, and foreign tourists. Several chapters present the citys distinctive Beijing architectureits walls and gates, towers, fountains, temples, pagodas, memorial arches, and public or imperial buildings, including the Summer and Winter Palaces and the Ming Tombs. Other chapters of Chinese photography look at the Manchu rulers, street life, the Legation Quarter and Western presence, and the Great Wall.
Included are some rare scenes depicting the aftermath of the Boxer Rebellion and 1911 revolution; Manchu fashion, colorful means of transportation, and the coming of the railroad. Of particular note are images of the Empress Dowager, the child emperor Puyi, and other personalities at the Manchu Court. The book also includes eight color postcards of paintings by the famous artist Carl Wuttke and rare cards showing etched drawings of the Old Summer Palacenow only a field of ruins.
The author, who was born and lived in China before 1949, has written an informative introduction to each chapter as well as a general introduction to classical Beijing. A foreword by historian and Beijing expert Susan Naquin situates this collection at once as a precious record of old Peking and a revealing snapshot of Western views of China in the first golden age of tourism.
Old Beijing: Postcards from the Imperial Cityoffers a visual time capsule of both Beijings history and traditional Chinese culture in a unique and revealing postcard format.

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About the Author

Felicitas Titus was born and raised in Hankou, China, a former treaty port on the mid-Yangtze River. She grew up in a traditional foreign businessmans hong in the midst of her family and many Chinese, and as a girl and young woman she was able to observe the old Chinese culture firsthand. Felicitass father was a leading German businessman in Hankou. His company exported tea, silk, silk cocoons, animal skins, vegetable talc, and tung oil. He served as the president of the Chamber of Commerce and on the board of the International Hospital for many years. Her mother was on the board of the Anglican Blind School in Wuchang. Soon after World War II, her parents were granted a special immigration visa to the United States and left China for America. Her brother, Wolfgang, a medical student, moved to Hong Kong, and Felicitas moved to Taiwan after the Chinese Peoples Republic was proclaimed in 1949. Miss Titus studied the Chinese language, literature, and history for two and a half years at the College of Chinese Studies in Beijing at the end of World War II. She traveled extensively, including to the Tibetan Lamasery Kumbum and the Caves of the Thousand Buddhas in West China. After emigrating to the United States, Felicitas received a Master of Arts degree in German Studies and French Studies from the University of California at Berkeley in 1956. She taught at universities and colleges. She began to collect antique China postcards, amassing this unique collection, illustrating the life of the Chinese, the Manchus, and Westerners in China. In Berkeley, she became interested in preservation and served as a board member of the Landmark Heritage Foundation, supporting the magnificent and architecturally superb Berkeley City Club building. She considers her Beijing postcard collection another form of preservation. Miss Titus pursues art and writing projects.


Foreword Author

Susan Naquin is professor of History and East Asian Studies at Princeton University. She is the author of Millenarian Rebellion in China , Shantung Rebellion , and Peking: Temples and City Life, 14001900 . She is also coauthor with Evelyn Rawski of Chinese Society in the Eighteenth Century and coeditor of Pilgrims and Sacred Sites in China . She lives in Lawrenceville, N.J.


Acknowledgments

M. B., past president and initiator of the Landmark Heritage Foundation for the preservation of the Julia Morgan Berkeley City Club building in Berkeley; Dr. Susan Naquin, professor of History and East Asian Studies, Princeton; Dr. Frances Terpak, Curator of Photographs, Getty Research Institute, Los Angeles; Dr. Sarah Gill, professor emeritus, Art History; Ann-Catrin Schultz, PhD, architectural historian; Dr. Patricia Berger, Chinese Art, University of California, Berkeley; Dr. Deborah Rudolph, East Asian Library, University of California, Berkeley; Cao Hongxing, assistant professor, International Business School, Beijing Foreign Studies University, Beijing, China; Lewis Baer, postcard historian, editor of the San Francisco Bay Area Postcard Club; Alistair Johnston, printer and print historian, Berkeley; Mark W., imaging expert, Photolab, Berkeley; Calvert Barksdale, Tuttle Publishing; Doe Library, University of California; archivists, Bancroft Library, University of California, Berkeley; librarians, East Asian Library, University of California, Berkeley

First Gate leading toward the Wumen and into the Imperial Palace horse - photo 1

First Gate leading toward the Wumen and into the Imperial Palace, horse carriages in street
Japanese publisher ca. 1910

Appendix

POSTCARD VERSOS

After the invention of photography in 1838, cameras soon came to China with the Westerners. Photography shops were opened in all treaty ports by both Westerners and Chinese. Between 1870 and 1889, the first image cards appeared in Europe. The postcard became a quick and inexpensive means of communication, and, as souvenirs, postcards became hugely popular almost immediately. People wrote cards to each other and started to collect them and fill albums, to such an extent that the period from 1898 to 1919 is referred to as the Golden Age of Postcards. The earliest postcards of China date back to the beginning of this period, 1898.

The Weltpostverein, German for Universal Postal UnionUnion Postale Universelle in Frenchwas founded in 1874 in Bern, Switzerland, to coordinate the delivery of mail between member states. Twenty-two countries joined immediately, and the mailing of postcards was backed by the union. The names of member states appear in different languages in the upper left hand corner of the back of a card on a number of Beijing cards, Russia using its own script, for instance.

UNDIVIDED AND DIVIDED BACKS, WITH OR WITHOUT PUBLISHERS NAMESSTAMPS AND CANCELLATIONS
The so-called undivided back postcard has three lines on the verso of the card for the address and no space for a message. This type of card prevailed before 1907. Senders wishing to add a personal message had to scribble something on the image side of the card by default. A category of cards with a white border for a message at the bottom of the image side did exist during this early postcard era, and England permitted the divided back card as early as in 1902, with France following in 1904, Germany in 1905, and the United States Postal Service in 1907. The year 1907 has become the standard date for divided back postcards and is thus an important date for dating postcards. The first cards after 1907 were divided unevenly, favoring the address portion. Some postcards have the publisher, the printer, or the photography shop name on the back. In the early period of the postcard, most cards in China were printed by the British or were printed overseas in Germany, where printing techniques were highly developed.

Stamps on postcards tell the era they belong to, while cancellations can tell their own story. For example, a letter sent from China by a British national bore a Hong Kong stamp with the letters B.P.O.., which stood for British Post Office. Other nationals in China built their own post offices in the treaty ports or mailed their letters from their embassy or consulate with stamps from their own countries, some stamps being overprinted. Peking on the cancellation was used during the imperial era until the Chinese nationalists proclaimed a national government in 1911, moving the capital to Nanjing and renaming the city Peiping (Beiping), as can be seen on cancellations. A general Chinese post office was created in the 1920s.

Postcards document political and social change. They are themselves history.

Peking view card undivided back Imperial Post Office stamp with dragon - photo 2

Peking view card, undivided back. Imperial Post Office stamp with dragon (engraved in London). Cancellation illegible, passed through Shanghai B.P.O. (British Post Office).
Postal Union members listing: O. Ludwig, Peking

Peking view card early divided back Hongkong 4 stamp used by BPO British - photo 3

Peking view card, early divided back. Hongkong 4 stamp used by B.P.O. (British post offices in China). Card mailed from Tianjin (cancellation), passed through Shanghai B.P.O.
Postal Union members listing: C.H. 592 copyright

Beijing view card Rice Sower stamp Republic Post Office Cancellation - photo 4

Beijing view card, Rice Sower stamp, Republic Post Office. Cancellation Peipingas Peking was renamed when the Republican capital moved to Nanjingdated 1920.
Camera Craft. Peking card made in U.S.A.

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