Tony Corcoran - The Goodness of Guinness: A Loving History of the Brewery, Its People, and the City of Dublin

With a book like this, which has taken more than six years to prepare, it is difficult to recall the many people who were generous with their comments, information, and encouragement, without whose help the study would have been too daunting to complete.

Perhaps, though, on a subliminal level, the study began on the death of my father in 1958, when two people in particular were instrumental in ensuring that the Corcoran links with Guinness continued into another generation. These were Andrew Hughes-Onslow and Stan Corran, who encouraged my application to the company based on my Leaving Cert results. On my first day in the maelstrom of activity that was the Brewers Lab, one colleague, Tony Moran, took the time to look after me and take me to lunch. Also, within my first week there a friend of my fathers, Alex Byrne, took time to give me some fatherly advice. All of these people are now deceased and hopefully sat by my shoulder as I wrote this work.

One colleague who had a unique influence on my whole outlook on life was Des Carrick, whose father, like mine, was a Guinness Supervisor. Des introduced me to the world of art and creativity in all its forms, and it was he who encouraged my fledgling writing ambitions. I was also given the opportunity to write about social life in Guinness by the editors of the two house magazines, Mike Lawlor and Carol Scott. Throughout my career in the brewing departments, I met many people who became not only work colleagues but kindred spirits whose company made life more bearable than it otherwise would have been. Names that come to mind are Charlie McDermott, Peter Walsh, Ted Nulty, Tom (T.A.) Donohoe, Paddy Tucker, Willie Keogh, Willie Mullen, Anne Lewis, and John McMahon. Two of these, Peter Walsh and Willie Mullen, have researched and written much on Guinness history, and I would like to acknowledge how much their work has helped to inspire what I have written.

After retirement, I needed to talk with many people in order to support and build on my memories of Guinness life. I began in 1999 with a visit to Paddy Skelton at his home in Galway. Paddy was a lovely man, now happily tending to vintage cars in the forecourt of heaven. I continued with the previous archivist, Teresa ODonnell, and moved on to the current archivists, Eibhlin Roche and Clare Hackett. During my research, an engineering colleague, Michael Byrne, shared much of his own research on a parallel topic. Many thanks also to Christy Byrne for material given to me.

At the same time, I spoke with many people, including Paddy Scully, Mick Kiersey, Stan Barnes, Willie OConnor, John Fitzpatrick, Paddy Murphy, and Paddy Connaughton. My ventures into the entertainment world brought me into contact with Ada Kelly of the Guinness Choir and with Yvonne Robins, Audrey Nicholson, and Damien Flood of the Guinness Players. As the work progressed, I was helped by Nick and Catherine Pollard, who let me use their house in County Clare for correcting an early draft. Ita OGara, Donal Byrne, and John Mullins read and corrected drafts for me and, in particular, made constructive amendments to these drafts.

Throughout the writing period, I had many consultations, in person and by e-mail, with Rory Guinness, brother of the present Earl of Iveagh, who was extremely courteous, helpful, and encouraging. By far the most important influence for me, however, was Sir John Lumsden, Chief Medical Officer, who joined Guinness in 1894 and died in 1945. It was he who mirrored and enlarged the Guinness-family tradition of noblesse oblige and began the practical application of primary care to make employment in the Guinness Brewery a womb to tomb model unequalled anywhere else in the world.

Overall, though, everyone with whom I worked and associated has had an influence on this work. Even though all the names are not written here, I am grateful for their help. Finally, I dedicate this work to my family, past, present, and future. I thank the past generation for shaping my life and my present family for their encouragement. To the future generations, I offer this work as a record of past history and values.

Tony Corcoran
May 2005