Caroline Haigh - Classical Recording

Classical Recording: A Practical Guide in the Decca Tradition is the authoritative guide to all aspects of recording acoustic classical music. Offering detailed descriptions, diagrams, and photographs of fundamental recording techniques such as the Decca Tree, this book offers a comprehensive overview of the essential skills involved in successfully producing a classical recording. Written by engineers with years of experience working for Decca and Abbey Road Studios and as freelancers, Classical Recording equips the student, the interested amateur, and the practising professional with the required knowledge and confidence to tackle everything from solo piano to opera.

Caroline Haigh grew up with equal love for music, maths, and physics and combined study of all of them on the Tonmeister course at the University of Surrey. She began her career in classical post-production working for Decca during her final year at university, and she stayed there for several years before moving around the corner to Abbey Road Studios (EMI) in 1996. At both Decca and EMI, she gained experience with countless major classical artists and became a sought-after and skilful editor, working on several Grammy awardwinning albums, including Les Troyens (Decca OSM/Dutoit), Best Opera 1995. Having enjoyed giving guest seminars at the University of Surrey during her time at Abbey Road, Caroline was recruited to teach on the Tonmeister course on a permanent basis from 2009. She currently teaches recording techniques, production/post-production skills, and electro-acoustics (microphones), and she continues to work as a freelance classical editor.

John Dunkerley is one of the worlds most highly respected and emulated classical recording engineers. Throughout a long career at Decca and then as a freelancer, his recordings have been renowned for their ravishingly beautiful sound and attention to detail. He has worked with almost all the major artists of the last 40 years and has made over a thousand CDs, and his recordings have earned over 15 Grammy awards. John is one of the last engineers alive to have learnt his craft from the great Kenneth Wilkinson, the inventor of many of the techniques that underpin the classical recording art. John teaches workshops at the University of Surrey, at the Banff Centre, and at the Abbey Road Institute.

Mark Rogers studied on the Tonmeister course at the University of Surrey. He began his career working with John Dunkerley at Decca, and then spent nine years around the corner at EMIs Abbey Road Studios, where he was the chief technical engineer for Studio One, famous for its orchestral and film score recordings. Here he worked with hundreds of different producers and engineers and gained unique insight into the huge variety of techniques used in classical recording. In 2000 he moved to a management role at Warner Music, and after four years left to become a freelance recording producer, engineer, and musician. Since then he has worked for a wide variety of clients, including the Royal Opera House, Covent Garden, and back where he started at Decca. His recordings have won many accolades, including a Grammy award in 2009. Mark is a visiting lecturer at the University of Surrey.

www.aes.org

Editorial Board

Chair: Francis Rumsey, Logophon Ltd.

Hyun Kook Lee, University of Huddersfield

Natanya Ford, University of West England

Kyle Snyder, University of Michigan

Hack Audio: An Introduction to Computer Programming and Digital Signal Processing in MATLAB

Eric Tarr

Loudspeakers: For Music Recording and Reproduction

Philip Newell and Keith Holland

Beep to Boom: The Development of Advanced Runtime Sound Systems for Games and Extended Reality

Simon N. Goodwin

Intelligent Music Production

Brecht De Man, Ryan Stables, and Joshua D. Reiss

Women in Audio

Leslie Gaston-Bird

Audio Metering: Measurements, Standards and Practice

Eddy B. Brixen

Classical Recording: A Practical Guide in the Decca Tradition

Caroline Haigh, John Dunkerley, and Mark Rogers

The MIDI Manual 4e: A Practical Guide to MIDI within Modern Music Production

David Miles Huber

For more information about this series, please visit: www.routledge.com/Audio-Engineering-Society-Presents/book-series/AES