Praise for Last Night a DJ Saved My Life
An informative, entertaining, and immensely likeable book.
Independent (UK)
Brewster and Broughton exhibit considerable skill in rendering the meta-story seamless, subtly turning what is essentially an oral history, culled from original interviews and other published sources, into an orchestral piece.
Hartford Courant
If youre a DJ or a dance addict, youll love it.
Daily Mail (UK)
Like an inspired set on the wheels of steel, Last Night a DJ Saved My Life fashions a vast array of emotions, ideas, and history in[to] an extended yet entertaining program. The authors condense a centurys worth of highlights, beginning with a 1906 radio broadcast, into a tome that leaves the reader feeling like a spent dancer: uplifted and a little overwhelmed, yet not utterly exhausted.... Ultimately, Last Night a DJ Saved My Life does what any successful music book should: It compels the reader to slap the music in question... on the stereo.
Kurt B. Reighley, Pulse!
[A] superb book... essential reading for wannabe DJs or indeed anybody who loves clubbing and popular music.
Time Out (London)
Very informative... takes you way back into the true roots of dance music and hip-hops culture, then smoothly brings you into the future.
DJ and producer Danny Tenaglia
Exhaustive yet entertaining... a definitive history of the disc jockey... The book lovingly captures a host of compelling stories from every seminal DJ across the last century.... The energy which so obviously jumps from the books pages, as the authors culturally contextualize club historys main players, elevates Last Night way above the trainspotter tome a book of its ilk could easily have become.
i-D (UK)
From counterculture to mainstream leisure, the DJ has always been at the heart of clubland... An illuminating, thoughtful, and insightful tome.
Muzik (UK)
Bill Brewster and Frank Broughton... have illuminated patches of musical history long hidden from sight... Written with a music lovers zeal and a populists scope, this is one for anyone who has ever found themselves lost on the dancefloor.
The Face (UK)
The comprehensive clubland history.
Jockey Slut
You arent likely to find a better researched or more wryly humorous look at the history of DJing.
DJ Times
LAST NIGHT
A DJ SAVED
MY LIFE
Also by Bill Brewster and Frank Broughton
Ministry of Sound: The Manual
How to DJ (Properly): The Art and Science of Playing Records
LAST NIGHT
A DJ SAVED
MY LIFE
The History of the Disc Jockey
Bill Brewster and Frank Broughton
Grove Press
New York
Copyright 1999, 2000, 2006 by Bill Brewster and Frank Broughton
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Scanning, uploading, and electronic distribution of this book or the facilitation of such without the permission of the publisher is prohibited. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the authors rights is appreciated. Any member of educational institutions wishing to photocopy part or all of the work for classroom use, or anthology, should send inquiries to Grove/Atlantic, Inc., 154 West 14th Street, New York, NY 10011 or .
First published in 1999
by HEADLINE BOOK PUBLISHING
Revised edition published in 2000
by GROVE PRESS
Updated edition published in paperback in 2006
by HEADLINE BOOK PUBLISHING
Published simultaneously in Canada
Printed in the United States of America
ISBN 978-0-8021-4610-6
eISBN 978-0-8021-9436-7
Grove Press
an imprint of Grove/Atlantic, Inc.
154 West 14th Street
New York, NY 10011
Distributed by Publishers Group West
www.groveatlantic.com
Whosoever knoweth the power of the dance, dwelleth in God.
Rumi, Persian dervish poet
Whosoever danceth not, knoweth not the way of life.
Jesus Christ, in a second century gnostic hymn
Custom-made double turntable built in 1955 by Edward P. Casey of the Bronx, New York.
CONTENTS
You Should Be Dancing
Make Believe Ballroom
Night Train
After Tonight Is All Over
Wreck Up A Version
Love Is The Message
She Works Hard For The Money
So Many Men, So Little Time
Adventures On The Wheels Of Steel
Planet Rock
Ill Take You To Paradise
Can You Feel It?
The Sound
Bryllyant
Ive Lost Control
Keep On Moving
Even Better Than The Real Thing
Renegade Snares
God Is A DJ
I Havent Stopped Dancing Yet
ORIGINAL PREFACE
Original Preface
A lot of DJs around now, they need to know about this stuff. Someone should put a book together of all this and then we can give it to people and say, read this before you go DJing .
Ashley Beedle, DJ and producer
Theres not a problem that I cant fix
cos I can do it in the mix.
Indeep, Last Night A DJ Saved My Life
T he story of dance music resides in the people who made it. Or at least played it. And guess what most of them are alive and well and full of tall tales. We set out to meet as many as possible and start them talking. Some are extremely famous, some we didnt know were still breathing. Some we found in the phone book. Once we started asking questions, the nuggets came flooding out and we were soon brimming with details no one else knew; finding connections that no one had noticed. We were surprised that this story had never been told in full, and along the way felt a sneaking pride that we would be the ones to do it.
Because, sadly, most writing about dance music just hasnt stuck. We keep on reading the same old repeated mistakes, the same well-worn myths, the same poorly researched articles written completely without context. And were just too thick to deal with the books that have copied all these together and used them as the basis for a lot of abstract nonsense about postmodern intertextuality and Hegelian Gesundfarbensextenkugelschreiber.
So being simple folk, we wrote a simple book. There are a few socio-cultural theories in here, and we like to think weve done a pretty good job of connecting things together and showing where they fit, but what youre about to read is mostly just great stories from people with big egos, explaining what they did to change music.
We aimed to write a biography of dance musics most important figure the disc jockey. Our story is of how the DJs job evolved and how the DJ has been the driving force in popular music. In telling it weve concentrated on his crazier years when he was shaking things up, and given less emphasis to his recent behaviour now that hes settled down and become respectable.
Given this emphasis, this is not a history of dance music itself (although it nearly is). We didnt have time or space to explore the creation of every last sub-genre, so as we followed the evolution of dance music we set our limits with the motto, Remember the DJ and concentrated on the impact of his DJing role rather than the changes he made purely as a producer. And dont be disappointed if your favourite jock doesnt get a whole chapter to himself. We were looking for whoever got there first, not necessarily the ones who were the best. There are plenty of DJs who, while being amazing, talented artists that we know and love and have danced to on many occasions, are only bit players in the big picture.
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