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Yerxa - Blues Harmonica For Dummies

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The fun and easy way to play blues on the harmonica

Blues harmonica is the most popular and influential style of harmonica playing, and it forms the basis for playing harmonica in other styles such as rock and country. Blues Harmonica for Dummies gives you a wealth of content devoted to the blues approachspecific techniques and applications, including bending and making your notes sound richer and fuller with tongue-blocked enhancements; use of amplification to develop a blues sound; blues licks and riffs; constructing a blues harmonica solo; accompanying singers; historical development of blues styles; and important blues players and recordings.

The accompanying audio CD features all the musical examples from the book, plus play-along exercises and songs that let you hear the sound youre striving for.

  • In-depth coverage of major blues harmonica techniques
  • Blues song forms, improvisation, and accompanying singers
  • Information on blues history and personalities

If youre intrigued by the idea of understanding and mastering the compelling (yet mysterious) art of playing blues on the harmonica, Blues Harmonica For Dummies has you covered.

CD-ROM/DVD and other supplementary materials are not included as part of the e-book file, but are available for download after purchase

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Table of Contents

Blues Harmonica For Dummies

by Winslow Yerxa

Blues Harmonica For Dummies Published by John Wiley Sons Inc 111 River - photo 1

Blues Harmonica For Dummies

Published by
John Wiley & Sons, Inc.
111 River St.
Hoboken, NJ 07030-5774
www.wiley.com

Copyright 2012 by John Wiley & Sons, Inc., Hoboken, New Jersey

Published by John Wiley & Sons, Inc., Hoboken, New Jersey

Published simultaneously in Canada

No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the Publisher. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at http://www.wiley.com/go/permissions .

Trademarks: Wiley, the Wiley logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com, Making Everything Easier, and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc., and/or its affiliates in the United States and other countries, and may not be used without written permission. All other trademarks are the property of their respective owners. John Wiley & Sons, Inc., is not associated with any product or vendor mentioned in this book.

Limit of Liability/Disclaimer of Warranty: The publisher and the author make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation warranties of fitness for a particular purpose. No warranty may be created or extended by sales or promotional materials. The advice and strategies contained herein may not be suitable for every situation. This work is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional services. If professional assistance is required, the services of a competent professional person should be sought. Neither the publisher nor the author shall be liable for damages arising herefrom. The fact that an organization or Website is referred to in this work as a citation and/or a potential source of further information does not mean that the author or the publisher endorses the information the organization or Website may provide or recommendations it may make. Further, readers should be aware that Internet Websites listed in this work may have changed or disappeared between when this work was written and when it is read.

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For technical support, please visit www.wiley.com/techsupport .

Wiley publishes in a variety of print and electronic formats and by print-on-demand. Some material included with standard print versions of this book may not be included in e-books or in print-on-demand. If this book refers to media such as a CD or DVD that is not included in the version you purchased, you may download this material at http://booksupport.wiley.com . For more information about Wiley products, visit us at www.wiley.com .

Library of Congress Control Number: 2012942049

ISBN 978-1-118-25269-7 (pbk); ISBN 978-1-118-28249-6 (ebk); ISBN 978-1-118-28451-3 (ebk); ISBN 978-1-118-28716-3 (ebk)

Manufactured in the United States of America

10 9 8 7 6 5 4 3 2 1

Picture 2

About the Author

Winslow Yerxa was bitten by the harmonica bug as a teenage musician, contracting blues virus in the process. Since then, hes become a harmonica player, performer, composer, teacher, author, journalist, and even inventor in his quest to better understand this mysterious instrument and the intuitive yet hard to explain music called the blues.

His subsequent musical journey took him to composition, music theory, and jazz arranging studies at Vancouver Community College and McGill University, and later, to writing musical arrangements for Afro-Caribbean bands in San Francisco. Meanwhile, he explored a wide variety of musical styles, including jazz, French hot-club music and musette, and Celtic fiddle tunes. Through it all, the blues has remained an old and trusted friend.

From 1992 to 1997, Winslow wrote, edited, and published the magazine HIP the Harmonica Information Publication, the most widely read harmonica periodical of its time. During that period, he transcribed John Poppers harmonica solos to musical notation and tab for the songbook to the Blues Traveler CD, four. He also authored the book and CD combination Learn Blues Harp Effects in 60 minutes and invented and marketed the Discrete Comb, a harmonica upgrade that unlocks all the note-bending capabilities of a diatonic harmonica. He also has worked with jazz harmonica virtuoso Howard Levy on his Out of the Box series of instructional DVDs and his teaching website, the Howard Levy Harmonica School.

Winslow is active in the harmonica community, helping to organize and run the annual harmonica festival staged by SPAH, the Society for the Preservation and Advancement of the Harmonica. Hes also a member of the UKs NHL (National Harmonica League) and participates in the online harmonica world through Facebook and such forums as Harp-l.org, slidemeister.com, and ModernBluesHarmonica.com.

In addition to teaching privately, Winslow is a faculty member at the Jazzschool in Berkeley, California, and has taught at the Kerrville Folk Festival in Kerrville, Texas; Jon Gindicks Harmonica Jam Camp; and David Barretts Harmonica Masterclass. Hes an online expert advisor for David Barretts Bluesharmonica.com, was a regular columnist for Mel Bays HarmonicaSessions.com, and has contributed articles to Harmonica World, Harmonica Happenings, American Harmonica Newsletter, and Echos France Harmonica.

Dedication

To the memory of blues harmonica players weve lost in recent years, including Snooky Pryor, Carey Bell, Norton Buffalo, Gary Primich, Willie Big Eyes Smith, and Jerry McCain.

To Lorne, who knew how to keep things simple.

To Big Bear, for never giving up despite the odds.

To the memory of my spirit guide, Alberto Duque. I miss him and his mother very much.

Authors Acknowledgments

Id like to thank Carole Jelen and Zach Romano, my agents at Waterside Productions, for bringing me this project; Acquisitions Editor David Lutton at Wiley for shepherding it through the acquisition and early shaping processes and keeping the whole thing on track; Project Editor Tim Gallan for his tact and wisdom in producing the manuscript; and Copy Editor Todd Lothery for his eagle eye and fine sense of language. Special mention goes to Joe Filisko for bringing his deep knowledge of blues harmonica to bear as technical editor.

Id like to thank Joe Filisko (again), Clay Edwards at Hohner, Waichiro Tachikawa at Suzuki, and Rupert Oysler at Seydel USA for the harmonicas used to record the CD.

Id like to thank Greg Heumann of BlowsMeAway Productions for the great microphone and connector photos and for the Bulletizer that I used for some of the amplified recordings on the CD.

I thoroughly enjoyed working with Rusty Zinn, the harmonica players blues guitarist, to craft guitar accompaniments for the CD, and with James Ward and Priscilla Rice at Live Oak Studio, who captured Rustys sound so well and within my budget and time frame. Big thanks to Tom Stryker for mastering the CD on a tight schedule.

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