Laura P. Claridge - Out of bounds: male writers and gender(ed) criticism
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Out of Bounds : Male Writers and Gender(ed) Criticism
author
:
Claridge, Laura P.
publisher
:
University of Massachusetts Press
isbn10 | asin
:
0870237349
print isbn13
:
9780870237348
ebook isbn13
:
9780585083285
language
:
English
subject
English literature--Male authors--History and criticism, American literature--Male authors--History and criticism, Masculinity in literature, Femininity in literature, Feminism and literature--Great Britain, Feminism and literature--United States, Patriar
publication date
:
1990
lcc
:
PR120.M45O98 1990eb
ddc
:
810.9/9286
subject
:
English literature--Male authors--History and criticism, American literature--Male authors--History and criticism, Masculinity in literature, Femininity in literature, Feminism and literature--Great Britain, Feminism and literature--United States, Patriar
Page iii
Out of Bounds
Male Writers and Gender(ed) Criticism
Edited by Laura Claridge and Elizabeth Langland
The University of Massachusetts Press AMHERST
Page iv
Copyright 1990 by The University of Massachusetts Press All rights reserved Printed in the United States of America LC ISBN 0-87023-734-9 (cloth); 735-7 (paper) Designed by Jack Harrison Set in Sabon by Keystone Typesetting, Inc. Printed and bound by Thomson-Shore, Inc.
Library of Congress Cataloging-in-Publication Data Out of bounds : male writers and gender(ed) criticism / edited by Laura Claridge and Elizabeth Langland. p. cm. Includes bibliographical references. ISBN 0-87023-734-9 (alk. paper). ISBN 0-87023-735-7 (pbk. : alk. paper). 1. English literatureMen authorsHistory and criticism. 2. American literatureMen authorsHistory and criticism. 3. Masculinity (Psychology) in literature. 4. Femininity (Psychology) in literature. 5. Feminism and literatureGreat Britain. 6. Feminism and literatureUnited States. 7. Patriarchy in literature. 8. Sex role in literature. 9. Men in literature. I. Claridge, Laura P. II. Langland, Elizabeth. PR120.M45098 1990 810.9'9286dc2090-35674 CIP
British Library Cataloguing in Publication data are available.
"Mowing" by Robert Frost is reprinted from The Poetry of Robert Frost, edited by Edward Connery Lathem. Copyright 1934, 1969 by Holt, Rinehart and Winston. Copyright 1962 by Robert Frost. Reprinted by permission of Henry Holt and Company, Inc., and Jonathan Cape, Ltd.
Page v
To Jon Palmer Claridge and Jerald Jahn
To imagine a language means to imagine a form of life. Ludwig Wittgenstein
Page vii
Contents
Acknowledgments
ix
Contributors
xi
Introduction
Laura Claridge and Elizabeth Langland
3
"John, John, I blush for thee!": Mapping Gender Discourses in Paradise Lost
Joseph Wittreich
22
Job's Wife and Sterne's Other Women
Melvyn New
55
Where's Poppa? or, The Defeminization of Blake's "Little Black Boy"
Donald Ault
75
The Bifurcated Female Space of Desire: Shelley's Confrontation with Language and Silence
Laura Claridge
92
Beyond the Fragmented Word: Keats at the Limits of Patrilineal Language
Marlon B. Ross
110
Vanity Fair: Listening as a Rhetoricianand a Feminist
James Phelan
132
Projection and the Female Other: Romanticism, Browning, and the Victorian Dramatic Monologue
U. C. Knoepflmacher
148
Page viii
"I stop somewhere waiting for you": Whitman's Femininity and the Reader of Leaves of Grass
Karen Oakes
169
Rewriting the Male Plot in Wilkie Collins's No Name: Captain Wragge Orders an Omelette and Mrs. Wragge Goes into Custody
Deirdre David
186
Fictions of Feminine Voice: Antiphony and Silence in Hardy's Tess of the d'Urbervilles
Margaret R. Higonnet
197
Henry James and the Uses of the Feminine
William Veeder
219
Gesturing toward an Open Space: Gender, Form, and Language in E. M. Forster's Howards End
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