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Dickson - The Hidden Language of Baseball: How Signs and Sign Stealing Have Influenced the Course of Our National Pastime

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Dickson The Hidden Language of Baseball: How Signs and Sign Stealing Have Influenced the Course of Our National Pastime
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/ Baseball is set apart from other sports by many things, but few are more distinctive than the intricate systems of coded language that govern action on the field and give baseball its unique appeal. During a nine-inning game, more than 1,000 silent instructions are given-from catcher to pitcher, coach to batter, fielder to fielder, umpire to umpire-and without this speechless communication the game would simply not be the same. Baseball historian Paul Dickson examines for the first time the rich legacy of baseballs hidden language, offering fans everywhere a smorgasbord of history and anecdote. / / / / / / Whether detailing the origins of the hit-and-run, the true story behind the home run that gave Home Run Baker his nickname, Bob Fellers sign-stealing telescope, Casey Stengels improbable method of signaling his bullpen, the impact of sign stealing on the Giants miraculous comeback in 1951, or the pitches Andy Pettitte tipped off that altered the momentum of the 2001 World Series, Dicksons research is as thorough as his stories are entertaining. A roster of baseballs greatest names and games, past and present, echoes throughout, making The Hidden Language of Baseball a unique window on the history of our national pastime.

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THE

HIDDEN LANGUAGE

OF

Baseball


Bat and Ball Books by Paul Dickson

Picture 1

The Dickson Baseball Dictionary

Baseballs Greatest Quotations

Baseball: The Presidents Game

(with William B. Mead)

The Worth Book of Softball

The Joy of Keeping Score

The New Dickson Baseball Dictionary

THE

HIDDEN LANGUAGE

OF

Baseball

How Signs and Sign-Stealing

Have Influenced the Course

of Our National Pastime

Paul Dickson

Copyright 2003 by Paul Dickson All rights reserved No part of this book may - photo 2

Copyright 2003 by Paul Dickson

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the Publisher.

First published in the United States of America in 2003

by Walker Publishing Company, Inc.

First paperback edition, published in 2005.

Distributed to the trade by Holtzbrinck Publishers

For information about permission to reproduce selections

from this book, write to Permissions, Walker & Company,

104 Fifth Avenue, New York, New York 10011

Library of Congress Cataloging-in-Publication Data

Dickson, Paul.

The hidden language of baseball: how signs and sign-stealing have influenced the course of our national pastime / Paul Dickson.

p. cm.

Includes bibliographical references and index.

eISBN: 978-0-802-71930-0

1. Baseball signs and signalsUnited StatesHistory. I. Title.

GV875.8.D53 2003

796.357'2dc21 2003041125

Art credits: National Baseball Hall of Fame Library, Cooperstown, N.Y. Wide World Photo, Inc. Courtesy Robert Skole. Author's collection. National Archives. Cleveland Indians. Boston Public Library, McGreevy Project. Boston Public Library, Leslie Jones. Boston Public Library, Boston Herald Collection. Boston Public Library, Boston Traveler Collection. Courtesy of the New York Yankees. Courtesy of the Chicago White Sox ( Ron Vesely). AP/Wide World Photo Archive.

Book design by M. J. DiMassi

Visit Walker & Company's Web site at www.walkerbooks.com

Printed in the United States of America

2 4 6 8 10 9 7 5 3 1

Contents

"Cleveland was playing Chicago. [White Sox] Runners were onfirst and third. [The Indians'] Schalk signaled to the moundsmanfor a curve. Speaker saw the signal flashed and ordered a delayeddouble steal. Gleason caught that signal, the White Sox switchedpositions, and Schalk signaledfor a pitch-out.

"The pitch out signal was caught by Uhle, who was coaching,and Speaker signaled for a change. The result was that the runnersheld their bases and the pitcher wasted a ball. Schalk signaledagain, the infield changed and Speaker ordered a delayed steal.Ray was warned and ordered another pitch-out, but no soonerhad he flashed that signal than Speaker had ordered another waitand Schalk, thinking to outguess Tris, ordered a fast ball. AsSchalk changed his signals Speaker, guessing that he would do exactlythat, signaledfor the hit-and-run, with the result that a hitwhipped through the infield, winning the game. "

Bill Wambsganss, describing the greatest play he had ever witnessed for the New York Evening Post and reprinted in Collier's, August 2, 1924, under the heading: "Brainwork on the Diamond."

Picture 3


THE

HIDDEN LANGUAGE

OF

Baseball

I was born on July 30, 1939, in Yonkers, New York. My neighborhood in South Yonkers, a few blocks out of the Bronx, was then, is now, and will probably always be Yankee territory. My first full month on Earth was Joe DiMaggio's best month in pinstripes: Between August one and September one, he batted .405, with fourteen home runs and fifty-two RBIs. There were ten games alone in which he produced three or more runs. At about this time Yankee broadcaster Arch McDonaldwith an eye on the sleek, new forty-one-ton Pan-American Airlines intercontinental Clipper aircraftgave DiMaggio his most enduring nickname.

By the time I turned six, I knew that one of the reasons to end World War II was to put the Yankee Clipper back on the field. Another was to bring my uncles back to Bayley Avenue in South Yonkers. In those days four generations of my mothers family inhabited part of 5, all of 19, and all of 31 Bayley Avenue, which was my house. My great-grandfather Phil Lehrbach, who lived at number 5, was a fanatical Dodgers fan, stemming in part from the fact that he had been a business partner of Charles Ebbets in the 1880s: They were among the first to promote and profit from the immigrant sport of bowling, and under the leadership of a jovial restaurateur and great bowler named Joe Thum, they formed the American Bowling Congress in 1895.

In September 1944 my uncle George came home unexpectedly from the South Pacific for a few days of shore leave, and he chose to spend one of them taking me, his adoring five-year-old nephew, to Yankee Stadium. We boarded the old Hudson River Day Liner in Yonkers, chugged downriver, and got off in the Bronx, where we grabbed a cab to the stadium. We arrived very early, as my uncle was a devotee of batting practice.

He was in uniform with a chestful of campaign ribbons and the arm patch that identified him as a Seabee, a member of a navy construction battalion, which, among other things, boarded damaged, often burning, and sometimes sinking ships and tried to repair them. In the late summer of 1944 a decorated sailor at the ballpark was a rarity, and the man at the booth waved us through the turnstiles with a wink and without charge. An usher took us to the Yankee clubhouse, where a few of the players were lingering and where Tommy "Old Reliable" Henrich was holding court. Henrich, who had come up with the Yankees in 1937 and had been a major factor in the 1941 Yankee World Championship, was in the uniform of the Coast Guard and, like his teammate DiMaggio, out of the lineup for the duration of the war.

Henrich immediately took us under his wing and got us seated in the owner's box, where we were fed by vendors who refused to accept payment and fans came by for Henrich's autograph. Positioned between these two great men in blue uniforms, I felt like an Arabian boy-prince one might have seen in news reel films.

This was, of course, exactly how I thought life should be led, and leaving the park that day, I decided that I loved baseball. It would be several years before I understood that this outing was not typical, though it remains vivid for me to this day and allows me to believe that there are, in fact, perfect moments in an imperfect universe.

Both my uncles came back from the war safely, and DiMaggio and Henrich quickly reclaimed their positions, respectively, from the less than legendary Tuck Stainback and Bud Metheny. In the months after the war my great-grandfather, then in his eighties, taught me all he could about the game while we sat in his stuffy one-room apartment under photos of himself with Lou Gehrig, Jimmie Foxx, Babe Ruth, and others. The Dodgers were his team, but he could not get DiMaggio out of his head and talked about him incessantly.

Listening to this immigrant who was almost eighty years my senior was akin to attending a baseball elementary school. My friends all knew what a home run was, but because of my great-grandfather I could tell them that not all home runs were equal and that a right-field pop fly in Yankee Stadium would be a home run at the Polo Grounds.

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