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Duke - Call Me Anna

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Call Me Anna: summary, description and annotation

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The Star--The public saw her as a gifted child star: the youngest actor to win an Oscar for her role as Helen Keller in The Miracle Worker and the youngest actor to have a prime-time television series bearing her own name. The Nightmare--What the public did not see was Anna Marie Duke, a young girl whose life changed forever at age seven when tyrannical mangers stripped her of nearly all that was familiar, beginning with her name. She was deprived of family and friends. Her every word was programmed, her every action monitored and criticized. She was fed liquor and prescription drugs, taught to lie to get work, and relentlessly drilled to win roles. The Legend--Out of this nightmare emerged Patty Duke, a show business legend still searching for the child, Anna. She won three Emmy Awards and divorced three husbands. A starring role in Valley of the Dolls nearly ruined her career. She was notorious for wild spending sprees, turbulent liaisons, and an uncontrollable temper. Until a long hidden illness was diagnosed, and her amazing recovery recovery began. The Triumph-- Call Me Anna is an American success story that grew out of a bizarre and desperate struggle for survival. A harrowing, ultimately triumphant story told by Patty Duke herself--wife, mother, political activist, President of the Screen Actors Guild, and at last, a happy, fulfilled woman whose miracle is her own life. From the Paperback edition.

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A STORY OF SURVIVAL AND SUCCESS OF REBELLION AND ABUSE OF COURAGE AND TRIUMPH - photo 1
A STORY OF SURVIVAL AND SUCCESS, OF REBELLION AND ABUSE, OF COURAGE AND TRIUMPH
CALL ME ANNA

Here Patty Duke tells her personal story, her journey from child star to award-winning adult actress, from confused and abused teenager to a highly respected and refreshingly honest show business personalityand she tells it in a voice so familiar to millions of us, yet so starkly and startlingly frank that you will never see Patty Duke the same way againor forget the little girl whose real name was Anna Marie. Inside Patty reveals:

  • Her terrifying appearances on TVs rigged quiz show, The $64,000 Challenge, that led to her testimony before the congressional subcommittee investigating the show.
  • Her courageous break from her ruthless managers when they tried to stop her from seeing the first man she fell in love with.
  • Her passionate love affair with 17-year-old Desi Arnaz, Jr. that was thwarted by an angry Lucille Ball.
  • Her many liaisons that included a most unusual affair with Frank Sinatra, out-of-wedlock pregnancy, a wedding to a stranger, and her long-term stormy marriage to the much older John Astin.
  • The diagnosis of manic depression that began her successful rehabilitation.
  • The challenge of bringing up two sons who have followed their mother in acting careers.

and much more.
CALL ME ANNA

Related with such appealing honesty, courage, self-deprecating humor and strong desire to make the reader understand how it all could have happened, that she succeeds in winning you over.

The Washington Post

CALL ME ANNA A Bantam Book PUBLISHING HISTORY Bantam hardcover edition - photo 2

CALL ME ANNA

A Bantam Book
PUBLISHING HISTORY
Bantam hardcover edition published August 1987
Bantam paperback edition / June 1988

All rights reserved.
Copyright 1987 by patty Duke.
Library of Congress Catalog Card Number: 87-47591.
No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher.
For information address: Bantam Books.

eISBN: 978-0-307-78866-5

Bantam Books are published by Bantam Books, a division of Bantam Doubleday Dell Publishing Group, Inc. Its trademark, consisting of the words Bantam Books and the portrayal of a rooster, is Registered in U.S. Patent and Trademark Office and in other countries. Marca Registrada. Bantam Books, 1540 Broadway, New York, New York 10036.

v3.1

This book is dedicated to My Husband, my Mother, my Father, my Sister, my Brother, and my Children and theirs.

And bizarre though it may be, John and Ethel Ross.

ACKNOWLEDGMENTS

Angel of God, my guardian dear
To Whom his love commits me here;
Ever this day be at my side
To light and guard
To rule and guide.

This little prayer from my childhood occurred to me as I recalled all those who should be thanked for bringing me this far.

Some of them have names that are familiar, some have names that are not and some will remain nameless even to me. Among those guardian angels are those without whom this particular promise could never have been kept. For their love, their light and their guidance, I am grateful to:

Mitchell Dawson for his good counsel as my friend, especially, but also as my good counsel.

Bobbe Joy Dawson, Mary Lou Pinckert, Sam Faulkner and the munchkin, Sandy Smith, the girlfriends I longed for and treasure so much.

Ralph and Rosalie Turner, my friends who insure that the fruits of my labor are now stored safely.

Laureen Lang and Neil Kreppel whove assisted me so lovingly in every way over the years.

Arnold and Lois Peyser, my friends who assured me if I did a TV Guide interview with Kenny Turan, I wouldnt be disappointed.

Steve Rubin, who read that article and had the insight, foresight, and faith to reteam Turan and Duke for Bantam.

Kenneth (youll always be Kenny to me) Turan. You met a gun-shy actress for a magazine interview and won her trust, her friendship, and her deep respect forever.

My children, all of you, for all that you are and all that you give me.

Dr. Harold Arlen for helping me find me at last.

And, of course you, Michael Ray Pearce, for finding me Forever and Our one day.

Contents
INTRODUCTION

A bout two years ago I went to a meeting in the office of Sid Sheinberg, president of MCA and one of the most powerful men in the entertainment industry. I was part of an ad hoc delegation of Screen Actors Guild members, a gracious, dignified lady. Sid looked at me hard and said, Well, its been a long time, hasnt it? And I said, Yes, it has. Neither one of us went into any details. I just turned to the folks I was with and said, Sid and I have had a few meetings in here. What I didnt tell them was that the last time I was in Sids office, I shouted a string of obscenities and threw his Mickey Mouse clock at him for good measure. When people said about me Shes trouble, they werent kidding.

That all happened in 1970, when I was pregnant but no one knew it. I was guest-starring on an episode of Matt Lincoln, M. D., starring Vince Edwards. We were on location on the palisades near San Pedro, and I was hanging off a cliff, supposedly committing suicide.

There had been a lot of technical problems that morning, the crew was tired and hungry and they wanted to eat, but it was decided that the actors would take lunch first so the crew could continue to set up the suicide shot. It was none of my businessnonebut I couldnt keep my nose out of it. I decided I wasnt going to lunch until the crew went to lunch. Very unionistic. An argument ensued and I stormed off to get into a car and leave. I said I was going to Beverly Hills to eat, they said I had only a half hour and couldnt go that far, I said I was taking an hour, maybe even an hour and a half, so they told the Teamster assigned to my car not to drive me anywhere.

I was getting out of control at this point, and, holding my tiny dog, Tara, and wearing a floor-length black and white leather coat over a miniskirt, I must have looked like a court jester. I said, Fine, the hell with you, and went out to the street to hail a cab. Of course, one didnt exist. What came by instead was, of all things, an army garbage truck. I stuck my thumb out and the driver picked me up. The assistant director started screaming, Dont you take her anywhere, I was yelling, Go guys, go, go, go, and suddenly my departure turned into a great rollicking, hysterical chase, with a studio limo coming after the garbage truck with me and the dog in it. We pulled into the army base, closed the gates, and wouldnt let the limo in.

Then came negotiations through the fence:

Are you coming back?

No. Its my lunch hour. I can do anything I want.

You gotta come back.

Ill come back when you feed the crew.

The crew already went to lunch.

Then Ill eat here with the guys.

No, no, youve gotta come back.

Then can the guys come and eat with us?

Well, it turned out that these guys were Section Eight, genuinely crazy types (who else would pick me up?) whod been let out on garbage detail as a kind of occupational therapy and had to get permission to go to lunch. Not only did I invite them, but anybody else they cared to invite as well. I went back to the location site, and as I was standing in line, getting my food, over this little ridge came what looked to me like maybe a hundred or a hundred and twenty guys in uniform, looking for lunch. I knew then I was in big trouble. And sure enough I got the call. Sid Sheinberg wants to see you.

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