Tim Weaver - Vanished

TIM WEAVER

Vanished

PENGUIN BOOKS

For Lucy

The fathers shall not be put to death for the children, neither shall the children be put to death for the fathers: every man shall be put to death for his own sin. Deuteronomy 24:16

Authors Note

For the purposes of the story, Ive taken some small liberties with the layout and working practices of the London Underground. My hope is that its done subtly enough not to grate, and remains true to the amazing history of the citys railway lines. Those schooled in the Tube will see echoes of Whitechapels past in my version of Westminster station, will note Ive altered Gloucester Road ever so slightly and I hope will forgive my reinterpretation of night-time hours on the network. Residents of north London will no doubt also recognize Fell Wood as being based closely on Haringeys Parkland Walk.

15 June

Healy looked down at the temperature readout as he pulled up outside the estate. Almost twenty degrees. It felt hotter than that. Hed had the air conditioning on all the way from the station but, on the journey over, nothing had cooled. His sleeves were rolled up, his top button undone, but the car was still stifling. Even in the middle of the night, under cover of darkness, the heat continued to cling on.

He paused, looking out through the windows of the Mercedes to the maze of broken homes beyond. The most dangerous housing estate in London had gone into hibernation. There were no lights on in the flats, no kids in the alleys, no gangs crossing the walkways between buildings. But then, as more marked cars arrived, lightbars painting the ten-storey slabs of concrete, he could make out shapes in the night, watching him from darkened windows and doorways.

He got out. Away to his left, the media were encamped behind a strip of police tape, in shirts and summer dresses, faces slick with sweat. It was mayhem. Journalists jostled for the best position. Feet slid on grass banks. Noise. Lights. Voices screaming his name. In another life, he might have enjoyed the celebrity. Some cops did. But when he looked at the entrance to the building, ominous and dark, like a mouth about to swallow him up, he realized it was all a trick. This wasnt celebrity. This was standing on a precipice in a hurricane. They were behind him now; with him on that precipice. But if it went on any longer, if it got any worse, if the police still hadnt found the man responsible by the time the media were camped out at the next crime scene, all theyd be trying to do would be to feed him to the darkness beyond.

He moved across the concrete courtyard to the entrance and looked inside. Everything was broken or cracking, like the whole place was about to collapse under its own weight. The floor was slick with water, leaking from somewhere, and along the corridor a broken door, leading into the first set of flats, was hanging off its hinges. Litter was everywhere. Some people would go their whole lives without seeing the insides of a place like this: a two-hundred-apartment cry for help. The sort of place where even the night at its darkest wasnt black enough to hide all the bruises.

A uniformed officer with a clipboard was standing at the bottom of a stairwell to Healys right. He looked up as Healy approached, shining a flashlight in his direction. Evening, sir.

Evening.

The elevator doesnt work.

Healy glanced at the lift. Across its doors was a council notice telling people it was unsafe to use. On the damp, blistered wall next to it, someone had spray-painted an arrow and the words express elevator to hell.

After showing the officer his warrant card, Healy headed up three flights of stairs, most of it barely lit. Everything smelled like a toilet. Glass crunched under his shoes where light bulbs had been deliberately smashed and never cleared away. At the third-floor landing, people started to emerge other cops, forensics a line snaking out from Flat 312. A crime-scene tech broke off from dusting down a door frame to hand Healy a white paper boiler suit and a pair of gloves. Youd better wear this, she said. Not that youre going to be disturbing much evidence.

Healy took the suit.

Inside the flat, a series of stand-alone lights had been erected, their glare washing into the corridor. Apart from the buzz of a generator, the apartment was pretty much silent. The occasional click of a camera. A mumble from one of the forensic team. Brief noises from other flats. Otherwise, nothing.

After zipping up the boiler suit and pulling up the hood, Healy moved into the flat. It was just like the ones the other victims had lived in. Run-down. Squalid. Damp. In the kitchen, which led off from the living room, a big brown watermark had formed on the linoleum. Healy spotted DCI Melanie Craw looking around inside. There was a door off the living room, opening on to a bedroom. Chief Superintendent Ian Bartholomew stood in the doorway, the bed in front of him. He looked back at Healy, a pissed-off expression on his face, then to Craw, whod arrived from the kitchen.

Melanie, he said. What the bloody hell am I supposed to tell the media?

Bartholomew backed out of the bedroom and let Healy take it in. The crime scene. A small bedroom with a tiny walk-in closet, a dresser, and a television on a chair in the corner of the room. The carpet was worn, the wallpaper peeling. On the pillow, placed in a neat pile, was the victims hair. Hed shaved it all off, just like all the others, and left it there. The mattress was where the body should have been.

But that was just the problem.

He never left the bodies.

PART ONE

1

12 June

Her office was on the top floor of a red-brick four-storey building just off Shaftesbury Avenue. The other floors belonged to an advertising agency and a big international media company. Two code-locked glass doors protected sharp-suited executives from the outside world, while a security guard the size of a wrestler watched from inside. Everything else in the street was either dead or dying. Two empty stores, one a shoe shop, one an antiques dealer, had long since gone. Adjacent to that was a boarded-up Italian restaurant with a huge NOW CLOSED sign in the window. The last man standing was a video rental store that looked like it was on its way out: two men were arguing in an empty room with only a single DVD rack and some faded film posters for company.

It was a warm June evening. The sun had been out all day, although somewhere out of sight it felt like rain might be lying in wait. Id brought a jacket, just in case, but for the moment I was in a black button-up shirt, denims and a pair of black leather shoes Id bought in Italy. They were the genuine article, from the Galleria Vittorio Emanuele in Milan, but I didnt wear them much; mostly their purpose in life was to cut my feet to shreds. Yet they were a sacrifice worth making for the woman I was meeting.

Liz emerged from one of the elevators in the foyer about fifteen minutes later. People had been filing out of the building steadily since five, but the office she worked in was also the office she ran, so she tended to be the last one out. She spotted me immediately, standing in the doorway of the now-defunct antiques shop, and I was struck by how beautiful she looked: dark eyes flashing as she smiled, long, chocolate hair pulled back from a face full of natural angles. Elizabeth Feeny, solicitor advocate, had thrived in a city packed with dominant males: shed gone up against bigger fish and won; shed taken their clients and retained them; shed brought together a team of formidable lawyers under the umbrella of Feeny & Company and shed fronted a number of high-profile cases that had secured her growing reputation. It would have been difficult not to be impressed by her, even if I hadnt been seeing her for eight months and living next door to her for a lot longer. She completely looked the part, moving across the road towards me in a white blouse and black pencil skirt that traced the gentle curves of her body. But her biggest asset was that when she smiled, she made you feel like the only person in the room. That was a useful skill when you were pacing the floor of a court.