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Joanna Levin - Bohemia in America, 1858–1920

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Joanna Levin Bohemia in America, 1858–1920
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Bohemia in America, 18581920 explores the construction and emergence of Bohemia in American literature and culture. Simultaneously a literary trope, a cultural nexus, and a socio-economic landscape, la vie bohme traveled to the United States from the Parisian Latin Quarter in the 1850s. At first the province of small artistic coteries, Bohemia soon inspired a popular vogue, embodied in restaurants, clubs, neighborhoods, novels, poems, and dramatic performances across the country. Levins study follows la vie bohme from its earliest expressions in the U.S. until its explosion in Greenwich Village in the 1910s.Although Bohemia was everywhere in nineteenth- and twentieth-century American culture, it has received relatively little scholarly attention. Bohemia in America, 18581920 fills this critical void, discovering and exploring the many textual and geographic spaces in which Bohemia was conjured.Joanna Levin not only provides access to a neglected cultural phenomenon but also to a new and compelling way of charting the development of American literature and culture.

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Table of Contents Acknowledgments THIS PROJECT HAS GROWN and grown - photo 1
Table of Contents

Acknowledgments

THIS PROJECT HAS GROWN (and grown!) out of the advice, support, and examples of so many scholars that I scarcely know where to begin acknowledging their contributions. I will limit my acknowledgments to those most directly concerned with this book, with the caveat that there are many other teachers and friends who have provided vital guidance. I am extremely grateful to have had George Dekker as my advisor. I have continually benefited from his remarkable generosity of insight, knowledge, and time, and will always be deeply thankful for his friendship, faith, and support. Albert Gelpi provided crucial advice, support, and inspiration, and his commitment to this project has made all the difference. Susan Gillman, Ramn Saldvar, and, in the early stages of the project, the late Lora Romero, helped me to conceptualize this project and attend more closely to its details. For their generous insight and careful reading, I am most thankful. I am also extremely grateful to Norris Pope at Stanford University Press for his support and belief in this book, and to Robert C. Leitz III and Jonathan Freedman for generously offering their time, encouragement, and important suggestions. I also wish to thank Carolyn Brown, James Cappio, Barbara Goodhouse, and Sarah Crane Newman for their excellent work throughout the editorial process.

There are other friends, colleagues, family members, and mentors whom I must mention, and I hope they know how much their support, examples, and suggestions have meant to me over the years. I would like to thank Ken, Adele, and Bob Levin, Alan Babb, David Cantrell, Ellie Amel, Logan Esdale, Melissa Goldman, Sylvia Greenbaum, Kent Lehnhof, Christina Mesa, Anne-Marie Pedersen, David Riggs, Eileen Jankowski, Tracey Swan, Emma Teng, Justine Van Meter, Pavel Machala, Kevin OBrien, Sarah Hepler, and Bob and Wendy Warner. I am also very grateful for fellowship support from the Stanford English Department, the Stanford Humanities Center, the Cogswell and Colin Higgins Foundations, a Copeland Fellowship from Amherst College, and a scholarly research grant from Chapman University.

I have been blessed with the best and most generous of parents, and I want to dedicate this book to my father, Gordon Levin, who has always guided my intellectual development and inspired me through his brilliant example (and tracked down many sources for this book!); to the memory of my loving mother, Elayne Levin; and to my husband, Farrell Warner, a constant source of love, humor, and support throughout the writing of this book.

Reference Matter
Notes

Introduction

Henri Murger, The Bohemians of the Latin Quarter: Original Preface, 1850, in On Bohemia: The Code of the Self-Exiled , ed. Csar Graa and Marigay Graa (New Brunswick, NJ: Transaction Publishers, 1990), 45. Self-proclaimed British Bohemians also grappled with Murgers statement and attempted (somewhat defensively) to locate a Bohemian geography within their own nation. For example, in 1907, Arthur Ransome championed this London Bohemia of ours, whose existence is denied by the ignorant. He admitted: Our Villons do not perhaps kill people, but they are not without their tavern brawls. They still live and write poetry in the slums. Ransome, Bohemia in London (New York: Dodd, Mead, and Co.,1907), 10.

William Dean Howells, Literary Friends and Acquaintance: A Personal Retrospect of American Authorship (1900; repr., New York: Harper and Brothers, 1901), 68.

James Jeffrey Roche, Life of John Boyle OReilly: Together with His Complete Poems and Speeches (New York: Cassell Publishing Co., 1891), 10.

Harry T. Levin, The Discovery of Bohemia, in Literary History of the United States , ed. Robert E. Spiller (New York: Macmillan, 1948), 1066.

Richard H. Brodhead, The American Literary Field, 18601890, in The Cambridge History of American Literature , vol. 3. Prose Writing 18601920 , ed. Sacvan Bercovitch (Cambridge: Cambridge University Press, 2005), 41. David Weir has recovered a similarly neglected tradition of self-defined American Decadents in turn-of-the-century America. Though at times the concepts of the Bohemian and the Decadent converged (as both Weir and this study discuss), Weir quite rightly recognizes that the two terms were not simply interchangeable. See David Weir, Decadent Culture in the United States: Art and Literature in the American Grain, 18901926 (Albany: State University of New York Press, 2008).

Jerrold Seigel, Bohemian Paris: Culture, Politics, and the Boundaries of Bourgeois Life, 18301930 (New York: Penguin Books, 1986), 5.

As Mary Gluck has argued in Popular Bohemia: Modernism and Urban Culture in Nineteenth-Century Paris (Cambridge, MA: Harvard University Press, 2005), Murger himself authorized two somewhat contradictory views of Bohemia. On one level, he dramatized the extent to which the artists life and calling stood for enjoyment and spontaneity in opposition to puritanical self-restraint and a rigid work ethic (16). On another level, he often reduced [Bohemia] to a form of apprenticeship in the artists life, viewing it as a prelude to bourgeois professionalism (19). The view of Bohemia as a deeply subversive phenomenon has had many adherents, in life and in scholarship. For example, the historian Elizabeth Wilson argues that Bohemia was the Other of bourgeois society, that is to say it expressed everything the bourgeois order buried and suppressed. In that sense it was an image of utopia. Bohemians: The Glamorous Outcasts (New Brunswick, NJ: Rutgers University Press, 2000), 241. As we will also see, many other participants and scholars have deemphasized the oppositional potential of Bohemia, either viewing it (critically) as complicit with bourgeois values and practices or (positively) as a safe and fleeting lark.

Seigel, Bohemian Paris , 12.

Albert Parry, Garrets and Pretenders: A History of Bohemianism in America (1933; repr., New York: Dover Publications, 1960), xxiv.

Ibid., xxiii.

Akhil Gupta and James Ferguson, Culture, Power, Place: Ethnography at the End of an Era, in Culture, Power, and Place: Explorations in Critical Anthropology , ed. Akhil Gupta and James Ferguson (Durham, NC: Duke University Press, 1998), 13.

Shakespeares The Winters Tale mysteriously invokes the seacoast of Bohemia. Since the country of Bohemia in what is now the Czech Republic does not have a seacoast, self-declared Bohemians have felt even more free to claim that Bohemia existed most fully within the imaginationor in any location that they might choose to realize their mythic territory.

James L. Ford, Seeing the Real New York: Trip No. 4Bohemia, Cosmopolitan 40, no. 6 (1906): 712.

Daniel H. Borus, The Strange Career of American Bohemia, American Literary History 14, no. 2 (2002): 376. The phrase lanes and byways occurs in John Moran, Studio Life in New York, Art Journal (1879): 343.

William Reimer, Bohemia: The East Side Cafes of New York (New York: Caterer Publishing Co., 1903), 3.

Edward W. Soja, Thirdspace: Journeys to Los Angeles and Other Real-and-Imagined Places (Oxford: Blackwell Publishers, 1996), 6.

Sara Blair, Cultural Geography and the Place of the Literary, American Literary History 10, no. 3 (1998): 546. Blairs review essay draws on the work of such cultural geographers as David Harvey, Arjun Appadurai, Saskia Sassen, and Soja.

Ibid., 550.

Sacvan Bercovitch, Rites of Assent: Transformations in the Symbolic Construction of America (New York: Routledge, 1993), 59.


Chapter 1

Immanuel Wallerstein, The Bourgeois(ie) as Concept and Reality, in tienne Balibar and Immanuel Wallerstein, Race, Nation, Class: Ambiguous Identities (London: Verso Books, 1991), 136.

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