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Evans - Banjo For Dummies

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A complete guide to the world of the five-string banjo written for both beginners and more experienced players. Packed with over 120 how-to photos and 130 musical examples.94 track CD included - hear and play along with every exercise and song. The only book to offer instruction in clawhammer, bluegrass, melodic, single-string, minstrel and classic styles. From Earl Scruggs driving bluegrass picking to the genre-busting jazz fusion of B & eacute;la Fleck and the multi-million selling movie soundtrack O Brother Where Are Thou, the five-string banjo can be heard just about everywhere in American music these days. Banjo For Dummies is the most complete guide to the five-string banjo ever written. It covers everything you need to get into the banjo: including how to choose, tune and care for your instrument, developing a good playing posture, fretting your first chords and getting comfortable with the left and right hand picking patterns used for clawhammer and bluegrass playing techniques. Youll then add the left hand, spicing up your playing with slides, hammer-ons, pull-offs, and chokes for an authentic five-string banjo sound. From there, youll move on the play 19th century minstrel style, early 20th century classic style as well as try your hand at more advanced examples of bluegrass style. An in-depth chapter on bluegrass music explores Scruggs licks and techniques as well as melodic and single-string styles, with song examples. Also included is a banjo buyers guide, a section on music theory as applied to bluegrass and old-time music, an accessories guide (advice on cases, picks, straps, metronomes, computer aids and much more), information on how to find a good teacher, banjo camp or festival, chord charts, bios of twelve influential players, practice tips and much, much more!Banjo For Dummies is accessible and fun to read and its easy to locate just what youre interested in playing. Included are 20 songs including several new compositions written by the author just for this book, including Reno Rag (single-string style), Winstons Jig (Irish three-finger), and Everyday Breakdown (Scruggs style). All musical examples are played slowly on the accompanying CD, many with guitar and mandolin accompaniment. Bill Evans is one of the worlds most celebrated banjo players and teachers. He has taught thousands of people to play the five-string banjo in private lessons and group workshops literally all over the world. In addition to leading the Bill Evans String Summit, Bill has performed with Dry Branch Fire Squad, David Grisman, Peter Rowan, Tony Trischka and many others and he hosts his own acclaimed banjo camp, the NashCamp Fall Banjo Retreat in the Nashville area. As an American music historian, he has taught at San Francisco State University, the University Virginia and Duke University. He has written a popular instructional column for Banjo Newsletter magazine for the last fifteen years and hosts three popular instructional DVDs for AcuTab Publications. To learn more about Bill, visit his homepage at www.nativeandfine.com. Note: CD-ROM/DVD and other supplementary materials are not included as part of the e-book file, but are available for download after purchase.

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Banjo For Dummies by Bill Evans Banjo For Dummies Published by Wiley - photo 1
Banjo For Dummies

by Bill Evans

Banjo For Dummies Published by Wiley Publishing Inc 111 River St Hoboken - photo 2

Banjo For Dummies

Published by
Wiley Publishing, Inc.
111 River St.
Hoboken, NJ 07030-5774
www.wiley.com

Copyright 2007 by Wiley Publishing, Inc., Indianapolis, Indiana

Published by Wiley Publishing, Inc., Indianapolis, Indiana

Published simultaneously in Canada

No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, 978-750-8400, fax 978-646-8600. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, 201-748-6011, fax 201-748-6008, or online at http://www.wiley.com/go/permissions.

Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc. and/or its affiliates in the United States and other countries, and may not be used without written permission. All other trademarks are the property of their respective owners. Wiley Publishing, Inc., is not associated with any product or vendor mentioned in this book.

LIMIT OF LIABILITY/DISCLAIMER OF WARRANTY: The publisher and the author make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation warranties of fitness for a particular purpose. No warranty may be created or extended by sales or promotional materials. The advice and strategies contained herein may not be suitable for every situation. This work is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional services. If professional assistance is required, the services of a competent professional person should be sought. Neither the publisher nor the author shall be liable for damages arising herefrom. The fact that an organization or Website is referred to in this work as a citation and/or a potential source of further information does not mean that the author or the publisher endorses the information the organization or Website may provide or recommendations it may make. Further, readers should be aware that Internet Websites listed in this work may have changed or disappeared between when this work was written and when it is read.

For general information on our other products and services, please contact our Customer Care Department within the U.S. at 877-762-2974, outside the U.S. at 317-572-3993, or fax 317-572-4002.

For technical support, please visit www.wiley.com/techsupport.

Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.

Library of Congress Control Number: 2007926013

ISBN: 978-0-470-12762-9

Manufactured in the United States of America

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About the Author

Banjo player Bill Evans is not to be confused with the deceased jazz piano legend or the very much living jazz saxophone player (or the Austin, Texas, real estate agent). This Bill Evans is a banjo player, performer, teacher, workshop leader, recording artist, composer, producer, record label owner, and American music historian. For a banjo player, Bill has an unusual amount of schooling. He earned his bachelors degree in anthropology with a specialization in folklore from the University of Virginia as a DuPont Scholar and a masters degree in music with a specialization in ethnomusicology from the University of California, Berkeley. After completing coursework for the PhD at Berkeley with a specialization in American music and the music of Japan, Bill taught courses in ethnomusicology and American music history at San Francisco State University, Duke University, and the University of Virginia and was the Associate Director of the International Bluegrass Music Museum in Owensboro, Kentucky. A recipient of a Brown ForemanAl Smith Artist Fellowship from the Kentucky Arts Council, Bill has also served as a consultant to the National Endowment for the Arts.

As a recording artist, Bills CD Native and Fine (Rounder Records) earned an honorable mention for Acoustic Instrumental Recording of the Year from NAIRD. His CD Bill Evans Plays Banjo (Native and Fine Records), featuring all original instrumental compositions, was on many best of lists, including those of the Chicago Tribune and County Sales. Bill earned a nomination for Recorded Event of the Year from the International Bluegrass Music Association for his work as producer on Suzanne Thomas CD Dear Friend and Gentle Hearts. As a performing artist, Bill has played with Dry Branch Fire Squad, Tony Trischka, David Grisman, Peter Rowan, Maria Muldaur, Jody Stecher, Kathy Kallick and Laurie Lewis, among others. He tours nationally with his solo show The Banjo in America in addition to leading his own band, the Bill Evans String Summit.

Bill is a long-time contributor to Banjo Newsletter magazine and co-hosts an annual banjo camp, the Sonny Osborne NashCamp Banjo Retreat, held each fall outside of Nashville, Tennessee. In addition, Bill participates in workshops all over North America, hosts several popular instructional DVDs for AcuTab Publications, and maintains an active private teaching practice at his home in Albany, California. His former students include Chris Pandolfi, Greg Liszt, Jayme Stone, and Eric Yates. He is the co-author of Parking Lot Pickers Songbook: Banjo Edition from Mel Bay Publications.

To learn more about Bill, visit www.nativeandfine.com.

Dedication

Id like to acknowledge the support and love of my family: my wife Kathy and my children Jesse and Corey. I dedicate this book to you.

Authors Acknowledgments

Id like to thank Jody Stecher, Brad Leftwich, and Eli Kaufman of the American Banjo Fraternity for their advice and assistance in the preparation of the clawhammer and classic banjo sections of this book.

I am indebted to Elderly Instruments of Lansing, Michigan for providing many of the photos. Many thanks to Elderlys Stan Werbin, photographer Dave Matchette, and gig bag model C. Misener for their time and energy. Thanks also to photographer Kelsey Vaughn at Gruhn Guitars for supplying photos of the Osborne Chief banjo. The rest of the photos in this book were taken by Anne Hamersky. Thanks, Anne, for your fantastic, inspirational work, and thanks to Annes assistant, Caitlin Atkinson. Im also grateful to have worked with Dix Bruce on the CD that accompanies this book. Thank you, Dix, for your guitar and mandolin playing and for your engineering and mixing talents. Thanks also to Larry Cohea, John Lawless, Gretchen Snyder, Erin English, Paul Hostetter, and Don Nitchie of

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